Cited by 92Creativity in Education and NeuroscienceDesign Education and PracticePsychological and Educational Research Studies

Do tests of divergent thinking have an experiential bias?

Runco, Mark A., Acar, Selcuk·2010·Psychology of Aesthetics, Creativity, and the Arts

Abstract

Divergent thinking (DT) tests are widely used as an estimate of creativity. However, tests of DT may be biased by experience. Scores from these tests may depend on the amount and types of experiences of examinees. This investigation was designed to determine the degree to which personal and social experiences influence DT scores. Two different tasks were administered: Uses task and Problem Generation (PG). Fluency and originality scores were calculated for each. Analyses indicated that the impact of experience was similar in the PG and Uses tasks. Personal and social experience explained 44% and 30% of fluency scores for PG and Uses tasks, respectively, and 65% of originality scores for both PG and Uses. The differences between uncorrected scores (all ideas, including those reflecting experience) and corrected scores (where ideas tied to personal or social experiences were eliminated) were statistically significant, with the largest discrepancy in Uses fluency and lowest in Uses originality. Findings supported the claim that divergent thinking tests may depend heavily on experience. Alternatives for using DT tests without an experiential bias are discussed.

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Crossref · 10.1037/a0018969

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  • Episodic memories are sometimes drawn upon during divergent thinking.

    “episodic memories are sometimes drawn upon during divergent thinking (Gilhooly et al. 2007;Runco and Acar 2010;Storm and Patel 2014);”

    From Neural Mechanisms of Episodic Retrieval Support Divergent Creative Thinking (2019) · cites this paper as Runco and Acar 2010

  • Episodic memory processes have typically been characterized as not very relevant for, or even a hindrance to, creative output.

    “such processes have typically been characterized as not very relevant for, or even a hindrance to, creative output.”

    From Neural Mechanisms of Episodic Retrieval Support Divergent Creative Thinking (2019) · cites this paper as Runco and Acar 2010

  • Some researchers have suggested that episodic retrieval is not very relevant for, and may even be a hindrance to, creative output.

    “Third, researchers have tended to downplay the role of episodic memory in divergent thinking and some have suggested that episodic retrieval is not very relevant for, and may even be a hindrance to, creative output (Gilhooly et al. 2007;Runco and Acar 2010;Fink et al. 2015).”

    From Neural Mechanisms of Episodic Retrieval Support Divergent Creative Thinking (2019) · cites this paper as Runco and Acar 2010

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Authors
Runco, M. A., & Acar, S.
Affiliations
University of Georgia (US)
Venue
Psychology of Aesthetics, Creativity, and the Arts
Published
2010-08
Volume
4
Issue
3
Pages
144-148
ISSN
  • 1931-3896 (ISSN-L)
  • 1931-390X
OpenAlex
W2032580418
Cited by
92
References
0
Citations by year
2026: 3 · 2025: 6 · 2024: 11 · 2023: 8 · 2022: 7 · 2021: 6 · 2020: 8 · 2019: 9 · 2018: 6 · 2017: 3 · 2016: 9 · 2014: 8 · 2013: 4 · 2012: 3
FWCI
3.34
Type
journal article
Language
en
Open access
closed
Locations
Psychology of Aesthetics Creativity and the Arts (publishedVersion)
Topics
  • Social Sciences › Psychology › Experimental and Cognitive Psychology › Creativity in Education and Neuroscience
  • Physical Sciences › Engineering › Mechanical Engineering › Design Education and Practice
  • Social Sciences › Psychology › Experimental and Cognitive Psychology › Psychological and Educational Research Studies
Keywords
divergent thinking, creativity assessment, fluency, originality, problem generation, personal experience, social experience

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