Developing Musical Creativity Through Movement: Navigating the Musical Affordance Landscape
Open accessAbstract
Schools too often undermine creativity, said Ken Robinson, an educationalist who has changed thinking on schools.In his famous TEDtalk "Do schools kill creativity?," he argues that the undermining of creativity results from being too focused on children's heads rather than on their bodies.In line with Robinson's observation, music education has been criticized for a lack of creative approaches, and a focus on disembodied learning experiences.In our view, the development of creative and embodied approaches to music education needs a deeper understanding of the embodied processes that underlie creativity, especially with regard to the use of the body in music learning.Using a dynamic, relational, and action-oriented perspective on creativity, we connect creativity to the concepts of affordance navigation, metastability, and cognitive flexibility.Next, we elaborate on how body movement may support creatively exploring the musical environment and developing a deepened musical understanding through purposeful affordance navigation.
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Different features of technology and its affordances enable creativity for users.
“This reflects research in human-computer interaction, design studies, and psychology on how different features of technology, and its affordances, enable creativity for its users (Hall et al. 2021, Nijs et al. 2025).”
From Entrepreneurial Selves, Emotions, and Algorithmic Creativity Among Young Content Creators in the Philippines (2026) · cites this paper as Nijs et al. 2025
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
The citation lists haven’t been fetched yet
References 228 · Cited by 11
Research works printed but not linked: 16
- Bertinetto, A. (2021). Body and soul. . .and the artifact. The aesthetically extended self. Journal of Somaesthetics, 7(2), 7-26.
- Chen, R. (2007). Effects of movement-based instruction on singing performance of first grade students in Taiwan (Doctoral Dissertation). Available from ProQuest Dissertations and Theses database (UMI No. 3268138).
- De Wolf, T., & Holvoet, T. (2004). Emergence and self- organisation: A statement of similarities and differences". Proceedings of the International Workshop on Engineering Self-Organising Applications 2004, 96-110. 10.1007/s13164- 015-0269-9 . · DOI
- Guilford, J. P., & Hoepfner, R. (1971). The analysis of intelli- gence. New York: McGraw-Hill.
- Hermans, C. (2016). Participatory sense-making: Rhythm, repetition and affective resonance in dance. Performance lecture at the Conference 'Worlding the Brain', University of Amsterdam, Amsterdam: Compagnie theatre
- Josuweit, D. (1991). The effects of an audiation-based instru- mental music curriculum upon beginning band students' achievement in music. Dissertation Abstracts International, 52, 3213A.
- Kirk, E., & Lewis, C.(2017). Gesture facilitates children's crea- tive thinking. Psychological Science, 28(2), 225-232. doi:10. 1177/095679761667918 · DOI
- Mason, J. (2014). 'Does it Make Sense' or 'What Does it Mean'? In C.-C. Liu, H. Ogata, S. C. Kong, & A. Kashihara (Eds.), Proceedings of the 22nd International Conference on Computers in Education, Nara, Japan (pp. 206-211). Asia-Pacific Society for Computers in Education.
- Nijs, L. (2017). The merging of musician and music instru- ment: Incorporation, presence and the levels of embodi- ment. In M. Lesaffre, P.J. Maes, & M. Leman (Eds.), The Routledge companion to embodied music interaction. Routledge (pp. 49-57). New York and London: Routledge.
- Nijs, L., Lesaffre, M., & Leman, M. (2013). The musical instru- ment as a natural extension of the Musician. In M. Castellengo & H. Genevois (Eds.), Music and its instru- ments [music and its instruments] (pp. 467-484). Sampzon: Editions Delatour France.
- Noë, A.(2004). Action in perception. Cambridge, MA: MIT Press.
- Posner, M. I., & DiGirolamo, G. J. (1998). "Executive atten- tion: conflict, target detection, and cognitive control". In R. Parasuraman (Ed.), The attentive brain (pp. 401-423). Cambridge, MA: MIT Press.
- Rhodes, M. (1961). An analysis of creativity. Phi Delta Kappan, 42, 305-310. 10.2307/20342603 . · DOI
- Schmidt, R. A. (2008). Principles of practice for the develop- ment of skilled actions: Implications for training and instruction in music. In A. Mornell (Ed.), Art in motion. Musical and athletic motor learning and performance (pp. 41-67). Frankfurt am Main: Peter Langer.
- Turvey, M. T., & Shaw, R. E. (1999). Ecological foundations of cognition I. Symmetry and specificity of animal-environment systems. Journal of Consciousness Studies, 6, 95-110. 10.1002/jocb.238 . · DOI
- Youngson, S. C., & Persellin, D. C. (2001). The Curwen hand signs: A help or hindrance when developing vocal accuracy? Kodóly Envoy, 27(2), 9-12.
- Authors
- Nijs, L., Grinspun, N., & Fortuna, S.
- Affiliations
- University of Luxembourg (LU)
- Universidad Metropolitana de Ciencias de la Educación
- Ghent University (BE)
- Corresponding author
- Nijs, Luc
- Venue
- Creativity Research Journal
- Publisher
- Informa UK Limited
- Published
- 2024-01-29
- Volume
- 37
- Issue
- 3
- Pages
- 427-451
- ISSN
- 1040-0419 (ISSN-L)
- 1532-6934
- OpenAlex
- W4391315168
- Cited by
- 11
- References
- 228
- Citations by year
- 2026: 6 · 2025: 3 · 2024: 2
- FWCI
- 58.00
- Type
- journal article
- Language
- en
- Open access
- hybrid
- doi.org
- Licence
- Locations
- Creativity Research Journal (publishedVersion, cc-by-nc-nd)
- Ghent University Academic Bibliography (Ghent University) (publishedVersion)
- Ghent University Academic Bibliography (Ghent University) (submittedVersion, cc-by-nc-nd)
- Open Repository and Bibliography (University of Luxembourg) (submittedVersion, other-oa)
- Funders
- EmcoMetecca II
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Psychology › Experimental and Cognitive Psychology › Creativity in Education and Neuroscience
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Artistic and Creative Research
- Keywords
- musical creativity, embodied learning, body movement in music, metastability, cognitive flexibility, music education, Ken Robinson, relational creativity, dynamic systems perspective
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review