Cited by 5Educational Games and GamificationVisual and Cognitive Learning ProcessesMultimedia Learning Systems

The DOI matches its Crossref record; 9 of the 12 references it cites were found in a registry or an index.

A sketching game for art history instruction

Wasson, Rajinder, Mould, David, Biddle, Robert, Martinez, Cristina S.·2013·Proceedings of the International Symposium on Sketch-Based Interfaces and Modeling

Abstract

Study of images, in contexts as widespread as medicine, geography, and art history, demands attention to detail and exercise of memory. Presented with traditional textbooks, students have difficulty concentrating for the long periods of time needed to absorb the information. This paper presents a sketch-based game for learning images. We tested the game in the domain of art history, and in a controlled user study, we found that it dramatically increased the time that participants chose to spend learning about historical paintings. The increase in study time was accompanied by a proportionate increase in information retention and familiarity with the images.

Overview

Integrity signals

Registry

Crossref · 10.1145/2487381.2487384

Cites

9 of 9 references verified0 citation errors · 0 not checkable

Statistics

Recomputing p-values needs the paper’s full text.

Verification

Claims the paper makes

This paper’s full text isn’t openly available, so its claims and self-check weren’t run. The registry and citation checks still apply.

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

Citations

Cites

Research works printed but not linked: 3

  1. Caravaggio , Michelangelo Merisi da, 1660. The Calling of St Matthew. Oil on canvas, 322 x 340 cm. S. Luigi de Francesi , Rome . Caravaggio, Michelangelo Merisi da, 1660. The Calling of St Matthew. Oil on canvas, 322 x 340 cm. S. Luigi de Francesi, Rome.
  2. Holbein , Hans the Younger, 1533. The Ambassadors. Oil on oak, 209.5 x 207 cm. National Gallery , London . Holbein, Hans the Younger, 1533. The Ambassadors. Oil on oak, 209.5 x 207 cm. National Gallery, London.
  3. Raphael (Raffaello Sanzio), 1510. The School of Athens. Fresco, 550 x 770 cm. Stanza della Signatura , Vatican Palace , Rome . Raphael (Raffaello Sanzio), 1510. The School of Athens. Fresco, 550 x 770 cm. Stanza della Signatura, Vatican Palace, Rome.

Cited by

Sorted by citations

See all 5

Metadata

Authors
Wasson, R., Mould, D., Biddle, R., & Martinez, C. S.
Affiliations
  • Carleton University (CA)
  • Independent Scholar
Venue
Proceedings of the International Symposium on Sketch-Based Interfaces and Modeling
Publisher
ACM
Published
2013-07-19
Pages
23-31
OpenAlex
W2087776597
Cited by
5
References
12
Citations by year
2020: 1 · 2019: 2 · 2017: 1 · 2013: 1
FWCI
0.72
Type
conference paper
Language
en
Open access
closed
Funders
  • Networks of Centres of Excellence of Canada
  • Carleton University
Topics
  • Social Sciences › Psychology › Developmental and Educational Psychology › Educational Games and Gamification
  • Social Sciences › Psychology › Experimental and Cognitive Psychology › Visual and Cognitive Learning Processes
  • Physical Sciences › Computer Science › Information Systems › Multimedia Learning Systems
Keywords
game-based learning, image learning, history painting, information retention, study time, image memorization

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review