The DOI matches its Crossref record.
Music Structure and Emotional Response: Some Empirical Findings
Abstract
Eighty-three music listeners completed a questionnaire in which thev provided information about the occurrence of a range of physical reactions while listening to music. Shivers down the spine, laughter, tears and lump in the throat were reported by over 80(% of respondents. Respondents were asked to locate specific musical passages that reliably evoked such responses. Structural analysis of these passages showed that tears were most reliablN evoked by passages containing sequences and appogiaturas, while shivers were most reliably evoked by passages containing new or unexpected harmonies. The data generally support theoretical approaches to elmotion based on confirmations and violations of expectancv.
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Citations
Cited by
Blood, A. J., & Zatorre, R. J. (2001) · Proceedings of the National Academy of Sciences · doi:10.1073/pnas.191355898 · Cited by 2,814
Emotional responses to music: The need to consider underlying mechanisms
Juslin, P. N., & Västfjäll, D. (2008) · Behavioral and Brain Sciences · doi:10.1017/s0140525x08005293 · Cited by 1,914
Blood, A. J., Zatorre, R. J., Bermudez, P., & Evans, A. C. (1999) · Nature Neuroscience · doi:10.1038/7299 · Cited by 1,097
An exploratory study of musical emotions and psychophysiology.
Krumhansl, C. L. (1997) · Canadian Journal of Experimental Psychology / Revue canadienne de psychologie expérimentale · doi:10.1037/1196-1961.51.4.336 · Cited by 1,017
From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions
Juslin, P. N. (2013) · Physics of Life Reviews · doi:10.1016/j.plrev.2013.05.008 · Cited by 763
Metadata
- Authors
- Sloboda, J. A.
- Venue
- Psychology of Music
- Publisher
- SAGE Publications
- Published
- 1991-10
- Volume
- 19
- Issue
- 2
- Pages
- 110-120
- ISSN
- 0305-7356 (ISSN-L)
- 1741-3087
- OpenAlex
- W2144840087
- Cited by
- 864
- References
- 0
- FWCI
- 0.23
- Type
- journal article
- Language
- en
- Open access
- closed
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