The DOI matches its Crossref record.
Ancient Greek Music: A New Technical History
Abstract
This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Citations
Cites
Still being checked.
Cited by
Sorted by citations
Scale, Space and Canon in Ancient Literary Culture
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945 · Cited by 108
Parncutt, R., Reisinger, D., Fuchs, A., & Kaiser, F. (2018) · Journal of New Music Research · doi:10.1080/09298215.2018.1477804 · Cited by 49
Nikolsky, A. (2015) · Frontiers in Psychology · doi:10.3389/fpsyg.2015.01405 · Cited by 36
Music and Philosophy in the Roman Empire
Francesco Pelosi, F. M. P., Pelosi, F., & Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753 · Cited by 26
Nikolsky, A. (2016) · Frontiers in Psychology · doi:10.3389/fpsyg.2016.00211 · Cited by 25
ON THE TEXT OF THEOPHRASTUS FR. 717 FORTENBAUGH
Raffa, M. (2014) · The Classical Quarterly · doi:10.1017/s0009838813000839 · Cited by 19
Martinelli, M. C. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch8 · Cited by 17
Hagel, S. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch21 · Cited by 16
Self-citationMusical Education in Greece and Rome
Hagel, S., & Lynch, T. A. C. (2015) · Wiley eBooks · doi:10.1002/9781119023913.ch27 · Cited by 15
Self-citationA Comprehensive Review on Music Transcription
Bhattarai, B., & Lee, J. (2023) · Applied Sciences · doi:10.3390/app132111882 · Cited by 14
Music and Dance in Greece and Rome
Rocconi, E. (2015) · Wiley eBooks · doi:10.1002/9781119009795.ch5 · Cited by 13
Plotinus on Music, Rhythm, and Harmony
Michalewski, A. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.009 · Cited by 12
Musical Instruments of Greek and Roman Antiquity
Terzḗs, C. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch16 · Cited by 11
Emergence of the Distinction Between “Verbal” and “Musical” in Early Childhood Development
Nikolsky, A. (2020) · Springer eBooks · doi:10.1007/978-981-15-4250-3_7 · Cited by 10
Porphyry’sCommentary on Ptolemy’s Harmonics
Tarrant, H. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.010 · Cited by 9
Frozen Music: Music and Architecture in Vitruvius’ De Architectura
Walden, D. K. S. (2014) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341255 · Cited by 9
Vernooij, E., Orcalli, A., Fabbro, F., & Crescentini, C. (2016) · Frontiers in Psychology · doi:10.3389/fpsyg.2016.00300 · Cited by 9
Harmonics as Theological Paradigm in Proclus
Gersh, S. E. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.012 · Cited by 8
Musical Imagery in Clement of Alexandria and Origen
Pelosi, F. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.008 · Cited by 8
The Music of the Virtues in Late Ancient Platonism
O’Meara, D. J. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.011 · Cited by 8
Swift, E., Bosworth, L., Creese, D., Morris, G., Pudsey, A., Richardson, J., Stoner, J., Walter, F., & Wright, G. (2021) · Internet Archaeology · doi:10.11141/ia.56.1 · Cited by 8
Polychronopoulos, S., Bakogiannis, K., Marini, D., & Κουρουπέτρογλου, Γ. (2022) · IEEE Access · doi:10.1109/access.2022.3231616 · Cited by 6
Barker, A. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch19 · Cited by 4
Alexander of Aphrodisias and Musical Models for Ontological Enquiries
Castelli, L. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.005 · Cited by 3
Hoenig, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.013 · Cited by 3
Cohen, D. E. (2022) · Journal of Music Theory · doi:10.1215/00222909-9534115 · Cited by 2
The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts
Abdounur, O. J. (2015) · Mathematical Journal of Interdisciplinary Sciences · doi:10.15415/mjis.2015.32014 · Cited by 2
