The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed
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The debates sparked by these claims have reverberated loudly in the field of cultural sociology, where a number of subsequent studies have attempted to critically engage with, refine or elaborate on the omnivore thesis.
“The debates sparked by these claims have reverberated loudly in the field of cultural sociology, where a number of subsequent studies have attempted to critically engage with, refine or elaborate on the omnivore thesis (Atkinson 2011).”
From Bourdieu and the Sociology of Music Consumption: A Critical Assessment of Recent Developments (2013) · cites this paper as Atkinson 2011
Those who have attempted something like a middle ground position have had to tread delicately between these poles in the spirit of a critical but sympathetic reappraisal of Bourdieu's ideas.
“Those who have attempted something like a middle ground position have had to tread delicately between these poles in the spirit of a critical but sympathetic reappraisal of Bourdieu's ideas (Prior, 2008;Atkinson 2011).”
From Bourdieu and the Sociology of Music Consumption: A Critical Assessment of Recent Developments (2013) · cites this paper as Atkinson 2011
Cites
Bourdieu, P. (1990) · doi:10.1515/9781503621749 · Cited by 17,271 · see citing works
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Bourdieu and the Sociology of Music Consumption: A Critical Assessment of Recent Developments
Prior, N. (2013) · Sociology Compass · doi:10.1111/soc4.12020 · Cited by 78 · see citing works
- Authors
- Atkinson, W.
- Affiliations
- University of Bristol (GB)
- Corresponding author
- Atkinson, Will
- ORCID
- Atkinson, Will
- Venue
- Poetics
- Publisher
- Elsevier BV
- Published
- 2011-06
- Volume
- 39
- Issue
- 3
- Pages
- 169-186
- ISSN
- 0304-422X (ISSN-L)
- OpenAlex
- W2066966617
- Cited by
- 222
- References
- 1
- Citations by year
- 2026: 12 · 2025: 10 · 2024: 7 · 2023: 6 · 2022: 20 · 2021: 21 · 2020: 17 · 2019: 14 · 2018: 20 · 2017: 14 · 2016: 17 · 2015: 26 · 2014: 12 · 2013: 12 · 2012: 13
- FWCI
- 375.45
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Poetics (publishedVersion)
- Bristol Research (University of Bristol) (submittedVersion)
- Funders
- Economic and Social Research Council (ES/G026947/1)
- Topics
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Social Sciences › Sociology and Political Science › Social and Cultural Dynamics
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Keywords
- musical taste, Pierre Bourdieu, distinction, aesthetic orientation, life history (social science method), lifestyle, Bristol, music consumption, cultural capital
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