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Homeric Poetry and Problems of Multiformity: The "Panathenaic Bottleneck"
Open accessAbstract
ULTIFORMITY, according to Albert Lord, is a basic feature of oral traditional poetry.1 In his writings, lectures, and conversations, Lord preferred to use the terms multiformity and multiform instead of variation and variant in order to emphasize the fluidity of oral poetry, to be contrasted with the fixity of written texts. Lord was worried that those who are unfamiliar with the workings of any given oral tradition might easily be misled to think of its variants exclusively in terms of a preexisting fixed text:
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TL;DR
Nagy argues that Homeric multiformity should be treated as a matter of relative degree rather than as a binary opposite of uniformity. He proposes an evolutionary model in which the *Iliad* and *Odyssey* were progressively narrowed by an Athenian “Panathenaic bottleneck,” while Cyclic epics remained comparatively more fluid.
Key findings
- Multiformity is relative, not absolute: the model posits five periods of decreasing fluidity, from a most fluid phase before written texts to a most rigid scriptural phase after Aristarchus. Only the *Iliad* and *Odyssey* pass through the Panathenaic bottleneck beginning in the sixth century B.C.E.; the Cycle, including the *Cypria*, is exempt.
- Aristarchus’s “vulgate” was not a uniform text: he worked with plural *koinai*, retained athetized verses in his base text, and omitted “plus verses.” Such plus verses are better understood as oral multiforms than as simple interpolations.
- *Iliad* 5.808 is a test case: omitted by Aristarchus but later re-entering the tradition, it looks anomalous synchronically yet preserves an earlier diachronic multiform, since *Iliad* 4.390 has Athena helping Tydeus. Vase paintings also show thematic multiformity in the *Iliad* tradition into the early fifth century B.C.E.
- No single uniform Panathenaic text can be recovered; a Panathenaic “script” would have been subject to change at each Great Panathenaea, and the evidence supports multiform transcripts rather than one fixed archetype.
Methods
- Theoretical and philological argument, synthesizing Lord’s oral theory, Nagy’s earlier evolutionary model, and ancient Homeric scholarship.
- Analysis of textual variants and editorial practices attributed to Aristarchus, Zenodotus, Aristophanes, and Crates, alongside scholia, papyri, and vase-painting evidence.
- Key conceptual tools include synchronic versus diachronic perspectives and the sequence transcript → script → scripture, with *numerus versuum* as a marker of increasing regulation.
Limitations
- The author states that the line between “transcript” and “script” can only be drawn imprecisely, somewhere around the third and fourth periods, and that a fuller inventory of major thematic multiforms is left for another occasion.
- The author also states that a single unified “vulgate” or early Panathenaic text is unrecoverable and should be treated as a virtual construct.
- Evident from the text: the evolutionary model is speculative and relies heavily on indirect later evidence, since no sixth-century B.C.E. Panathenaic text survives to confirm the bottleneck directly.
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51 Own interpretation · 35 Sources not found · 6 No basis given · 2 Own result · 1 No full text of the sources · 1 Not checked yet
In the paper
“It was essentially the “vulgate” version of the Homeric poems, and not the textual variants adduced by Aristarchus, that survived into the medieval manuscript tradition.28”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [28]
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In the paper
“Moreover, there is evidence against such claims about the Iliad.The testimony of vase paintings shows clear traces of thematic multiformity in the Iliad tradition up to the early fifth century B.C.E.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites Lowenstam, “Talking Vases”
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In the paper
“Second, there is no evidence for the claim that the Iliad was a “uniform” text dating from the second half of the sixth century B.C.E.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
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In the paper
“Even this “vulgate” was not a “uniform” text-as far as Aristarchus himself was concerned.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
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In the paper
“Aristarchus was persuaded that such verses, although he athetized them, really did belong in the base text that we call the “vulgate.”25”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
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In the paper
“In his Homeric commentaries or hupomnemata, he frequently adduced textual variants that he considered more likely to be Homeric than the corresponding textual forms that he actually retained in his base text, in the “vulgate.”24”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [24]
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plain- Asserted: passes — The authors put it forward as true.
