The DOI matches its Crossref record; 4 of the 4 references it cites were found in a registry or an index.
Towards a general model of skills involved in sight reading music.
Abstract
Sight reading is a functional skill which is essential for all musicians involved in particular fields of western classical music culture. In the last decade, expertise theory has shown that time spent on activities is a good predictor for later achievement in a domain. However, this study is based on the hypothesis that general and elementary cognitive skills as well as practice-related skills must be considered in the explanation of outstanding sight-reading achievement. Different component skills involved in sight reading were attributed to one of three categories: (a) general cognitive skills (working memory, short-term music memory, short-term numerical memory, and Raven's D Matrices); (b) elementary cognitive skills (speed tapping, simple reaction time, trilling speed, and speed of information processing); (c) practice-related skills (practicing solo, sight reading, and inner hearing skills). This resulted in a total set of 23 predictors. These tests were used to evaluate the potential correlates of sight-reading ability. A pre-recorded pacing melody paradigm was used for the sight-reading tasks. Multiple regression analysis revealed that the best combination of predictors is trilling speed, sight-reading expertise acquired up to the age of 15, speed of information processing, and inner hearing. These four predictors can explain 59.6% of variance. Excellence in sight reading is, therefore, the result of a combination of components assumed to be practice-related (sight-r…
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“Platz et al. (2014) noticed that Kopiez and Lee (2008) reported estimates for the accumulated number of hours of sight-reading music for both the period up to age 18 and also for the participants’ entire life.”
From Deliberate Practice and Proposed Limits on the Effects of Practice on the Acquisition of Expert Performance: Why the Original Definition Matters and Recommendations for Future Research (2019) · cites this paper as Kopiez and Lee (2008)
Citations
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Cited by
Sorted by citations
Ericsson, K. A., & Harwell, K. W. (2019) · Frontiers in Psychology · doi:10.3389/fpsyg.2019.02396 · Cited by 370
Deliberate practice: Is that all it takes to become an expert?
Hambrick, D. Z., Oswald, F. L., Altmann, E. M., Meinz, E. J., Gobet, F., & Campitelli, G. (2014) · Intelligence · doi:10.1016/j.intell.2013.04.001 · Cited by 370
Ericsson, K. A. (2014) · Intelligence · doi:10.1016/j.intell.2013.12.001 · Cited by 178
The influence of deliberate practice on musical achievement: a meta-analysis.
Platz, F., Kopiez, R., Lehmann, A. C., & Wolf, A. (2014) · Frontiers in Psychology · doi:10.3389/fpsyg.2014.00646 · Cited by 152
Self-citation
Metadata
- Authors
- Kopiez, R., & In Lee, J.
- Affiliations
- Hanover University of Music Drama and Media (DE)
- Corresponding author
- Kopiez, Reinhard
- ORCID
- Kopiez, Reinhard
- Venue
- Music Education Research
- Publisher
- Informa UK Limited
- Published
- 2008-03
- Volume
- 10
- Issue
- 1
- Pages
- 41-62
- ISSN
- 1461-3808 (ISSN-L)
- 1469-9893
- OpenAlex
- W2117068905
- Cited by
- 141
- References
- 4
- Citations by year
- 2026: 5 · 2025: 4 · 2024: 8 · 2023: 9 · 2022: 8 · 2021: 23 · 2020: 6 · 2019: 16 · 2018: 7 · 2017: 9 · 2016: 7 · 2015: 6 · 2014: 10 · 2013: 11 · 2012: 1
- FWCI
- 76.93
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Music Education Research (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Life Sciences › Neuroscience › Cognitive Neuroscience › Neuroscience and Music Perception
- Social Sciences › Psychology › Developmental and Educational Psychology › Sport Psychology and Performance
- Keywords
- sight-reading, music performance skills, processing speed, inner hearing, working memory, numerical memory, reaction time
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