The DOI matches its Crossref record.
Toward a New Model of Renaissance Anachronism
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“The Renaissance-Baroque understanding of reality permitted the linking, blending and overlapping of times and places in a non-linear and non-historicist manner, so that artefacts existed simultaneously in different time horizons, 'pulling together different points in the temporal fabric until they met. By means of artifacts, the past participated in the present' (Nagel & Wood 2005, 408).”
From Alternative Pasts and Colonial Engagements in the North: The Materiality and Meanings of the Pajala ‘Runestone’ (Vinsavaara Stone), Northern Sweden (2018) · cites this paper as Nagel & Wood 2005, 408
Citations
Cited by
Herva, V.-P., Ikäheimo, J., Enbuske, M., & Okkonen, J. (2018) · Cambridge Archaeological Journal · doi:10.1017/s0959774318000197 · Cited by 5
“By means of artifacts, the past participated in the present’ (Nagel & Wood 2005, 408).”
BackgroundUntitled work
Kersey, K. W. (2018) · Archives of Asian Art
Metadata
- Authors
- Nagel, A., & Wood, C. S.
- Venue
- The Art Bulletin
- Publisher
- Informa UK Limited
- Published
- 2005-09
- Volume
- 87
- Issue
- 3
- Pages
- 403-415
- ISSN
- 0004-3079 (ISSN-L)
- 1559-6478
- OpenAlex
- W2066998059
- Cited by
- 104
- References
- 0
- Citations by year
- 2025: 1 · 2024: 2 · 2023: 30 · 2022: 3 · 2021: 1 · 2020: 10 · 2019: 27 · 2018: 7 · 2017: 4 · 2016: 3 · 2014: 6 · 2013: 2 · 2012: 1
- FWCI
- 30.71
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- The Art Bulletin (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › History › Renaissance and Early Modern Studies
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Renaissance Literature and Culture
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Architecture and Art History Studies
- Keywords
- anachronism, Renaissance art, historical representation, periodization
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
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Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
