Grappling with inclusion: Ethnocultural diversity and socio-musical experiences in Common Thread Community Chorus of Toronto
Abstract
This pilot research study explored ethnocultural backgrounds of choristers and their socio-musical experiences participating in Common Thread Community Chorus of Toronto, a community choir that actively pursues cultural inclusion through policies of musical and financial accessibility, as well as choosing repertoire of diverse cultures. A survey of choristers investigated how Common Thread members’ ethnocultural backgrounds informed their perceptions of their musical and social experiences and of the choir’s cultural diversity, working from the assumption that all people have ethnocultural backgrounds. Research findings reveal complex and diverse cultures when singers reflect on their own experiences, but choristers tended to reduce cultural diversity to race and language when thinking about the choir as a whole, suggesting that perceptions may be operating from a white normative centre. The results of this pilot research raise significant questions about multicultural education and cultural inclusion efforts within community choral practices in ethnically diverse urban environments.
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Challenges associated with diversity and inclusivity have attracted relatively little research attention in relation to communal music-making and recreational choral singing.
“However, with some notable exceptions (Mantie & Talbot 2020;Parkinson 2020;Yerichuk 2015), challenges associated with diversity and inclusivity have attracted relatively little research attention in relation to communal musicmaking and recreational choral singing.”
From ‘I don’t care who joins my choir’: Investigating attitudes to diversity and inclusivity in lower- and upper-voice choirs in the United Kingdom (2025) · cites this paper as Yerichuk 2015
The pervasive Whiteness of many LV and UV choirs reflects inequalities that researchers have also identified in choral music education, publications of sheet music for choirs, community choirs, recreational a cappella singing, and congregational singing in churches.
“The pervasive Whiteness of many LV and UV choirs reflects inequalities that researchers have also identified in choral music education (Howard 2022), publications of sheet music for choirs (Bradley 2003), community choirs (Yerichuk 2015), recreational a cappella singing (Mantie & Talbot 2020), and congregational singing in churches (Moore 2021).”
From ‘I don’t care who joins my choir’: Investigating attitudes to diversity and inclusivity in lower- and upper-voice choirs in the United Kingdom (2025) · cites this paper as Yerichuk 2015
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MacGregor, E. H., & Pitts, S. E. (2025) · International Journal of Community Music · doi:10.1386/ijcm_00119_1 · Cited by 2 · see citing works
- Authors
- Yerichuk, D.
- Affiliations
- University of Toronto (CA)
- Corresponding author
- Yerichuk, Deanna
- ORCID
- Yerichuk, Deanna
- Venue
- International Journal of Community Music
- Publisher
- Intellect
- Published
- 2015-12-01
- Volume
- 8
- Issue
- 3
- Pages
- 217-231
- ISSN
- 1752-6299 (ISSN-L)
- 1752-6302
- OpenAlex
- W2992264097
- Cited by
- 22
- References
- 0
- Citations by year
- 2026: 1 · 2025: 2 · 2024: 13 · 2023: 1 · 2022: 2 · 2020: 2 · 2017: 1
- FWCI
- 8.47
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- International Journal of Community Music (publishedVersion)
- Scholars Commons (Wilfrid Laurier University) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Education › Music Education and Analysis
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Keywords
- ethnic and cultural diversity, cultural inclusion, community choirs, multicultural education, white normativity, language and race, choral repertoire
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