Children's perspectives of participation in music youth arts settings: Meaning, value and participation
Open accessAbstract
This paper presents an analysis of music specific data generated in a national collective case study of Australian children's perceptions of the meaning and value of the arts in their lives and their descriptions of the nature and extent of their participation. Specifically, the paper reports on children's (aged 6-17 years) perceptions of this phenomenon in relation to their participation in four music youth arts sites. i Data were generated through individual artefact-elicited interviews with 25 participants across these sites. A thematic analysis of these data was undertaken and five key factors emerged concerning children's perceptions of participation in music youth arts settings. Children attribute participation in these settings to: a love of performance; a shared unity of purpose; a desire for challenge and `professionalism'; the quality of relationships developed and sustained in these settings; and, the opportunities for individual growth and well-being that arise in these settings. Consideration is given to the implications that these five factors hold for music education in school settings.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
The creation of a supportive learning environment that builds positive relationships, promotes learning and performance is critically important.
“The creation of a supportive learning environment that builds positive relationships, promotes learning and performance is critically important (Barrett & Smigiel, 2007).”
From Teachers’ perceptions of declining participation in school music (2011) · cites this paper as Barrett & Smigiel, 2007
Cites
Narrative configuration in qualitative analysis
Polkinghorne, D. E. (1995) · International Journal of Qualitative Studies in Education · doi:10.1080/0951839950080103 · Cited by 3,958 · see citing works
Flagged first, then by citations
Cited by
Sorted by citations
Teachers’ perceptions of declining participation in school music
Ng, C.-H. C., & Hartwig, K. (2011) · Research Studies in Music Education · doi:10.1177/1321103x11423598 · Cited by 27 · see citing works
- Authors
- Barrett, M. S., & Smigiel, H. M.
- Affiliations
- University of Tasmania (AU)
- Flinders University (AU)
- ORCID
- Barrett, Margaret S.
- Venue
- Research Studies in Music Education
- Publisher
- SAGE Publications
- Published
- 2007-06
- Volume
- 28
- Issue
- 1
- Pages
- 39-50
- ISSN
- 1321-103X (ISSN-L)
- 1834-5530
- OpenAlex
- W2131825312
- Cited by
- 32
- References
- 1
- Citations by year
- 2025: 4 · 2022: 4 · 2021: 1 · 2020: 2 · 2019: 2 · 2018: 4 · 2017: 1 · 2016: 3 · 2015: 1 · 2014: 1 · 2013: 1 · 2012: 1
- FWCI
- 34.09
- Type
- journal article
- Language
- en
- Open access
- green
- figshare.com
- Locations
- Research Studies in Music Education (publishedVersion)
- UTAS Research Repository (acceptedVersion)
- eCite Digital Repository (University of Tasmania) (submittedVersion)
- Flinders Academic Commons (Flinders University) (submittedVersion)
- Figshare (submittedVersion, cc-by)
- Funders
- Australian Government
- University of Tasmania
- Australian Research Council
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art Education and Development
- Social Sciences › Safety Research › Youth Development and Social Support
- Keywords
- children's perceptions, value of the arts, music education, school music education, performance, individual growth, well-being
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review