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Grenze filmen: Eine kulturwissenschaftliche Analyse audiovisueller Produktionen an den Grenzen Europas
Abstract
Welchen Beitrag können filmische Praxen und Erzeugnisse zur Reproduktion von Migrations- und Grenzregimes leisten? Ausgehend von der Annahme, dass audiovisuelle Umgebungen die Bewegungen der Migration sowohl informieren als auch formieren, analysiert Brigitta Kuster Filmklassiker ebenso wie (künstlerische) Dokumentarfilme, die meist illegale Grenzpassagen nach Europa reflektieren. Hierbei berücksichtigt sie in ihrer Studie auch das filmische Archiv rund um den durch den Film »Terminal« bekannt gewordenen Fall des Mehran Karimi Nasseri, der beinahe zwei Jahrzehnte lang auf dem Pariser Flughafen Charles de Gaulle lebte, sowie die popkulturellen und YouTube-Umgebungen der Harraga.
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“some videos, as Kuster (2018) also observes, include nostalgic franco/Arabic music of exile, evoking the historical passenger ships that linked Europe and Africa in colonial times.”
From Border countervisuality: smartphone videos of border crossing and migration (2023) · cites this paper as Kuster (2018)
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Border countervisuality: smartphone videos of border crossing and migration
Bayramoğlu, Y. (2023) · Media, Culture & Society · doi:10.1177/01634437221136013 · Cited by 10
Metadata
- Authors
- Kuster, B.
- Venue
- Post_koloniale Medienwissenschaft
- Publisher
- transcript Verlag
- Published
- 2018-05-22
- ISSN
- 2703-1209
- 2703-1217
- Cited by
- 2
- References
- 0
- Language
- de
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