The DOI matches its Crossref record.
Ancient Greek Music
Abstract
Ancient Greece was permeated by music, and the literature teems with musical allusions. For most readers the subject has remained a closed book. Here at last is a clear, comprehensive, and authoritative account that presupposes no special knowledge of music. Topics covered include the place of music in Greek life; instruments; rhythm; tempo; modes and scales; melodic construction; form; ancient theory and notation; and historical development. Thirty surviving examples of Greek music are presented in modern transcription with analysis, and the book is fully illustrated. Besides being considered on its own terms, Greek music is here further illuminated by being seen in ethnological perspective, and a brief Epilogue sets it in its place in a border zone between Afro-Asiatic and European culture. The book will be of value both to classicists and historians of music.
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Citations
Cites
Still being checked.
Cited by
Sorted by citations
Items 101–200 of 716
Determining the chromatic index of music
Politis, D., & Margounakis, D. G. (2004) · International Conference on Web Delivering of Music (WEDELMUSIC) · doi:10.1109/wdm.2003.1233880 · Cited by 17
EPINICIAN VARIATIONS: MUSIC AND TEXT IN PINDAR,PYTHIANS2 AND 12
Phillips, T. (2013) · The Classical Quarterly · doi:10.1017/s0009838812000791 · Cited by 16
Theocritus and the bucolic genre
Fantuzzi, M., & Hunter, R. (2005) · Cambridge University Press eBooks · doi:10.1017/cbo9780511482151.005 · Cited by 16
Greek Tragedy and the Theatre of Sisterhood
Coo, L. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108861199.005 · Cited by 16
Hagel, S. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch21 · Cited by 16
THE POLITICS OF DANCE:EUNOMIAAND THE EXCEPTION OF DIONYSUS IN PLATO'SLAWS
Yu, K. W. (2020) · The Classical Quarterly · doi:10.1017/s0009838820000683 · Cited by 15
Musical Education in Greece and Rome
Hagel, S., & Lynch, T. A. C. (2015) · Wiley eBooks · doi:10.1002/9781119023913.ch27 · Cited by 15
Plato's Forms, Pythagorean Mathematics, and Stichometry
Kennedy, J. B. (2010) · Apeiron · doi:10.1515/apeiron.2010.43.1.1 · Cited by 15
Diogenes of Babylon: a Stoic on music and ethics
WOODWARD, L. (2009) · UCL Discovery (University College London) · Cited by 15
The Bibliosphere of Ancient Science (Outside of Alexandria)
Netz, R. (2011) · NTM Zeitschrift für Geschichte der Wissenschaften Technik und Medizin · doi:10.1007/s00048-011-0057-2 · Cited by 14
Rusten, J. S. (2019) · Cambridge University Press eBooks · doi:10.1017/9781316756621.005 · Cited by 14
Wright, M. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108861199.016 · Cited by 14
A Comprehensive Review on Music Transcription
Bhattarai, B., & Lee, J. (2023) · Applied Sciences · doi:10.3390/app132111882 · Cited by 14
Archaeology And Virtual Acoustics. A Pan Flute From Ancient Egypt
Avanzini, F., Canazza, S., Poli, G. D., Fantozzi, C., Pretto, N., Rodà, A., Angelini, I., Bettineschi, C., Deotto, G., Faresin, E., et al. (2015) · Padua Research Archive (University of Padova) · doi:10.5281/zenodo.851066 · Cited by 14
Space, Place and the Metallurgical Imagination of thePrometheusTrilogy
Bakola, E. (2019) · Cambridge University Press eBooks · doi:10.1017/9781316756621.011 · Cited by 13
Music, Sexuality and Stagecraft in the Pseudo-Vergilian Copa
Morgan, H. (2017) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341291 · Cited by 13
Music and Dance in Greece and Rome
