Cited by 18Fashion and Cultural TextilesArtistic and Creative ResearchPosthumanist Ethics and Activism

Entanglement, affect and experience: Walking and wearing (shoes) as experimental research methodology

Sampson, Ellen·2018·International Journal of Fashion Studies

Abstract

Wearing is fundamental to our experience of cloth and of clothing; though we experience our garments through other senses it is a relationship predicated on touch. It is through the tactile experience of our garments that we come to know them; to comprehend texture, fit and form. Drawing upon both a phenomenological and a psychoanalytic approach to touch and wear this article examines the possibility of wearing as a methodology for practice and performance based research, wearing as a means of ‘doing’ research. This article presents the act of wearing, the embodied experience of clothing and the body together, as a tool for developing knowledge, of ‘being in’ or ‘being with’ rather than observing from outside. Building on the work of phenomenologists Schilder and Merleau-Ponty, it proposes a methodology of entanglement – a methodology that draws upon and abstracts the idea of participant observation. This article explores the possibility of a wearing-based research, as an addendum or adjunct to the more widely understood practice and performance based research. It asks if wearing as a research practice might open up new avenues in fashion and textile knowledge, uncovering different aspects of our lived experience of cloth and clothes. What might the parameters of wearing as performance practice be and how might it differ from wearing as a habitual embodied experience.

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Crossref · 10.1386/infs.5.1.55_1

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  • Making and wearing is a means of uncovering embodied and bodily knowledge.

    “Sampson (2018) discusses making and wearing as “a means of uncovering embodied and bodily knowledge” (p.61).”

    From Indigenous Fashion: A Genealogy of Material Brilliance (2025) · cites this paper as Sampson (2018)

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Authors
Sampson, E.
Affiliations
Chelsea College of Art, UK
Corresponding author
Sampson, Ellen
Venue
International Journal of Fashion Studies
Publisher
Intellect
Published
2018-04-01
Volume
5
Issue
1
Pages
55-76
ISSN
  • 2051-7106 (ISSN-L)
  • 2051-7114
OpenAlex
W2809682308
Cited by
18
References
0
Citations by year
2026: 1 · 2025: 4 · 2024: 4 · 2023: 3 · 2022: 1 · 2021: 1 · 2019: 4
FWCI
18.84
Type
journal article
Language
en
Open access
closed
Locations
  • International Journal of Fashion Studies (publishedVersion)
  • UCA Research Online (University for the Creative Arts) (acceptedVersion)
Topics
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Fashion and Cultural Textiles
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Artistic and Creative Research
  • Social Sciences › Cultural Studies › Posthumanist Ethics and Activism
Keywords
clothing, touch, embodied experience, entanglement, phenomenology of touch, Merleau-Ponty, performance-based research, fashion knowledge, affect, walking, participant observation

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