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VERSIONS OF THE DEAD:Kalunga, Cuban-Kongo Materiality, and Ethnography

OCHOA, TODD RAMÓN·2007·Cultural Anthropology
DOI 10.1525/can.2007.22.4.473
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Abstract

The Cuban-Kongo society of affliction known as Palo educates its initiates in the visceral apprehension of Kalunga, the vast sea of the dead. Kalunga is taught as unstable and unverifiable experience at the limits of sensation—chills, goose bumps, or a fluttering in the chest or stomach. Building on an account of this teaching from fieldwork, I draw from anthropology and philosophy to account for Kalunga's role in Palo materialism. In this article, I elaborate a writing strategy explicitly critical of “representation” and suggest the creation of a “foreign language within our own” as a way of handling ethnographic “content.” This “new language” for Kalunga is assembled from Palo terms, and from the turning of terms in the writing of Gilles Deleuze, Felix Guattari, G. W. F. Hegel, Friedrich Nietzsche, and Karl Marx. I arrive at a description of Kalunga as a paratactic discourse, and a “plane of immanence,” from which are assembled, and into which are dispersed, “versions of the dead,” including “objects,” and “subjects.”

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Metadata

Authors
OCHOA, T. R.
Venue
Cultural Anthropology
Publisher
Wiley
Published
2007-11
Volume
22
Issue
4
Pages
473-500
ISSN
  • 0886-7356
  • 1548-1360
DOI
10.1525/can.2007.22.4.473
Cited by
42
References
0
Language
en
Licence
doi.wiley.com/10.1002/tdm_license_1.1 (tdm, 2861 d)

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OCHOA, T. R. (2007). VERSIONS OF THE DEAD:Kalunga, Cuban-Kongo Materiality, and Ethnography. Cultural Anthropology. https://doi.org/10.1525/can.2007.22.4.473