An Initial Investigation for Detecting Vocoder Fingerprints of Fake Audio
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\beginabstract Many effective attempts have been made for fake audio detection. However, they can only provide detection results but no countermeasures to curb this harm. For many related practical applications, what model or algorithm generated the fake audio also is needed. Therefore, We propose a new problem for detecting vocoder fingerprints of fake audio. Experiments are conducted on the datasets synthesized by eight state-of-the-art vocoders. We have preliminarily explored the features and model architectures. The t-SNE visualization shows that different vocoders generate distinct vocoder fingerprints. \endabstract
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Audio deepfakes exhibit distinct artifact patterns, such as spectral anomalies, phase coherence irregularities, and prosodic inconsistencies, which require specialized detection architectures.
“Similarly, audio DF exhibit entirely distinct artifact patterns, such as spectral anomalies, phase coherence irregularities, and prosodic inconsistencies, which require specialized detection architectures [13, 14].”
From Deepfake detection across image, video, and audio: a comprehensive survey with empirical evaluation of generalization and robustness (2026) · cites this paper as [14]
The Introduction describes distinguishable fingerprints left by different vocoders, and §5.5 identifies a high-frequency spectrogram difference in Griffin-Lim audio. Section 3 describes a detection architecture using acoustic features and a ResNet. The paper does not identify phase-coherence irregularities or prosodic inconsistencies as artifacts; its reference to LPCNet’s “initial phase” concerns the start of the audio, not phase coherence. Its findings concern audio from eight vocoders, rather than audio deepfakes generally. (LLM, conf=0.87)
Experimental — accuracy not yet measuredThe spectrograms of original audio have more natural and consistent high-frequency components and more natural harmonic structures compared to synthetic audio.
“Particularly, these methods have explored that the spectrograms of original audio have more natural and consistent high-frequency components and more natural harmonic structures compared to synthetic audio [13, 14].”
From Deepfake detection across image, video, and audio: a comprehensive survey with empirical evaluation of generalization and robustness (2026) · cites this paper as [14]
Section 5.3 says that audio synthesized by eight vocoders differs more in the high frequencies, and Figure 3 compares spectrograms of fake audio from those vocoders. Neither passage compares original with synthetic audio or describes the naturalness or consistency of high-frequency components or harmonic structures. Searches for those comparisons found no supporting passage in our copy. (LLM, conf=0.72)
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Nguyen-Le, H.-H., Tran, V.-T., Nguyen, D.-T., & Le-Khac, N.-A. (2026) · Artificial Intelligence Review · doi:10.1007/s10462-026-11608-4 · Cited by 1 · see citing works
- Authors
- Yan, X., Yi, J., Tao, J., Wang, C., Ma, H., Wang, T., Wang, S., & Fu, R.
- Affiliations
- Chinese Academy of Sciences (CN)
- Venue
- Proceedings of the 1st International Workshop on Deepfake Detection for Audio Multimedia
- Publisher
- ACM
- Published
- 2022-10-10
- Pages
- 61-68
- OpenAlex
- W4292957223
- Cited by
- 30
- References
- 8
- Citations by year
- 2026: 7 · 2025: 13 · 2024: 6 · 2023: 4
- FWCI
- 3.18
- Type
- conference paper
- Language
- en
- Open access
- gold
- doi.org
- Licence
- Locations
- arXiv (Cornell University) (submittedVersion)
- arXiv (Cornell University)
- Topics
- Physical Sciences › Computer Science › Artificial Intelligence › Speech Recognition and Synthesis
- Physical Sciences › Computer Science › Signal Processing › Music and Audio Processing
- Physical Sciences › Computer Science › Computer Vision and Pattern Recognition › Digital Media Forensic Detection
- Keywords
- deepfake audio, synthetic audio, t-SNE visualization
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