Ancient Greek Music and the Near East
Franklin, J. C. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch17 · Cited by 2
Levy, C. E. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.002 · Cited by 2
The Evolutionary Pentatonism in Nicomachus, the Extant Fragments and an Ancient Greek Musical Praxis
Katsanevaki, A. (2023) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10061 · Cited by 1
Quaestio errorum plena: Nicomachus’ Account of Pythagoras, Philolaus, and the Archaic Heptachord
Franklin, J. C. (2019) · Giornale Italiano di Filologia · doi:10.1484/j.gif.5.118459 · Cited by 1
Music in Greek and Roman Education
Raffa, M. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch22 · Cited by 1
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.004 · Cited by 1
ANTİK HELEN ENSTRÜMANI AULOS VE ONUN ASKERİ ACIDAN İNCELENMESİ
İKİBEŞ, S. (2021) · Balkan Müzik ve Sanat Dergisi · doi:10.47956/bmsd.878775 · Cited by 1
A Quantitative Model of Ancient Literary Culture
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.006 · Cited by 1
Tosca A. C. Lynch and Eleonora Rocconi, A Companion to Ancient Greek and Roman Music
Taylor, G. W. (2022) · Aestimatio Sources and Studies in the History of Science · doi:10.33137/aestimatio.v2i2.39097 · Cited by 1
Chroustovský, L. (2024) · Archeologické rozhledy · doi:10.35686/ar.2023.29 · Cited by 1
Fox, M. (2012) · Wiley eBooks · doi:10.1002/9781444338386.wbeah10050
Nowacki, E. (2018) · Music Theory Spectrum · doi:10.1093/mts/mty025
Les instruments sonores en Égée à l’âge du Bronze : interpréter les absences
Pinto, A. (2019) · Éditions de la Sorbonne eBooks · doi:10.4000/books.psorbonne.19474
Harmoniain Philoponus’Commentary on Nicomachus’ Introduction to Arithmetic
Giardina, G. R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.014
Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.004
Shifting Epistemological Perspectives in Ptolemy’sHarmonics
Barker, A. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.007
Music and Plutarch’s Platonic Cosmos
Demulder, B. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.003
How to Resist Musical Dogmatism
Veres, M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.006
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.005
sistema de notação musical na Antiguidade Clássica
Júnior, R. A. D. R. (2021) · Classica - Revista Brasileira de Estudos Clássicos · doi:10.24277/classica.v34i1.957
Musical Legacies from the Ancient World
Jeffery, P. (2018) · Cambridge University Press eBooks · doi:10.1017/9780511979866.002
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.007
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.002
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.001
Pelosi, F., & Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.016
(2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.009
Pelosi, F., & Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.015
Pelosi, F., & Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.001
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.008
(2013) · New Surveys in the Classics · doi:10.1017/s0533245115000103
Pelosi, F., & Petrucci, F. M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.017
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.003
Netz, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108686945.010
Hagel, S. (2012) · Wiley eBooks · doi:10.1002/9781444338386.wbeah21161
Self-citationSommerstein, A. H. (2019) · Wiley eBooks · doi:10.1002/9781118542842.ch16
How Is Technology Useful in the Study of Ancient Music?
Hagel, S. (2022) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10043
Self-citationAncient Greek Metrics and Music: Is It Time for a New Dialogue?
