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Intuitive parenting: a hidden source of musical stimulation in infancy
Abstract
Formal musical training is given even to children as young as two years of age and has proven to be quite effective with the majority. Training at an early age has also been said to be helpful in the other domains of psychological development. The benefits of a formal musical training, however, have not been studied in the period of infancy and toddler age. This chapter provides a discussion of the earliest musical training: infant-directed singing and infant-directed speech. Together with interaction games, these have been identified as effective musical stimulation and training. The chapter also tackles parents' predisposition for music education – intuitive, without real guide on what to do or knowledge of infants' precocious competences, but to merely provide mutual enjoyment. Interaction games, voice modulation and even just babbling and letting the infant participate and imitate are enough to increase predisposition to musical capacities. The growing evidence of early musical predisposition and extensive research on the early sources of musical stimulation in infants' environment have sparked interest in the study of the earliest stages of musical development. The chapter also suggests that parents keep to the natural method of intuitive early musical education.
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Beyond the localist mechanism underlying phonemic combinatoriality, there would be a more global and holistic system of pragmatic intonational melodies that had categorical meanings, just as they do in modern speech.
“Beyond the localist mechanism underlying phonemic combinatoriality, there would be a more global and holistic system of pragmatic intonational melodies that had categorical meanings (Fernald, 1989; Papousek, 1996), just as they do in modern speech.”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Papousek, 1996
The first year of life comprises a shared stage in which prosody, speech, and music are relatively undifferentiated, followed by a separation of language/speech and music/singing as distinct audiovocal functions.
“the first year of life appears to comprise a shared stage in which prosody, speech, and music are relatively undifferentiated, followed by a separation of language/speech and music/singing as distinct audiovocal functions (Papousek, 1996).”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Papousek, 1996
Prosodic speech includes the emotionally accentuated speaking style of an actor, poet, public speaker, or mother interacting with her baby.
“Prosodic speech includes the emotionally-accentuated speaking style of an actor, poet, or public speaker, or of a mother interacting with her baby (Fernald, 1989; Papousek, 1996).”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Papousek, 1996
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Impact of music therapy to promote positive parenting and child development
Nicholson, J. M., Berthelsen, D., Abad, V., Williams, K., & Bradley, J. (2008) · Journal of Health Psychology · doi:10.1177/1359105307086705 · Cited by 181
Musical lives: a collective portrait of American parents and their young children
Custodero, L. A., Rebello Britto, P., & Brooks-Gunn, J. (2003) · Journal of Applied Developmental Psychology · doi:10.1016/j.appdev.2003.08.005 · Cited by 136
A Joint Prosodic Origin of Language and Music
Brown, S. (2017) · Frontiers in Psychology · doi:10.3389/fpsyg.2017.01894 · Cited by 132
The effects of music and movement on mother–infant interactions
Vlismas, W., Malloch, S., & Burnham, D. (2013) · Early Child Development and Care · doi:10.1080/03004430.2012.746968 · Cited by 47
Metadata
- Authors
- Papoušek, M.
- Venue
- Musical BeginningsOrigins and Development of Musical Competence
- Publisher
- Oxford University Press
- Published
- 1996-02-01
- Pages
- 88-112
- Cited by
- 161
- References
- 0
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