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In the paper
“Similarly, though he athetized some verses-that is, marked them with an obelos to indicate that he considered them non-Homeric-he nevertheless retained such verses in his base text because the manuscript evidence at his disposal did not permit him to do otherwise.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [24]
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In the paper
“It must be pointed out, however, that Aristarchus himself-as frequently paraphrased in such sources as the Venetus A scholia of the Iliad-did not speak of this “vulgate” in terms of any single textual tradition.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [29]
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“the multiformity of the Homeric poems is already relatively minimal.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
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In the paper
“In period 3, however, such multiplicity becomes “gradually squeezed into a centralized unity that allows for only minimal variation.”12”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [12]
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The paper states this without a source or data behind it here, so there is nothing to check it against. The quote shows it is in the paper.
In the paper
“But there is nothing “off” about these same plus verses in terms of the overall system as we know it from viewing Homeric poetry through the lens of its formulas and themes inherited from a continuing oral poetic tradition.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
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The paper states this without a source or data behind it here, so there is nothing to check it against. The quote shows it is in the paper.
In the paper
“As a rule, they do not fit, either textually or thematically: we find that there is usually something “off” about them in terms of the overall text as we know it from viewing the Homeric poems through the lens of the “vulgate” version.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
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The paper states this without a source or data behind it here, so there is nothing to check it against. The quote shows it is in the paper.
In the paper
“As we work our way forward in time, to be sure, we find that the degree of textual multiformity becomes minimal.Still, even in the latest phases of the ancient textual history, it is a question of degrees: we find ever less multiformity, not absolute “uniformity.””
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
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A result the paper reports from its own data — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“From a diachronic perspective, this verse is not at all anomalous: as we see from Iliad 4.390, Athena was indeed present and did indeed help Tydeus fight the Thebans.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
boostedSingle case- Asserted: passes — The authors put it forward as true.
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In the paper
“In what follows I argue that multiformity in oral traditions likewise needs to be defined in relative rather than absolute terms.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
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None of the sources cited for this claim could be matched to a paper in Crossref, so there is nothing to check it against.
In the paper
“Lord preferred to use the terms multiformity and multiform instead of variation and variant in order to emphasize the fluidity of oral poetry, to be contrasted with the fixity of written texts.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [1] 1. For the hermeneutic model of Homer as "script," see Nagy, Poetry as Performance, chap. 6.
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Not matchedcites [2] 2. G. Nagy, "Epic as Music: Rhapsodic Models of Homer in Plato's Timaeus and Critias," in The Oral Epic: Performance and Music, ed. K. Reichl (Berlin, 2000), 41-67.
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
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In the paper
“As we see from Lord's formulation, the concept of “original” is relative in terms of oral traditions.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [3] 3. G. Nagy, "The Textualizing of Homer," in Inclinate Aurem-Oral Perspectives on Early European Verbal Culture, ed. J. Hellden, M. Skafte Jensen, and T. Pettitt (Odense, 2001), 57-84.
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In the paper
“Aristarchus treated the “vulgate” Homer text in much the same way that a neo-Aristarchean editor like Origen treated the Septuagint in his hexapla edition of the Hebrew Bible: the Septuagint was Origen's base text.26”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [26]
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plaincorrelational- Asserted: passes — The authors put it forward as true.
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In the paper
“By analogy, we may say that the Homeric “vulgate,” as the base text of Aristarchus, had achieved the status of “scripture.”27”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [27]
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hedgedcorrelational- Asserted: passes — The authors put it forward as true.
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In the paper
“ULTIFORMITY, according to Albert Lord, is a basic feature of oral traditional poetry.1”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [1] 1. For the hermeneutic model of Homer as "script," see Nagy, Poetry as Performance, chap. 6.