Rocconi, E. (2015) · Wiley eBooks · doi:10.1002/9781119009795.ch5 · Cited by 13
Bellia, A. (2018) · Digital Scholarship in the Humanities · doi:10.1093/llc/fqy043 · Cited by 13
Lynch, T. A. C. (2018) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341324 · Cited by 13
Pešić, P. D. (2017) · The MIT Press eBooks · doi:10.7551/mitpress/11091.001.0001 · Cited by 13
Delcomminette, S. (2005) · Les études philosophiques · doi:10.3917/leph.053.0347 · Cited by 13
The Northward Advance of Greek Horizons
West, S. (2019) · Cambridge University Press eBooks · doi:10.1017/9781316756621.003 · Cited by 12
Black Sea Back Story: Euripides’Medea
Hall, E. (2019) · Cambridge University Press eBooks · doi:10.1017/9781316756621.013 · Cited by 12
The Vocal Art in Greek and Roman Antiquity
Melidis, K. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch15 · Cited by 12
Plotinus on Music, Rhythm, and Harmony
Michalewski, A. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.009 · Cited by 12
Aristotle on the Transmission of Information: Receiving Form Without the Matter
Caston, V. (2020) · Studies in the history of philosophy of mind · doi:10.1007/978-3-030-56946-4_2 · Cited by 12
Mithras in Scotland: A Mithraeum at Inveresk (East Lothian)
Hunter, F., Henig, M., Sauer, E. W., & Gooder, J. (2016) · Britannia · doi:10.1017/s0068113x16000295 · Cited by 12
Re-evaluating the Pompeiiauloi
Hagel, S. (2008) · The Journal of Hellenic Studies · doi:10.1017/s0075426900000057 · Cited by 12
Music Builds Character Aristotle, Politics VIII 5, 1340a14–b5
Brüllmann, P. (2013) · Apeiron · doi:10.1515/apeiron-2013-0020 · Cited by 12
Between Tradition and Innovation: Genealogy, Names and the Number of the Muses
Mojsik, T. (2011) · The Repository of University in Bialystok (University in Bialystok) · Cited by 11
Musical Instruments of Greek and Roman Antiquity
Terzḗs, C. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch16 · Cited by 11
Acoustics of the Chelys – An ancient Greek tortoise-shell lyre
Bakarezos, E., Vathis, V., Brezas, S., Orphanos, Y., & Papadogiannis, N. A. (2011) · Applied Acoustics · doi:10.1016/j.apacoust.2011.11.010 · Cited by 11
Christian Reception of the ‘New-Music’ Debate in the Church Fathers and Clement of Alexandria
Kramarz, A. (2018) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341327 · Cited by 10
Emergence of the Distinction Between “Verbal” and “Musical” in Early Childhood Development
Nikolsky, A. (2020) · Springer eBooks · doi:10.1007/978-981-15-4250-3_7 · Cited by 10
Les Hymnes homériques comme prières poétiques et comme offrandes musicales
Calame, C. (2012) · Éditions de l’École des hautes études en sciences sociales eBooks · doi:10.4000/books.editionsehess.2667 · Cited by 10
‘Musics’, Bellermann’s Anonymi, and the Art of the Aulos
Hagel, S. (2018) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341316 · Cited by 10
Terzḗs, C., & Hagel, S. (2022) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10040 · Cited by 10
Porphyry’sCommentary on Ptolemy’s Harmonics
Tarrant, H. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.010 · Cited by 9
Lynch, T. A. C. (2022) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10046 · Cited by 9
Lynch, T. A. C. (2022) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10047 · Cited by 9
Zhang, Y. (2023) · Journal Of Advanced Zoology · doi:10.17762/jaz.v44is6.2470 · Cited by 9
‘Why should I mention Io?’ Aspects of choral narration in Greek tragedy
Rutherford, R. B. (2007) · The Cambridge Classical Journal · doi:10.1017/s1750270500000038 · Cited by 9
Proportions in Ancient and Medieval Music
