Cited by 2Media and Digital CommunicationNews Media Framing and Political CommunicationCinema and Media Studies

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Working the Writers’ Room: The Context, the Creative Space and the Collaborations of Danish Television Series Borgen

Redvall, Eva Novrup·2014·Screenwriters and Screenwriting

Abstract

Writers are where it all starts . That is how Head of DR Fiction at the Danish Broadcasting Corporation DR (formerly Danmarks Radio), Nadia Kløvedal Reich, explains the DR approach to producing quality television drama (cited in Pham, 2012). Since the late 1990s, the strategy of DR’s in-house drama production unit, DR Fiction, has been to focus on original ideas of writers based on the concept of ‘one vision’. The notion is that one person needs to feel ownership and have an overall vision for a project in order to create successful series like Forbrydelsen/The Killing (2007–2012) or Borgen (2010–2013). In the DR production framework, this person is singled out as the head writer, but he or she normally works closely with other writers as well as the in-house producers of DR Fiction. It is a highly collaborative process, and several series in the DR framework are based on the use of writers’ rooms for producing quality drama series. 1 These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Research works printed but not linked: 24

  1. Bielby, D. and Bielby, W.T. (2002) ‘Hollywood Dreams, Harsh Realities: Writing for Film and Television’ in Contexts: Journal of the American Sociological Association, 1(4), 21–27. · DOI
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  8. Henderson, F.D. (2011) ‘The Culture Behind Closed Doors: Issues of Gender and Race in the Writers’ Room’ in Cinema Journal, 50(2), 145–152. · DOI
  9. Hjort, M. (2005) Small Nation, Global Cinema: The New Danish Cinema, Minneapolis: University of Minnesota Press. · DOI
  10. Maras, S. (2009) Screenwriting: History Theory and Practice, London: Wallflower Press.
  11. Meyers, L. (ed.) (2010) Inside the TV Writer’s Room: Practical Advice for Succeeding in Television, Syracuse, NY: Syracuse University Press.
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  15. Redvall, E.N. (2010) Manuskriptskrivning som kreativ proces: De kreative samarbejder bag manuskriptskrivning i dansk spillefilm, PhD Thesis, University of Copenhagen: Department of Media, Cognition and Communication.
  16. Redvall, E.N. (2011) ‘Dogmer for tv-drama: Om brugen af one vision, den dobbelte historie og crossover i DR’s søndagsdramatik’ in Kosmorama 248(Winter), 180–198.
  17. Redvall, E.N. (2012a) European TV Drama Series Lab: Summary of Module 1, Berlin: Erich Pommer Institut.
  18. Redvall, E.N. (2013a) European TV Drama Series Lab: Documentation Module 2, Berlin: Erich Pommer Institut.
  19. Redvall, E.N. (2013b) Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing, Basingstoke: Palgrave Macmillan. · DOI · Paper page
  20. Sandler, E. (2007) The TV Writer’s Workbook, New York: Delta Trade Paperbacks.
  21. Staiger, J. (1979) ‘Dividing Labor for Production Control: Thomas Ince and the Rise of the Studio System’, Cinema Journal, 18(2), 16–25. · DOI
  22. Stempel, T. (1992) Storytellers to the Nation: A History of American Television Writing, New York: Continuum.
  23. Strandvad, S.M. (2008) Inspirations for a New Sociology of Art: A Sociomaterial Study of Development Processes in The Danish Film Industry, PhD Thesis, Copenhagen: Copenhagen Business School.
  24. Weissman, E. (2012) Transnational Television Drama: Special Relations and Mutual Influence between the US and UK, Basingstoke: Palgrave Macmillan. · DOI

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Metadata

Authors
Redvall, E. N.
Affiliations
University of Copenhagen (DK)
Corresponding author
Redvall, Eva Novrup
Venue
Screenwriters and Screenwriting
Published
2014
Pages
223-237
OpenAlex
W2486829431
Cited by
2
References
0
Citations by year
2021: 1 · 2016: 1
FWCI
1.02
Type
book chapter
Language
en
Open access
closed
Locations
  • Palgrave Macmillan UK eBooks (publishedVersion)
  • Research at the University of Copenhagen (University of Copenhagen) (submittedVersion)
Topics
  • Social Sciences › Communication › Media and Digital Communication
  • Social Sciences › Communication › News Media Framing and Political Communication
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema and Media Studies
Keywords
writers' rooms, television drama production, Borgen, The Killing, television series development

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