Lomiento, L. (2022) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10048
(2022) · Cambridge University Press eBooks · doi:10.1017/9781009039789.008
ANTİK MÜZİĞE ARMONİK DOKUNUŞLAR
Özbilen, S. (2024) · Motif Akademi Halk Bilimi Dergisi · doi:10.12981/mahder.1383021
Il misolidio: testimonianze, impiego, lineamenti di storia della musica
Pitotto, E. (2024) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10085
ON THE COMPARISON OF RHETORIC AND MUSIC BY DIONYSIUS OF HALICARNASSUS
Voloshina, А. V. (2024) · Вестник Московского университета. Серия 9. Филология · doi:10.55959/msu0130-0075-9-2024-47-04-9
Zazulia, E. (2024) · Oxford University Press eBooks · doi:10.1093/obo/9780199757824-0324
Tribulato, O., Favi, F., & Prauscello, L. (2024) · De Gruyter eBooks · doi:10.1515/9783111382890-008
Maciejewska, A. (2016) · Wydawnictwo Uniwersytetu Łódzkiego eBooks · doi:10.18778/7969-920-9
Reyes, P. R. (2025) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10105
Classical Reception in Music: Sonic Figures, Ancient and Modern
Stanyon, M. E., & Pillinger, E. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0001
Ella Adaïewsky’s Horazische Ode
Stachon, M. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0004
List of Musical Examples and Figures
(2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.002.0006
Trapp, M. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0005
Without Tomorrow, Without Yesterday
Refini, E. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0006
(2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.002.0001
Amplification, Reverberation, and Distortion
Paul, J. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0012
Towards a Theory of Amplification
Stanyon, M. E., & Pillinger, E. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0002
Oade, S. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0003
Bartels, M. L. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0008
Pillinger, E., & Stanyon, M. (2025) · doi:10.1093/9780198958024.001.0001
Ragno, T. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0009
‘Prends garde à toi’: Carmen the Siren
Mohr, E. C. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0007
(2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.002.0002
Dorf, S. N. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0011
(2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.002.0007
McConnell, J. (2025) · Oxford University Press eBooks · doi:10.1093/9780198958024.003.0010
Pneumatics, acoustics and digital sound: The organ in the history of science and technology
Спольська, О. В., Кирея, М. В., Hryhoruk, N., Салдан, С., & Riabov, I. (2025) · History of science and technology · doi:10.32703/2415-7422-2025-15-2-472-498
Musiques et musiciens à Delphes de l’époque archaïque à l’Antiquité tardive
Perrot, S. (2013) · theses.fr (ABES) · doi:10.70675/8aa6ffffz2e63z4c04zb542z4c591c68857b
La musique de guerre dans l'antiquité grecque et romaine
Paoli, C. (2018) · theses.fr (ABES) · doi:10.70675/12c90db9zb7c0z486czb26az80da4d4fd88b
Mugelli, G. (2018) · theses.fr (ABES) · doi:10.70675/d85b6e74z2c36z422bzaa3ezbf5df50092b9
Problèmes linguistiques du rapport entre Grec(s) et Phrygien(s)
Anfosso, M. (2019) · theses.fr (ABES) · doi:10.70675/74f9b6a2z3409z4dadzbee1z87ce395add07
Le Rébétiko du Pirée : implications du Makam dans la période de l’entre-deux-guerres
Lampropoulou, O. (2021) · theses.fr (ABES) · doi:10.70675/382ea9b0zb5e4z4f88z9dd5z69dc06fe2a56
Information et pouvoir au prisme de Xénophon
Durnerin, M. (2022) · theses.fr (ABES) · doi:10.70675/1946e581zd3f6z44d8z94d7ze426dd739b3f
Barone, F., & Casazza, M. (2026) · Research Square · doi:10.21203/rs.3.rs-10187128/v1
Metadata
- Authors
- Hagel, S.
- Affiliations
- Austrian Academy of Sciences (AT)
- Corresponding author
- Hagel, Stefan
- ORCID
- Hagel, Stefan
- Venue
- Cambridge University Press eBooks
- Publisher
- Cambridge University Press
- Published
- 2009-12-17
- OpenAlex
- W4249667014
- Cited by
- 100
- References
- 0
- Citations by year
- 2026: 1 · 2025: 19 · 2024: 6 · 2023: 2 · 2022: 7 · 2021: 4 · 2020: 36 · 2019: 4 · 2018: 5 · 2017: 2 · 2016: 3 · 2015: 4 · 2014: 2 · 2013: 3 · 2012: 2
- FWCI
- 5.52
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Cambridge University Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
- Social Sciences › Arts and Humanities › Music › Diverse Musicological Studies
- Keywords
- ancient Greek music, pitch system, harmonic theory, lyre, aulos, Ptolemy, musical instruments, performance practice, late antiquity, history of musicology
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review