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Cited by 4Cultural Heritage Management and PreservationCultural Identity and HeritageCultural and Artistic Studies

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Community Engagement as a Site of Struggle: UNESCO Conventions, Intangible Cultural Heritage, and State Agendas in Malaysia

Sooi Beng, Tan·2022·Music, Communities, Sustainability

Abstract

Intangible cultural heritage (ICH) and community engagement are sites of contestation. This chapter discusses the complex intersections between the international UNESCO inscriptions and conventions, top-down national policies over the representation of art forms, strategies of local state governments, banning of forms by religious authorities, and the engagement of local cultural bearers in sustaining their ICH. It looks at the development and destinies of the Mak Yong dance theatre of Kelantan (inscribed as a “Masterpiece of the Oral and Intangible Heritage of Humanity” in 2005) and the multicultural ICH of George Town (inscribed as a World UNESCO Site together with Malacca in 2008) as case studies.

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Crossref · 10.1093/oso/9780197609101.003.0008

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Research works printed but not linked: 26

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  22. Tan Sooi Beng. (2018). Community musical theatre and interethnic peace-building in Malaysia. In B-L. Bartleet & L. Higgins (Eds.), The Oxford handbook of community music (pp. 243–264). Oxford University Press. · DOI
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Cited by

Metadata

Authors
Sooi Beng, T.
Venue
Music, Communities, Sustainability
Published
2022-08-10
Pages
139-157
OpenAlex
W4296625891
Cited by
4
References
0
Citations by year
2026: 1 · 2025: 1 · 2024: 2
FWCI
10.12
Type
book chapter
Language
en
Open access
closed
Topics
  • Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Cultural Heritage Management and Preservation
  • Social Sciences › Cultural Studies › Cultural Identity and Heritage
  • Social Sciences › Cultural Studies › Cultural and Artistic Studies
Keywords
intangible cultural heritage, community participation, cultural policy, Kelantan, George Town, multicultural heritage, heritage contestation, state cultural policy

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