The DOI matches its Crossref record; 38 of the 38 references it cites were found in a registry or an index.
“Feenin”
Abstract
Research Article| June 01 2002 “Feenin”: POSTHUMAN VOICES IN CONTEMPORARY BLACK POPULAR MUSIC Alexander G. Weheliye Alexander G. Weheliye Search for other works by this author on: This Site Google Social Text (2002) 20 (2 (71)): 21–47. https://doi.org/10.1215/01642472-20-2_71-21 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alexander G. Weheliye; “Feenin”: POSTHUMAN VOICES IN CONTEMPORARY BLACK POPULAR MUSIC. Social Text 1 June 2002; 20 (2 (71)): 21–47. doi: https://doi.org/10.1215/01642472-20-2_71-21 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsSocial Text Search Advanced Search The text of this article is only available as a PDF. Duke University Press2002 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.
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“Its most potent applications have seen Afrofuturism combined with Black feminist epistemology (Womack, 2013;Weheliye, 2002;Morris, 2016) to conceptualize Black digital practice, but Afrofuturism's futurist perspective and utopian leanings often occlude the possibilities of the present digital era for Black folk.”
From Distributed Blackness: African American Cybercultures (2020) · cites this paper as Weheliye, 2002
Citations
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Cited by
Weidman, A. J. (2014) · Annual Review of Anthropology · doi:10.1146/annurev-anthro-102313-030050 · Cited by 281
Brock, A. (2020) · doi:10.18574/9781479811908 · Cited by 239
'Sing it for Me': Posthuman Ventriloquism in Recent Popular Music
Auner, J. (2003) · Journal of the Royal Musical Association · doi:10.1093/jrma/fkg004 · Cited by 68
Mills, M. (2012) · Qui Parle · doi:10.5250/quiparle.21.1.0107 · Cited by 58
Understanding Performance Expression in Popular Music Recordings
Dibben, N. (2014) · Oxford University Press eBooks · doi:10.1093/acprof:oso/9780199659647.003.0007 · Cited by 51
Metadata
- Authors
- Weheliye, A. G.
- Corresponding author
- Weheliye, Alexander G.
- Venue
- Social Text
- Publisher
- Duke University Press
- Published
- 2002
- Volume
- 20
- Issue
- 2
- Pages
- 21-47
- ISSN
- 0164-2472 (ISSN-L)
- 1527-1951
- OpenAlex
- W2077856107
- Cited by
- 254
- References
- 37
- Citations by year
- 2026: 20 · 2025: 38 · 2024: 34 · 2023: 7 · 2022: 14 · 2021: 17 · 2020: 5 · 2019: 13 · 2018: 7 · 2017: 8 · 2016: 5 · 2015: 9 · 2014: 18 · 2013: 8 · 2012: 2
- FWCI
- 105.98
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Social Text (publishedVersion)
- Project Muse (Johns Hopkins University) (submittedVersion)
- HighWire Press Open Archive (submittedVersion)
- Social Text
- Topics
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Social Sciences › Cultural Studies › Posthumanist Ethics and Activism
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Keywords
- posthumanism, Black popular music, hip hop
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
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