Cited by 14Music History and CultureCultural Identity and RepresentationArts, Culture, and Music Studies

The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.

Playing the system: ‘Race’-making and elitism in diversity projects in Germany's classical music sector

Open access
Kolbe, Kristina·2021·Poetics

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Crossref · 10.1016/j.poetic.2021.101532

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  • Some concert halls, particularly university-affiliated ones like Koerner Hall and the Grand Hall's MUSE program, frequently offer pre-concert lectures by performing artists.

    “Other than digital platforms, some concert halls, particularly those affiliated with university music departments, such as Koerner Hall in Toronto 19 and the Grand Hall's MUSE program at The University of Hong Kong 20 , frequently offer pre-concert lectures by performing artists to deepen the audience's understanding and appreciation of the music.”

    From Addressing the challenges and strategies for Western classical music in North America as a living heritage art form (2024) · cites this paper as [19]

    The Introduction and section 5.1 discuss a diversity-focused choir project at a German opera institution, not pre-concert lectures. Searches for Koerner Hall, the Grand Hall’s MUSE program, and lectures by performing artists found no passage in our copy addressing the claim. (LLM, conf=0.76)

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Research works printed but not linked: 21

  1. Ahmed, 2007, The language of diversity, Ethnic and Racial Studies, 30, 235, 10.1080/01419870601143927 · DOI
  2. Ahmed, 2007, A phenomenology of whiteness, Feminist Theory, 8, 149, 10.1177/1464700107078139 · DOI · Paper page
  3. Anderson, 2015, The white space, Sociology of Race and Ethnicity, 1, 10, 10.1177/2332649214561306 · DOI
  4. Born, 2010, For a relational musicology: music and interdisciplinarity beyond the practice turn, Journal of the Royal Musical Association, 135, 205, 10.1080/02690403.2010.506265 · DOI
  5. Casey, 2020, Sociology, sociology and the cultural and creative industries, Sociology, 1
  6. Cousin, 2018, Theoretical and methodological pathways for research on elites, Socio-Economic Review, 16, 225, 10.1093/ser/mwy019 · DOI
  7. Crenshaw, 1989, Demarginalizing the intersection of race and sex, University of Chicago Legal Forum, 1, 139
  8. Erigha, 2018, On the margins: Black directors and the persistence of racial inequality in twenty-first century Hollywood, Ethnic and Racial Studies, 41, 1217, 10.1080/01419870.2017.1281984 · DOI
  9. Friedman, 2020, From Aristocratic to Ordinary: Shifting Modes of Elite Distinction, American Sociological Review, 85, 323, 10.1177/0003122420912941 · DOI
  10. Friedman, 2015, Cultural sociology and new forms of distinction, Poetics, 53, 1, 10.1016/j.poetic.2015.10.002 · DOI
  11. Khan, 2014, The ease of mobility, Elite mobilities, 136
  12. Khan, 2012, Saying meritocracy and doing privilege, The Sociological Quarterly, 54, 9, 10.1111/tsq.12008 · DOI
  13. Leong, 2013, Racial capitalism, Harvard Law Review, 126, 2151
  14. McAndrew, 2020, The values of culture? Social closure in the political identities, policy preferences, and social attitudes of cultural and creative workers, The Sociological Review, 68, 33, 10.1177/0038026119871401 · DOI
  15. Nooshin, 2003, Improvisation as ‘other’, Journal of the Royal Musical Association, 128, 242, 10.1093/jrma/128.2.242 · DOI
  16. O'Brien, 2017, Producing and consuming inequality: A cultural sociology of the cultural industries, Cultural Sociology, 11, 271, 10.1177/1749975517712465 · DOI
  17. Peterson, 1996, Changing highbrow taste: From snob to omnivore, American Sociological Review, 61, 900, 10.2307/2096460 · DOI · Paper page
  18. Prieur, 2013, Emerging forms of cultural capital, European Societies, 15, 246, 10.1080/14616696.2012.748930 · DOI
  19. Ray, 2019, A theory of racialized organizations, American Sociological Review, 84, 26, 10.1177/0003122418822335 · DOI
  20. Stokes, 2004, Music and the global order, Annual Review of Anthropology, 33, 47, 10.1146/annurev.anthro.33.070203.143916 · DOI
  21. Titley, 2014, After the end of multiculturalism, Global Media and Communication, 10, 247, 10.1177/1742766514552351 · DOI

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Metadata

Authors
Kolbe, K.
Affiliations
London School of Economics and Political Science (GB)
Corresponding author
Kolbe, Kristina
Venue
Poetics
Publisher
Elsevier BV
Published
2021-08
Volume
87
Pages
101532
ISSN
0304-422X (ISSN-L)
OpenAlex
W3123096271
Cited by
14
References
2
Citations by year
2026: 1 · 2025: 1 · 2024: 5 · 2023: 1 · 2022: 3 · 2021: 3
FWCI
24.43
Type
journal article
Language
en
Open access
Locations
  • Poetics (publishedVersion)
  • UvA-DARE (University of Amsterdam) (publishedVersion)
  • London School of Economics and Political Science Research Online (London School of Economics and Political Science) (acceptedVersion)
  • London School of Economics and Political Science Research Online (London School of Economics and Political Science) (submittedVersion)
  • EUR Research Repository (Erasmus University Rotterdam) (submittedVersion, other-oa)
Funders
  • Leverhulme Trust
  • London School of Economics and Political Science
Topics
  • Social Sciences › Arts and Humanities › Music › Music History and Culture
  • Social Sciences › Cultural Studies › Cultural Identity and Representation
  • Social Sciences › Cultural Studies › Arts, Culture, and Music Studies
Keywords
race-making, diversity initiatives, whiteness, elitism, cultural institutions, German imperialism, social mobility, cultural recognition, Berlin

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