The DOI matches its Crossref record.
RELIGION IN A NEW MODE: THE CONVERGENCE OF THE AESTHETIC AND THE RELIGIOUS IN MEDIEVAL INDIA
Abstract
DONNA M. WULFF; RELIGION IN A NEW MODE: THE CONVERGENCE OF THE AESTHETIC AND THE RELIGIOUS IN MEDIEVAL INDIA, Journal of the American Academy of Religion, Volum
Overview
Integrity signals
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Cites
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Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“On the other hand, Abhinavagupta ' s reflections on dramatic performance suggest that the truth or falsity of what takes place in a drama is irrelevant; what matters is the (temporarily) transcendent experience of rasa that the drama enables (Masson and Patwardhan 1970: 21 -22, 32 -33; Wulff 1986: 676 -679).”
From Listening to the Dharmabhāṇaka: The Buddhist Preacher in and of the Sūtra of Utmost Golden Radiance (2012) · cites this paper as Wulff 1986
Citations
Cited by
Sorted by citations
Listening to the Dharmabhāṇaka: The Buddhist Preacher in and of the Sūtra of Utmost Golden Radiance
Gummer, N. D. (2012) · Journal of the American Academy of Religion · doi:10.1093/jaarel/lfr089 · Cited by 12
Metadata
- Authors
- WULFF, D. M.
- Corresponding author
- WULFF, DONNA M.
- Venue
- Journal of the American Academy of Religion
- Publisher
- Oxford University Press (OUP)
- Published
- 1986
- Volume
- LIV
- Issue
- 4
- Pages
- 673-689
- ISSN
- 0002-7189 (ISSN-L)
- 1477-4585
- OpenAlex
- W2052212003
- Cited by
- 17
- References
- 0
- Citations by year
- 2023: 1 · 2022: 1 · 2018: 1 · 2017: 3 · 2016: 1 · 2014: 2 · 2012: 2
- Type
- book review
- Language
- en
- Open access
- closed
- Locations
- Journal of the American Academy of Religion (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Indian and Buddhist Studies
- Social Sciences › Arts and Humanities › General Arts and Humanities › Cultural and Mythological Studies
- Social Sciences › Arts and Humanities › Philosophy › Study and Philosophy of Religion
- Keywords
- aesthetics and religion, medieval Indian art, religious art, Hinduism, Buddhism, iconography, visual culture
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
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How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: RELIGION IN A NEW MODE: THE CONVERGENCE OF THE AESTHETIC AND THE RELIGIOUS IN MEDIEVAL INDIA. https://app.cochat.ai/papers/10.1093/jaarel/liv.4.673
- The paper
- WULFF, D. M. (1986). RELIGION IN A NEW MODE: THE CONVERGENCE OF THE AESTHETIC AND THE RELIGIOUS IN MEDIEVAL INDIA. Journal of the American Academy of Religion. https://doi.org/10.1093/jaarel/liv.4.673