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“3. A definitive period, centralized in Athens, with potential texts in the sense of transcripts, at any or several points from the middle of the sixth century to the later part of the fourth; this period starts with the reform of Homeric performance traditions in Athens during the regime of the Pisistratidae.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
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In the paper
“By contrast, verses that were omitted by Aristarchus from his base text fell outside the count, as it were, and they were not part of the numerus versuum.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
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In the paper
“He spoke about plural koinai, since for him there was no single unified koine manuscript that could possibly approximate the status of a definitive archetype.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [30]
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In the paper
“5.A relatively most rigid period, with texts as scripture, from the middle of the second century onward; this period starts with the completion of Aristarchus' editorial work on the Homeric texts, not long after 150 or so, which is a date that also marks the general disappearance of the so-called eccentric papyri.8”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [8]
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plaincorrelational- Asserted: passes — The authors put it forward as true.
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In the paper
“Moreover, the passage from performative to purely textual verse counting would correspond to a passage from “script” to “scripture.””
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
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In the paper
“Let us begin by applying both synchronic and diachronic perspectives to the concept of oral composition, which can be understood as a process of recomposition in the context of each new performance.4”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [4] 4. Nagy, Poetry as Performance, 117, 152-56, 185-86.
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plaindirect- Asserted: passes — The authors put it forward as true.
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“In terms of the evolutionary model, only the Iliad and the Odyssey pass through the “Panathenaic bottleneck,” starting in the sixth century B.C.E.; other archaic Greek epic traditions, most notably the “Cyclic” poetry of the Cypria, the Aithiopis, the Little Iliad, and the Iliou Persis, are exempt.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
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In the paper
“The living South Slavic oral traditions described by Lord are decentralized, abounding in a multiplicity of thematic and formal variants.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites Lord
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In the paper
“This third factor of oral poetics, diffusion, can in some cases involve a process of centralization-even if in other cases it is a process of decentralization, of atomized dispersal.10”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [10]
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plainconditional- Asserted: passes — The authors put it forward as true.
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“This Homeric “system” is represented not only by those textual variants that happen to fit an immediate context, established by the text of the Homeric poems as we know them.It is represented also by all textual variants that can be shown to be formulaic multiforms.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
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In the paper
“The centralized diffusion would have involved centripetal as well as centrifugal forces-“a centralized context for both the coming together of diverse audiences and the spreading outward of more unified traditions.”'1”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites [11]
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“2. A more formative or “Panhellenic” period, still with no written texts, from the middle of the eighth century to the middle of the sixth.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“At best, we may think of such a Homeric tradition in terms of a Panathenaic “script.”32”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
hedged- Asserted: passes — The authors put it forward as true.
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A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“Consequently, the evolutionary model allows for far more fluidity-or let us say multiformity-in the case of the Cypria and far less in the case of the Iliad.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“In response to the challenge posed by Lord's concept of multiformity, the evolutionary model presents an alternative to the numerous attempts at reconstructing an “original” text of Homer.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
Probably not a substantial claim.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“1.A relatively most fluid period, with no written texts, extending from the early second millennium into the middle of the eighth century in the first millennium.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: fails — The paper may give no reason why it holds.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“Yet, as argued above, the multiformity of the Cypria is not some kind of absolute: all we can say is that the Cypria was relatively more multiform than the Iliad.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“A similar type of multiplicity can also be posited for period 1 in the evolutionary model for ancient Greek oral poetry and, to a lesser degree, for period 2.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
In the paper
“As Apthorp has demonstrated on the basis of the external manuscript evidence, line 808 was a plus verse, and had been omitted by Aristarchus from his base text, though the verse had subsequently crept back into the post-Aristarchean versions of the “vulgate,” including the text of the Venetus A.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites Apthorp
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
boosteddirectSingle case- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
- Not matched
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“Some textual variants, that is, stem from relatively earlier phases of an evolving oral tradition, while other textual variants stem from later phases.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
The paper states this without a source or data behind it here, so there is nothing to check it against. The quote shows it is in the paper.
