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Composers, Patrons, and the Venetian Music Press

Bernstein, Jane A.·1998·Music Printing in Renaissance Venice
DOI 10.1093/acprof:oso/9780195102314.003.0007
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Abstract

Abstract Composers quickly became aware of the possibility of addressing a larger audience through the press. With the commercialization of music printing, they no longer had to rely solely on their intermediate circle of patrons for the circulation of their music. Composers could now augment their fixed income either by selling their works outright to printers, or by getting involved in the actual publishing and marketing of their own works. Patrons also saw the potential of the printing press as a means of public recognition. Dedications abound with metaphors extolling the culture, erudition, and generosity of the benefactor.

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Metadata

Authors
Bernstein, J. A.
Corresponding author
Bernstein, Jane A.
Venue
Music Printing in Renaissance Venice
Publisher
Oxford University PressNew York
Published
1998-11-19
Pages
139-154
DOI
10.1093/acprof:oso/9780195102314.003.0007
OpenAlex
W2502697309
Cited by
0
References
194
FWCI
0.00
Type
book chapter
Language
en
Open access
closed
Topics
  • Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
  • Social Sciences › Arts and Humanities › History › Libraries, Manuscripts, and Books
  • Social Sciences › Arts and Humanities › History › Renaissance and Early Modern Studies
Keywords
music printing, composer, patrons, music publishing, dedication, patronage, music marketing, public recognition, Venetian Republic

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