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The Art of Assemblage: Styling Neolithic Art
Abstract
The art of Neolithic Britain and Ireland consists of a variety of curvilinear and geometric motifs pecked into stone (in open-air rock art or passage tombs) or carved into portable artefacts of chalk, stone or antler. Because of its abstract nature the art has proved problematic for archaeologists. Initially archaeologists assumed the art was representational; now most scholars have abandoned this view, and simply approach the art stylistically. Here I argue that stylistic analysis is insufficient to understand this art: instead the process of making provides a fuller understanding of this art. It is argued that the practice of assemblage is a key aspect of the process of making.
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“Neolithic art may have been not about representing reality but acting upon it, as a material operation on the world.”
From Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe (2020) · cites this paper as Jones 2017
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Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695 · Cited by 46
Jones, A. M., Díaz-Guardamino, M., & Crellin, R. J. (2016) · Norwegian Archaeological Review · doi:10.1080/00293652.2016.1227359 · Cited by 38
Self-citationArt (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe
Robb, J. (2020) · Journal of Archaeological Method and Theory · doi:10.1007/s10816-020-09471-w · Cited by 30
“But, as colleagues have pointed out (Jones 2017), representation may be the wrong way to understand Neolithic art.”
BackgroundGoldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150 · Cited by 27
Beyond the ‘thingification’ of worlds: Archaeology and the New Materialisms
Govier, E., & Steel, L. (2021) · Journal of Material Culture · doi:10.1177/13591835211025559 · Cited by 25
“The term assemblage is embedded in the archaeological mindset, with a very specific meaning (Conneller, 2017: 183; Hamilakis and Jones, 2017: 72; Lucas, 2017).”
BackgroundCobb, H., & Croucher, K. (2020) · doi:10.1093/oso/9780198784258.001.0001 · Cited by 24
Birds in the Bronze Age: A North European Perspective
Goldhahn, J. (2019) · Cited by 15
Ivanovaitė, L., Bjørnevad-Ahlqvist, M., Philippsen, B., et al. (2018) · Archaeologia BALTICA · doi:10.15181/ab.v25i0.1830 · Cited by 9
Making a Mark: Process, Pattern and Change in the British and Irish Neolithic
Jones, A. M., & Díaz-Guardamino, M. (2021) · Cambridge Archaeological Journal · doi:10.1017/s0959774321000512 · Cited by 8
“In effect the mark helps to fold, assemble, or relate other distant marked materials, and their attendant set of practices, within local materials, enabling an emerging network of relationships to be established (Jones 2017, 92).”
BackgroundSelf-citationAegean Bronze Age Art: Meaning in the Making
Knappett, C. (2020) · Cited by 7
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Goldhahn, J. (2020) · Current Swedish Archaeology · doi:10.37718/csa.2020.03 · Cited by 2
Hagerman, K. L. (2018) · Cambridge Archaeological Journal · doi:10.1017/s0959774318000288 · Cited by 1
“For example, building on Deleuze and Guattari’s (1987) work on the concepts of repetition and differentiation, that of Jones (2017) complicates the concepts of style and type in archaeological investigations.”
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Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.002 · Cited by 1
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Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0001
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Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0003
A Thousand Learning Assemblages
Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0008
Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0007
Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0006
Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.003.0005
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.009
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.007 · Cited by 1
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.005
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Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.017
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.001
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.018
Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.003
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.016
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.004
Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.006
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Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.010
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.012
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.006
Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.004
Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.007
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Rock Art Panels and Themes Discussed in This Book
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.014
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.019
Knappett, C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108554695.011
Goldhahn, J. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108615150.015
Knappett, C. (2020) · doi:10.1017/9781108554695.009
Archaeology and the New Materialisms
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Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.002.0003
Cobb, H., & Croucher, K. (2020) · Oxford University Press eBooks · doi:10.1093/oso/9780198784258.002.0006
Deleuze and the ontology of prehistoric rock art
Govaerts, B. (2024) · Archaeological Dialogues · doi:10.1017/s138020382510007x
Metadata
- Authors
- Jones, A. M.
- Affiliations
- University of Southampton (GB)
- Corresponding author
- Jones, Andrew Meirion
- Venue
- Cambridge Archaeological Journal
- Publisher
- Cambridge University Press (CUP)
- Published
- 2017-01-11
- Volume
- 27
- Issue
- 1
- Pages
- 85-94
- ISSN
- 0959-7743 (ISSN-L)
- 1474-0540
- OpenAlex
- W2558044105
- Cited by
- 56
- References
- 0
- Citations by year
- 2024: 1 · 2023: 1 · 2021: 2 · 2020: 28 · 2019: 21 · 2018: 2
- FWCI
- 81.15
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Cambridge Archaeological Journal (publishedVersion)
- ePrints Soton (University of Southampton) (acceptedVersion)
- Topics
- Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Archaeological and Geological Studies
- Social Sciences › Archeology › Archaeology and Rock Art Studies
- Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Ancient and Medieval Archaeology Studies
- Keywords
- Neolithic art, rock art, passage tombs, open-air rock art, geometric patterns, abstract art, stylistic analysis, assemblage, Neolithic Britain, Neolithic Ireland
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