In the paper
“For an analogy, we may compare the design woven into the peplos of the goddess Athena on the occasion of each successive quadrennial recurrence of the Great Panathenaea: this design, controlled by elected officials called the athlothetai, was institutionally subject to change.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: fails — The paper may give no reason why it holds.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“To argue that the Iliad is “uniform” in contrast to the Cypria, which is multiform, requires a special explanation for the exempting of Homeric poetry:”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
Probably not a substantial claim.
In the paper
“Moreover, much of the multiformity claimed for the Cypria can be explained in other ways: it is probable that there were several or at least two compositions entitled Cypria (cf.Finkelberg, “Multiformity,” p. 8, n.26).”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
What the sources say
- Not matchedcites Finkelberg, “Multiformity”
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
hedgedconditional- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
- Not matched
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“only the Iliad and the Odyssey pass through the “Panathenaic bottleneck.”Only the Iliad and the Odyssey pass through periods 3, 4, and 5.By contrast, the poetry of the Cycle-including the Cypria-is exempt from periods 3, 4, and 5.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plain- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“We see here a glimpse of multiformity in repertoire, and the potential for different plot constructions in different times.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
hedgedSingle case- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
Probably not a substantial claim. It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“In the “vulgate” version of the Iliad, she chooses to make a contrast; in another, earlier, version as reflected by Iliad 5.808, she could choose to make a parallel, just as Agamemnon makes a parallel at Iliad 4.390.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
hedged- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“The textual evidence allows us to reconstruct a Panathenaic tradition, relatively less multiform than other epic traditions, but this evidence cannot be reduced to a single “uniform” Panathenaic text.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
In the paper
“2. Contexts of dual-for-plural in the “Embassy Scene” of Iliad 9, attested by Zenodotus, as opposed to contexts of dual-for-dual-only in the “vulgate”; the edition of Homer by Zenodotus regularly accepted textual variants that required dual-for-plural meanings.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Additional information
What the sources say
- Not matchedcites Zenodotus
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: unclear — It is unclear whether the paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
- Not matched
The paper states this without a source or data behind it here, so there is nothing to check it against. The quote shows it is in the paper.
In the paper
“In general, my earlier work has shown that the variant readings reported by the three most eminent editors of Homer at the Library of Alexandria-Zenodotus, Aristophanes, and Aristarchus-stem from multiforms.The same goes for the variant readings reported by the most eminent editor of Homer at the Library of Pergamon, Crates.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaindirect- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“Since the speaker of Iliad 4.390 is Agamemnon while the speaker of Iliad 5.808 is Athena, the argument can be made that the “focalizations” of the two verses represent an intentional contrast or even mismatch.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
Probably not a substantial claim. It may state two separate claims as one.
A conclusion the paper draws from its own results — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“But the point is, we see here the building blocks of two different traditional ways of constructing the speech of Athena: she can make either a parallel or a contrast between the father and the son.”
§ HOMERIC POETRY AND PROBLEMS OF MULTIFORMITY: THE "PANATHENAIC BOTTLENECK" > Abstract
plaincorrelational- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
Probably not a substantial claim. It may state two separate claims as one.
Citations
Cites
(1980) · Medical Entomology and Zoology · Cited by 47
Reading Bakhtin Reading the Classics: An Epic Fate for Conveyors of the Heroic Past
Nagy, G. (2002) · Digital Access to Scholarship at Harvard (DASH) (Harvard University) · Cited by 16
Self-citation
Cited by
Sorted by citations
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011 · Cited by 146
Nagy, G. (2005) · doi:10.1002/9780470996614.ch7 · Cited by 71
Self-citationAuthorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation
Beecroft, A. (2010) · Cited by 27
Dué, C., Lupack, S., & Lamberton, R. (2020) · Cambridge University Press eBooks · doi:10.1017/9781139225649 · Cited by 29
Variation within Limits: An Evolutionary Approach to the Structure and Dynamics of the Multiform
Drout, M. D. C. (2011) · Oral tradition · doi:10.1353/ort.2011.0032 · Cited by 9
Zerba, M. (2017) · Renaissance Quarterly · doi:10.1086/693882 · Cited by 4
Suter, A. (2005) · Kernos · doi:10.4000/kernos.868 · Cited by 2
Translating Vaidya’s Harivaṃśa
Brodbeck, S. (2019) · Asian Literature and Translation · doi:10.18573/alt.45 · Cited by 1
Palazzolo, P. (2017) · Springer eBooks · doi:10.1007/978-3-319-55414-3_5 · Cited by 1
Anthropological Encounters of a Semiotic Kind
Parmentier, R. J. (2014) · Recherches sémiotiques · doi:10.7202/1027778ar · Cited by 1
“The textual uniformity of the Homeric poems even at the spatial extremities of their diffusion is the result of parallel performance contexts, not of the replication of text-artifacts (Nagy 2001).”
