CLAP Learning Audio Concepts from Natural Language Supervision
Open accessAbstract
Mainstream machine listening models are trained to learn audio concepts under the paradigm of one class label to many recordings focusing on one task. Learning under such restricted supervision limits the flexibility of models because they require labeled audio for training and can only predict the predefined categories. Instead, we propose to learn audio concepts from natural language supervision. We call our approach Contrastive Language-Audio Pretraining (CLAP), which connects language and audio by using two encoders and a contrastive learning objective, bringing audio and text descriptions into a joint multimodal space. We trained CLAP with 128k audio and text pairs and evaluated it on 16 downstream tasks across 7 domains, such as classification of sound events, scenes, music, and speech. CLAP establishes state-of-the-art (SoTA) in Zero-Shot performance. Also, we evaluated CLAP’s audio encoder in a supervised learning setup and achieved SoTA in 5 tasks. The Zero-Shot capability removes the need of training with class labeled audio, enables flexible class prediction at inference time, and generalizes well in multiple downstream tasks. Code is available at: https://github.com/microsoft/CLAP.
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LTU-AS does not require any pre-defined label set.
“Compared with CLIP-like models [48,47], LTU-AS does not require any pre-defined label set and directly outputs predictions in natural language”
From Joint Audio and Speech Understanding (2023) · cites this paper as [48]
Section 2.2 (Zero-Shot Linear Classification) says CLAP scores each audio against supplied class labels, supporting the comparison with a model that outputs predictions directly in natural language. But the Introduction explicitly says CLAP has no predefined categories: its labels are supplied for a particular prediction, not fixed in advance. The paper does not establish LTU-AS’s capabilities. (LLM, conf=0.82)
Experimental — accuracy not yet measuredThe accuracy of LTU-AS is nearly twice that of CLAP on the zero-shot GTZAN music genre classification task.
“E.g., the accuracy of LTU-AS is nearly twice that of CLAP [48] on the zero-shot GTZAN music genre classification task”
From Joint Audio and Speech Understanding (2023) · cites this paper as [48]
LTU-AS directly outputs predictions in natural language.
“Compared with CLIP-like models [48,47], LTU-AS does not require any pre-defined label set and directly outputs predictions in natural language”
From Joint Audio and Speech Understanding (2023) · cites this paper as [48]
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“In addition, in the first and second stages, we only train LTU-AS with AQAs of classification tasks where the model gets a high penalty for wrong predictions.”
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- Authors
- Elizalde, B., Deshmukh, S., Ismail, M. A., & Wang, H.
- Affiliations
- Microsoft (United States) (US)
- Venue
- ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)
- Publisher
- IEEE
- Published
- 2023-06-04
- Pages
- 1-5
- ISSN
- 1520-6149 (ISSN-L)
- OpenAlex
- W4372266552
- Cited by
- 449
- References
- 4
- Citations by year
- 2026: 126 · 2025: 186 · 2024: 108 · 2023: 27 · 2022: 2
- FWCI
- 92.83
- Type
- conference paper
- Language
- en
- Open access
- green
- arxiv.org
- Locations
- IEEE International Conference on Acoustics Speech and Signal Processing (publishedVersion)
- arXiv (Cornell University) (submittedVersion, cc-by)
- arXiv (Cornell University) (cc-by)
- Topics
- Physical Sciences › Computer Science › Signal Processing › Music and Audio Processing
- Physical Sciences › Computer Science › Artificial Intelligence › Speech Recognition and Synthesis
- Physical Sciences › Computer Science › Artificial Intelligence › Domain Adaptation and Few-Shot Learning
- Keywords
- natural language supervision, contrastive learning, sound event classification, scene classification, music classification, speech classification, audio encoder
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