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SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO
Abstract
Towards the middle of the sixteenth century, the Portuguese composer and theorist Vicente Lusitano wrote a manuscript treatise on improvised counterpoint which constitutes the most thorough and detailed explanation that has survived on the subject. This manuscript has long been overlooked by music historians, despite being easily accessible at the Bibliothèque nationale de France (Paris). The manuscript is described and its history traced. Lusitano's rules, techniques and stylistic advice are investigated and compared with contemporary theory. The extraordinary complexity of the contrapuntal lines singers were expected to invent extempore calls for a reappraisal of the relationship between improvisation and composition, also discussed by Lusitano. Historical evidence is adduced to provide a context for this document; far from being disconnected from the real life of sixteenth-century music, Lusitano's manuscript counterpoint treatise provides a key to understanding the oral tradition of Renaissance art music.
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In the citing paper
“Every choirboy in the Renaissance could improvise, and did so every day (Canguilhem 2011, 45-46).”
From Renaissance Improvisation and Musicology (2013) · cites this paper as Canguilhem 2011
In the citing paper
“Philippe Canguilhem (2011, 99) estimates that 'the vast majority' of the polyphony heard in Philip II's chapel in sixteenth-century Spain was improvised.”
From Renaissance Improvisation and Musicology (2013) · cites this paper as Canguilhem 2011
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Research works printed but not linked: 45
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Cited by
Sorted by citations
Renaissance Improvisation and Musicology
Cumming, J. E. (2013) · Music Theory Online · doi:10.30535/mto.19.2.4 · Cited by 21
Metadata
- Authors
- Canguilhem, P., & Stalarow, A.
- Affiliations
- Université de Toulouse (FR)
- Corresponding author
- Canguilhem, Philippe
- Venue
- Early Music History
- Publisher
- Cambridge University Press (CUP)
- Published
- 2011-09-08
- Volume
- 30
- Pages
- 55-103
- ISSN
- 0261-1279 (ISSN-L)
- 1474-0559
- OpenAlex
- W2142793625
- Cited by
- 71
- References
- 0
- Citations by year
- 2026: 1 · 2023: 5 · 2022: 2 · 2021: 1 · 2020: 25 · 2019: 25 · 2017: 2 · 2015: 4 · 2014: 1 · 2013: 3 · 2012: 1
- FWCI
- 49.45
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Early Music History (publishedVersion)
- HAL (submittedVersion)
- Oskar-Bordeaux (Universite de Bordeaux) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Arts and Humanities › History › Renaissance and Early Modern Studies
- Keywords
- oral tradition, 16th-century music, Portuguese music, Bibliothèque nationale de France manuscripts
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