BackgroundPanatenaicas: tradição, permanência e derivação
Francisco, G. D. S. (2012) · doi:10.11606/t.71.2012.tde-16052012-141348 · Cited by 1
Reading Homer in the 21st Century
Hernández, P. N. (2007) · College literature · doi:10.1353/lit.2007.0017 · Cited by 1
v. 3, n. 2 (2020): Os afetos na filosofia e a dimensão filosófica dos afetos
Moosburger, L. B., & Cândido, G. B. (2020) · Aoristo - International Journal of Phenomenology Hermeneutics and Metaphysics · doi:10.48075/aoristo.v3i2.26507
Encontros e desencontros: uma breve reflexão sobre o longo diálogo entre o poético e o filosófico
Cândido, G. B. (2018) · Griot Revista de Filosofia · doi:10.31977/grirfi.v18i2.973
Pre-Hellenistic Greek Poetry in its Social Contexts
Nagy, G., & Muellner, L. (2015) · Oxford University Press eBooks · doi:10.1093/obo/9780195389661-0187
Self-citationO mundo dos heróis na poesia hexamétrica grega arcaica
Werner, C. (2014) · Romanitas - Revista de Estudos Grecolatinos · doi:10.17648/rom.v0i2.7409
Adaptive Landscapes, Cognitive Prototypes, and Genre
Drout, M. D. C. (2013) · Palgrave Macmillan US eBooks · doi:10.1057/9781137324603_5
(2011) · New Surveys in the Classics · doi:10.1017/s0017383512000459
From Performance to Casket Copy
Waldron, C. M. (2008) · Postscripts The Journal of Sacred Texts Cultural Histories and Contemporary Contexts · doi:10.1558/post.v2i2.190
Talking through the heroic code: Achilles learns to tell stories
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.005
Making a difference: The silence of Otherness
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.006
Controlling language: Telemachus learns to speak
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.004
(2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.010
Disentangling the beast: Humans and other animals in theOresteia
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.007
Socratic silence: The shame of the Athenians
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.008
Bellowing like a bull: Humans and other animals in Homer
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.003
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.002
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.001
Heath, J. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511483011.009
Foley, J. M. (2005) · Wiley eBooks · doi:10.1002/9780470996614.biblio
Metadata
- Authors
- Nagy, G.
- Corresponding author
- Nagy, Gregory
- ORCID
- Nagy, Gregory
- Venue
- Classical Philology
- Publisher
- University of Chicago Press
- Published
- 2001-04
- Volume
- 96
- Issue
- 2
- Pages
- 109-119
- ISSN
- 0009-837X (ISSN-L)
- 1546-072X
- OpenAlex
- W2158879255
- Cited by
- 30
- References
- 2
- Citations by year
- 2020: 2 · 2019: 1 · 2018: 1 · 2017: 2 · 2015: 1 · 2014: 2 · 2013: 1 · 2012: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- bronze
- doi.org
- Locations
- Classical Philology (publishedVersion)
- Digital Access to Scholarship at Harvard (DASH) (Harvard University) (submittedVersion, cc-by)
- Topics
- Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
- Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Folklore, Mythology, and Literature Studies
- Keywords
- oral tradition, Homeric epic, Panathenaic Games, Albert Lord, textual variants, originality, Homeric Hymn to Athena
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Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
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