Ferreira, M. P. R. (2002) · Springer eBooks · doi:10.1007/978-3-662-04927-3_1 · Cited by 9
Mourning a city “empty of men”: stereotypes of Anatolian communal lament in Aeschylus’Persians
Bachvarova, M. R., & Dutsch, D. M. (2016) · Cambridge University Press eBooks · doi:10.1017/cbo9781139424387.006 · Cited by 9
Frozen Music: Music and Architecture in Vitruvius’ De Architectura
Walden, D. K. S. (2014) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341255 · Cited by 9
Martem Accendere Cantu: The Meaning of Music on the Battlefield
Klavan, S. A. (2019) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341347 · Cited by 8
Klavan, S. A. (2019) · Mnemosyne · doi:10.1163/1568525x-12342628 · Cited by 8
Harmonics as Theological Paradigm in Proclus
Gersh, S. E. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.012 · Cited by 8
Musical Imagery in Clement of Alexandria and Origen
Pelosi, F. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.008 · Cited by 8
The Music of the Virtues in Late Ancient Platonism
O’Meara, D. J. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108935753.011 · Cited by 8
A Hoard of Silver Rhyta of the Achaemenid Circle from Erebuni
Treister, M. Y. (2015) · Ancient Civilizations from Scythia to Siberia · doi:10.1163/15700577-12341278 · Cited by 8
Music in Classical Greek Drama
Ercoles, M. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch10 · Cited by 8
Pre‐Classical Sparta as Song Culture
Calame, C. (2017) · Wiley eBooks · doi:10.1002/9781119072379.ch7 · Cited by 8
Swift, E., Bosworth, L., Creese, D., Morris, G., Pudsey, A., Richardson, J., Stoner, J., Walter, F., & Wright, G. (2021) · Internet Archaeology · doi:10.11141/ia.56.1 · Cited by 8
Polychronopoulos, S., Marini, D., Bakogiannis, K., Κουρουπέτρογλου, Γ., Psaroudakēs, S., & Georgaki, A. (2021) · IEEE Access · doi:10.1109/access.2021.3095720 · Cited by 8
CHORAL PROJECTIONS ANDEMBOLIMAIN EURIPIDES' TRAGEDIES
Nikolaidou-Arabatzi, S. (2015) · Greece and Rome · doi:10.1017/s0017383514000229 · Cited by 7
Fiecconi, E. C. (2021) · Archiv für Geschichte der Philosophie · doi:10.1515/agph-2018-0014 · Cited by 7
ARSISANDTHESISIN ANCIENT RHYTHMICS AND METRICS: A NEW APPROACH
Lynch, T. A. C. (2016) · The Classical Quarterly · doi:10.1017/s0009838816000756 · Cited by 7
Preserving our Past with Toys of the Future
Khan, M., & de Byl, P. (2011) · ASCILITE Publications · doi:10.14742/apubs.2011.1742 · Cited by 7
Telestes and the ‘five-rodded joining of strings’
Barker, A. (1998) · The Classical Quarterly · doi:10.1017/s0009838800038799 · Cited by 7
Rutherford, I. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch2 · Cited by 7
Ptolemy’s Mathematical Models and their Meaning
Jones, A. (2005) · CMS books in mathematics · doi:10.1007/0-387-28272-6_3 · Cited by 7
VON MARSYAS BIS KÜBLBÖCK. EINE KLEINE GESCHICHTE UND THEORIE MUSIKALISCHER WETTKÄMPFE
Helms, D. (2005) · transcript Verlag eBooks · doi:10.1515/9783839404065-002 · Cited by 6
Chromaticism: A theoretical construction or a practical transformation?
Katsanevaki, A. (2011) · Muzikologija · doi:10.2298/muz1111159k · Cited by 6
In Search of Sound: Authenticity, Healing and Redemption in the Early Modern State
Gouk, P. M. (2007) · The Senses and Society · doi:10.2752/174589307x233530 · Cited by 6
Fiecconi, E. C., & Publications, M. (2016) · Ancient Philosophy · doi:10.5840/ancientphil201636226 · Cited by 6
Bakogiannis, K., Polychronopoulos, S., Marini, D., Terzḗs, C., & Κουρουπέτρογλου, Γ. (2020) · IEEE Access · doi:10.1109/access.2020.2981007 · Cited by 6
Ancient Greek Rhythm : The Bellermann Exercises.
