Pop music

Abstract

The biggest selling pop single of all time is the version of ‘Candle in the Wind’ Elton John recorded as a tribute to Princess Diana, and his Westminster Abbey performance of the song, during Diana's funeral service in September 1997, can be considered as the ultimate British pop moment. It was controversial. Pop music is still regarded as a vernacular form unsuitable for a religious occasion, a vulgar form unfit for royalty; and Elton John was not an obvious representative of the state (though he was soon to be knighted, joining Sir Cliff Richard, Sir Paul McCartney, and Sir Andrew Lloyd Webber in the official pop pantheon). He was chosen to sing because he was an intimate of Diana and, in this respect, simply represented her social circle. But it was precisely because she was an Elton John fan that Princess Diana could be described as ‘the people's princess’: John was an appropriate singer at her service not just as a personal friend but also as the emotional voice of a generation. In the 1970s Elton John and his lyricist, Bernie Taupin, perfected the musical form that came to dominate Anglo-American pop music in the last decades of the century: the rock ballad. They took the sentimental song (as commercialised in the late nineteenth century), keeping its easy melodic lines, its use of rising pitch to unleash emotion, its lyrical sense of expansive self-pity, but giving it a new rock-based dynamism (in terms of rhythm and amplification).