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Cited by 319Ethics, Aesthetics, and ArtArt, Aesthetics, and PerceptionPhilosophy and Historical Thought

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The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory

·1996·Cambridge University Press eBooks
DOI 10.1017/cbo9780511620409
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Abstract

This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions.

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Crossref · 10.1017/cbo9780511620409

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Metadata

Venue
Cambridge University Press eBooks
Publisher
Cambridge University Press
Published
1996-08-15
DOI
10.1017/cbo9780511620409
OpenAlex
W202232445
Semantic Scholar
47459c59a7ec6533a89a18d6ba93a5e41653633a
Cited by
319
References
0
Citations by year
2026: 1 · 2025: 1 · 2024: 4 · 2023: 5 · 2022: 1 · 2021: 15 · 2020: 20 · 2019: 17 · 2018: 3 · 2017: 4 · 2016: 2 · 2015: 6 · 2014: 9 · 2013: 10 · 2012: 13
FWCI
46.20
Type
book
Language
en
Open access
closed
Licence
www.cambridge.org/core/terms (unspecified, 5773 d)
Locations
Cambridge University Press eBooks (publishedVersion)
Topics
  • Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Aesthetics, and Perception
  • Social Sciences › Arts and Humanities › Philosophy › Philosophy and Historical Thought
Keywords
sublime, Edmund Burke, Enlightenment aesthetics, eighteenth-century aesthetics, aesthetic theory, literary criticism, landscape design, connoisseurship, ethics, political economy, painting, history of aesthetics

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