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Characterizing Alternative Monetization Strategies on YouTube
Abstract
One of the key emerging roles of the YouTube platform is providing creators the ability to generate revenue from their content and interactions. Alongside tools provided directly by the platform, such as revenue-sharing from advertising, creators co-opt the platform to use a variety of off-platform monetization opportunities. In this work, we focus on studying and characterizing these alternative monetization strategies. Leveraging a large longitudinal YouTube dataset of popular creators, we develop a taxonomy of alternative monetization strategies and a simple methodology to detect their usage automatically. We then proceed to characterize the adoption of these strategies. First, we find that the use of external monetization is expansive and increasingly prevalent, used in 18% of all videos, with 61% of channels using one such strategy at least once. Second, we show that the adoption of these strategies varies substantially among channels of different kinds and popularity, and that channels that establish these alternative revenue streams often become more productive on the platform. Lastly, we investigate how potentially problematic channels -- those that produce Alt-lite, Alt-right, and Manosphere content -- leverage alternative monetization strategies, finding that they employ a more diverse set of such strategies significantly more often than a carefully chosen comparison set of channels. This finding complicates YouTube's role as a gatekeeper, since the practice of excluding policy-violating content from its native on-platform monetization may not be effective. Overall, this work provides an important step toward broadening the understanding of the monetary incentives behind content creation on YouTube.
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“As creators gain visibility, they attract further attention through algorithmic amplification (Zappin et al. 2022; Hua et al. 2022), creating a self-reinforcing feedback loop that concentrates income among a small group of highly popular creators - a 'winner takes all' or viral effect (Rosen 1981; Rieder et al. 2018).”
From "Rich-Get-Richer"? Platform Attention and Earnings Inequality using Patreon Earnings Data (2025) · cites this paper as Hua et al. 2022
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Gillespie, T. (2010) · New Media & Society · doi:10.1177/1461444809342738 · Cited by 2,522 · cited 7×
“Our findings have significant implications for understanding YouTube’s current role as a gatekeeper [6, 23], using on-platform monetization as a form of moderation.”
BackgroundInfluentialThe Wealth of Networks: How Social Production Transforms Markets and Freedom
(2006) · Choice Reviews Online · doi:10.5860/choice.44-0999 · Cited by 1,903
Auditing radicalization pathways on YouTube
Ribeiro, M. H., Ottoni, R., West, R., Almeida, V. A. F., & Meira, W. (2020) · Proceedings of the 2020 Conference on Fairness, Accountability, and Transparency · doi:10.1145/3351095.3372879 · Cited by 580
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Cited by
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"Rich-Get-Richer"? Platform Attention and Earnings Inequality using Patreon Earnings Data
Strauss, I., Yang, J., & Mazzucato, M. (2025) · arXiv
Metadata
- Authors
- Hua, Y., Horta Ribeiro, M., Ristenpart, T., West, R., & Naaman, M.
- Affiliations
- Cornell Tech, New York, NY, USA
- EPFL, Lausanne, Switzerland
- Venue
- Proceedings of the ACM on Human-Computer Interaction
- Published
- 2022-11-07
- Volume
- 6
- Issue
- CSCW2
- Pages
- 1-30
- ISSN
- 2573-0142
- Cited by
- 36
- References
- 3
- Language
- en
- Funders
- National Science Foundation (aTC-2120651)
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