The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.
Playing the system: ‘Race’-making and elitism in diversity projects in Germany's classical music sector
Open accessOverview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Some concert halls, particularly university-affiliated ones like Koerner Hall and the Grand Hall's MUSE program, frequently offer pre-concert lectures by performing artists.
“Other than digital platforms, some concert halls, particularly those affiliated with university music departments, such as Koerner Hall in Toronto 19 and the Grand Hall's MUSE program at The University of Hong Kong 20 , frequently offer pre-concert lectures by performing artists to deepen the audience's understanding and appreciation of the music.”
From Addressing the challenges and strategies for Western classical music in North America as a living heritage art form (2024) · cites this paper as [19]
The Introduction and section 5.1 discuss a diversity-focused choir project at a German opera institution, not pre-concert lectures. Searches for Koerner Hall, the Grand Hall’s MUSE program, and lectures by performing artists found no passage in our copy addressing the claim. (LLM, conf=0.76)
Experimental — accuracy not yet measured
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Crenshaw, K. (2018) · Feminist Legal Theory · doi:10.4324/9780429500480-5 · Cited by 9,510
Bennett, T., Savage, M., Silva, E. B., Warde, A., Gayo-Cal, M., & Wright, D. (2009) · doi:10.4324/9780203930571 · Cited by 1,368
Flagged first, then by citations
Research works printed but not linked: 21
- Ahmed, 2007, The language of diversity, Ethnic and Racial Studies, 30, 235, 10.1080/01419870601143927 · DOI
- Ahmed, 2007, A phenomenology of whiteness, Feminist Theory, 8, 149, 10.1177/1464700107078139 · DOI · Paper page
- Anderson, 2015, The white space, Sociology of Race and Ethnicity, 1, 10, 10.1177/2332649214561306 · DOI
- Born, 2010, For a relational musicology: music and interdisciplinarity beyond the practice turn, Journal of the Royal Musical Association, 135, 205, 10.1080/02690403.2010.506265 · DOI
- Casey, 2020, Sociology, sociology and the cultural and creative industries, Sociology, 1
- Cousin, 2018, Theoretical and methodological pathways for research on elites, Socio-Economic Review, 16, 225, 10.1093/ser/mwy019 · DOI
- Crenshaw, 1989, Demarginalizing the intersection of race and sex, University of Chicago Legal Forum, 1, 139
- Erigha, 2018, On the margins: Black directors and the persistence of racial inequality in twenty-first century Hollywood, Ethnic and Racial Studies, 41, 1217, 10.1080/01419870.2017.1281984 · DOI
- Friedman, 2020, From Aristocratic to Ordinary: Shifting Modes of Elite Distinction, American Sociological Review, 85, 323, 10.1177/0003122420912941 · DOI
- Friedman, 2015, Cultural sociology and new forms of distinction, Poetics, 53, 1, 10.1016/j.poetic.2015.10.002 · DOI
- Khan, 2014, The ease of mobility, Elite mobilities, 136
- Khan, 2012, Saying meritocracy and doing privilege, The Sociological Quarterly, 54, 9, 10.1111/tsq.12008 · DOI
- Leong, 2013, Racial capitalism, Harvard Law Review, 126, 2151
- McAndrew, 2020, The values of culture? Social closure in the political identities, policy preferences, and social attitudes of cultural and creative workers, The Sociological Review, 68, 33, 10.1177/0038026119871401 · DOI
- Nooshin, 2003, Improvisation as ‘other’, Journal of the Royal Musical Association, 128, 242, 10.1093/jrma/128.2.242 · DOI
- O'Brien, 2017, Producing and consuming inequality: A cultural sociology of the cultural industries, Cultural Sociology, 11, 271, 10.1177/1749975517712465 · DOI
- Peterson, 1996, Changing highbrow taste: From snob to omnivore, American Sociological Review, 61, 900, 10.2307/2096460 · DOI · Paper page
- Prieur, 2013, Emerging forms of cultural capital, European Societies, 15, 246, 10.1080/14616696.2012.748930 · DOI
- Ray, 2019, A theory of racialized organizations, American Sociological Review, 84, 26, 10.1177/0003122418822335 · DOI
- Stokes, 2004, Music and the global order, Annual Review of Anthropology, 33, 47, 10.1146/annurev.anthro.33.070203.143916 · DOI
- Titley, 2014, After the end of multiculturalism, Global Media and Communication, 10, 247, 10.1177/1742766514552351 · DOI
Cited by
Sorted by citations
Shiu, H. C. H. (2024) · International Journal of Anthropology and Ethnology · doi:10.1186/s41257-024-00121-7 · Cited by 5
Metadata
- Authors
- Kolbe, K.
- Affiliations
- London School of Economics and Political Science (GB)
- Corresponding author
- Kolbe, Kristina
- ORCID
- Kolbe, Kristina
- Venue
- Poetics
- Publisher
- Elsevier BV
- Published
- 2021-08
- Volume
- 87
- Pages
- 101532
- ISSN
- 0304-422X (ISSN-L)
- OpenAlex
- W3123096271
- Cited by
- 14
- References
- 2
- Citations by year
- 2026: 1 · 2025: 1 · 2024: 5 · 2023: 1 · 2022: 3 · 2021: 3
- FWCI
- 24.43
- Type
- journal article
- Language
- en
- Open access
- green
- doi.org
- Licence
- Locations
- Poetics (publishedVersion)
- UvA-DARE (University of Amsterdam) (publishedVersion)
- London School of Economics and Political Science Research Online (London School of Economics and Political Science) (acceptedVersion)
- London School of Economics and Political Science Research Online (London School of Economics and Political Science) (submittedVersion)
- EUR Research Repository (Erasmus University Rotterdam) (submittedVersion, other-oa)
- Funders
- Leverhulme Trust
- London School of Economics and Political Science
- Topics
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Social Sciences › Cultural Studies › Cultural Identity and Representation
- Social Sciences › Cultural Studies › Arts, Culture, and Music Studies
- Keywords
- race-making, diversity initiatives, whiteness, elitism, cultural institutions, German imperialism, social mobility, cultural recognition, Berlin
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review