Hagel, S. (2008) · doi:10.1400/116109 · Cited by 6
MEL-IRIS: An Online Tool for Audio Analysis and Music Indexing
Margounakis, D. G., Politis, D., & Μώκος, Κ. (2009) · International Journal of Digital Multimedia Broadcasting · doi:10.1155/2009/806750 · Cited by 6
Laferrière, C. M. (2020) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341362 · Cited by 6
Music and Dance in Tragedy After the Fifth Century
Griffith, M. (2018) · Cambridge University Press eBooks · doi:10.1017/9781139833936.009 · Cited by 6
On Atomics Onomastic and Metarrhythmic Translations in Herodotus
Chamberlain, D. (1999) · Arethusa · doi:10.1353/are.1999.0014 · Cited by 6
Evolutionary Complexity of Social Cognition, Semasiographic Systems, and Language
Croft, W. (2017) · Cambridge University Press eBooks · doi:10.1017/9781107294264.005 · Cited by 6
Music from Pompeii: Understanding the Aulos Fondo Prisco A+B
Wysłucha, K., & Hagel, S. (2025) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341397 · Cited by 5
Lather, A. (2017) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341296 · Cited by 5
Aristophanes’ Bacchylides: Reading Birds 1373–1409
Hadjimichael, T. A. (2014) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341258 · Cited by 5
The War-Trumpet and the Sound of Domination in Ancient Greek Thought
Nooter, S. H. (2019) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341348 · Cited by 5
Dionysus and the Ambiguity of Orgiastic Music
Ieranò, G. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch3 · Cited by 5
Musical Competitors and Competitions in Greece and Rome
Power, T. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch14 · Cited by 5
Pelosi, F. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch24 · Cited by 5
The Continuum companion to Plato
Press, G. A., González, F. J., Nails, D., & Tarrant, H. (2012) · Cited by 5
Vespa, M. (2017) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341298 · Cited by 5
Jochum, U. (2004) · The Library Quarterly · doi:10.1086/380852 · Cited by 5
Was Pythagoras ever really in Sparta
Moore, K. R. (2009) · Cited by 4
Τhe Presence of Dance in Female Deities of the Greek Antiquity
Lykesas, G., Papaioannou, C. S., Δανιά, Α., Koutsouba, M. I., & Nikolaki, E. (2017) · Mediterranean Journal of Social Sciences · doi:10.5901/mjss.2017.v8n2p161 · Cited by 4
Statius (2011) · Cambridge University Press eBooks · doi:10.1017/cbo9780511974038 · Cited by 4
Looking For the “Other” Gnesippus: Some Notes on Eupolis Fragment 148 K‐A
Prauscello, L. (2006) · Classical Philology · doi:10.2307/3877675 · Cited by 4
Ancient Drama in the Medieval World
Symes, C. (2016) · Wiley eBooks · doi:10.1002/9781118347805.ch6 · Cited by 4
Portraits of Grief: Death, Mourning and the Expression of Sorrow on White-Ground Lêkythoi
Allen, M. E. (2017) · doi:10.7916/d8kd296m · Cited by 4
The Tragedians of Heraclea and Comedians of Sinope
Hall, E. (2019) · Cambridge University Press eBooks · doi:10.1017/9781316756621.004 · Cited by 4
Barker, A. (2020) · Wiley eBooks · doi:10.1002/9781119275510.ch19 · Cited by 4
The Mouthpiece of the Aulos Revisited
Wysłucha, K., & Hagel, S. (2023) · Greek and Roman Musical Studies · doi:10.1163/22129758-bja10062 · Cited by 4
The Resurrection of Aristeides, Miltiades, Solon and Perikles in Eupolis’Demes
Torello‐Hill, G. (2008) · Antichthon · doi:10.1017/s0066477400001830 · Cited by 4
Storr, A. (1999) · Journal of the Royal Society of Medicine · doi:10.1177/014107689909200113 · Cited by 4
Around the Origins of Bagpipes: Relevant Hypotheses and Evidences
Calvo-Sotelo, J. C. (2015) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341026 · Cited by 4
Barker, N. J. (2007) · Early Music · doi:10.1093/em/cam029 · Cited by 4
Écouter l’orateur dans le monde gréco-romain
Salm, E. (2015) · Pallas · doi:10.4000/pallas.2742 · Cited by 4
Fabio Píctor y el doble de Breno
Rubio, A. P. (2017) · Mélanges de l École française de Rome Antiquité · doi:10.4000/mefra.4478 · Cited by 4
The Koinē Hormasia Re-Interpreted
Najock, D. (2018) · Greek and Roman Musical Studies · doi:10.1163/22129758-12341317 · Cited by 4
Metadata
- Authors
- West, M. L.
- Corresponding author
- West, M L
- Publisher
- Oxford University PressOxford
- Published
- 1992-10-01
- OpenAlex
- W2801349723
- Cited by
- 718
- References
- 0
- Citations by year
- 2026: 31 · 2025: 46 · 2024: 16 · 2023: 29 · 2022: 19 · 2021: 25 · 2020: 89 · 2019: 62 · 2018: 45 · 2017: 26 · 2016: 22 · 2015: 27 · 2014: 33 · 2013: 20 · 2012: 21
- FWCI
- 42.80
- Type
- book
- Language
- en
- Open access
- closed
- Topics
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
- Social Sciences › Arts and Humanities › Music › Diverse Musicological Studies
- Keywords
- ancient Greek music, Greek musical instruments, tempo, musical form, ancient music theory, musical notation, music transcription, ethnomusicology
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review