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Cited by 3Public Spaces through ArtArt, Politics, and ModernismContemporary art, education, critique

The DOI matches its Crossref record; 7 of the 7 references it cites were found in a registry or an index.

Scratching Behind the Walls; Graffiti and Symbolic Political Imagination at Cuartel San Carlos (Caracas, Venezuela)

Sánchez, Rodrigo Navarrete, López, Ana María·2009·Contributions To Global Historical Archaeology
DOI 10.1007/978-1-4419-0679-3_8
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Abstract

Rock art is as old as human history. South American rock carvings and paintings provide invaluable evidence of our aboriginal past. As a matter of fact, spontaneous artistic interventions on buildings and walls (equivalent to modern graffiti) appear for the first time in Ancient Egypt and Greece. But urban graffiti is definitely a modern phenomenon. It is typical of late capitalism and, for some researchers, of postmodernity. Graffiti generally started to cover big cities’ walls in the 1970s (Silva Téllez 1987).

Overview

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Crossref · 10.1007/978-1-4419-0679-3_8

Cites

7 of 7 references verified0 citation errors · 0 not checkable

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Citations

Cites

Show all 7 references

Research works printed but not linked: 8

  1. Amodio, E., Navarrete, R. and Rodríguez, A., 1997, El Camino de los Españoles. Aproximaciones Históricas y Arqueológicas al Camino Real Caracas - La Guaira en la Época Colonial. Instituto del Patrimonio Cultural, Caracas.
  2. Carriles, C., 2000, Cuadernos Historia de Venezuela. Cadena Carriles, Caracas.
  3. De Valencia, R. and Sujo, J., 1987, El Diseño en los Petroglifos Venezolanos. Fundación Pampero, Caracas.
  4. García Ponce, G., 1968, El Túnel del San Carlos. Ediciones La Muralla, Caracas.
  5. González, D., 1998, Estudio Histórico Patrimonial: Cuartel San Carlos, Parroquia San José, Caracas. Instituto del Patrimonio Cultural, Caracas.
  6. Instituto del Patrimonio Cultural, 2000, La Cultura Libera al San Carlos. Concurso Nacional de Ideas. La Transformación del Cuartel San Carlos en Centro Nacional de las Artes. Instituto del Patrimonio Cultural, Caracas.
  7. Jaimes Quero, H., 2003, Mentalidades, Discurso y Espacio en la Caracas de Finales del Siglo XX (Mentalidades Venezolanas vistas a través del Graffiti). Fundación para la Cultura Urbana, Caracas.
  8. Ramírez, D., 2000, Imaginario Militar Carcelario. La Dinámica Imaginaria del Cuartel San Carlos. Unpublished undergraduate thesis, Escuela de Antropología, Facultad de Ciencias Económicas y Sociales, Universidad Central de Venezuela, Caracas.

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Metadata

Authors
Sánchez, R. N., & López, A. M.
Affiliations
Universidad Central de Venezuela (VE)
Venue
Contributions To Global Historical Archaeology
Publisher
Springer New York
Published
2009
Pages
105-125
ISSN
1574-0439 (ISSN-L)
DOI
10.1007/978-1-4419-0679-3_8
OpenAlex
W369215217
Cited by
3
References
7
Citations by year
2024: 1 · 2017: 1
FWCI
1.02
Type
book chapter
Language
en
Open access
closed
Licence
Locations
Contributions To Global Historical Archaeology/Contributions to global historical archaeology (publishedVersion)
Topics
  • Social Sciences › Urban Studies › Public Spaces through Art
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Politics, and Modernism
  • Social Sciences › Cultural Studies › Contemporary art, education, critique
Keywords
graffiti, Caracas, political murals, urban art, political protest, state repression, political opposition, rock art, public space

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CoChat. (2026). Citation check: Scratching Behind the Walls; Graffiti and Symbolic Political Imagination at Cuartel San Carlos (Caracas, Venezuela). https://app.cochat.ai/papers/10.1007/978-1-4419-0679-3_8
The paper
Sánchez, R. N., & López, A. M. (2009). Scratching Behind the Walls; Graffiti and Symbolic Political Imagination at Cuartel San Carlos (Caracas, Venezuela). Contributions To Global Historical Archaeology. https://doi.org/10.1007/978-1-4419-0679-3_8

Data sources

Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.