Cited by 1Cultural Identity and RepresentationCinema History and CriticismAsian American and Pacific Histories

The DOI matches its Crossref record, with a small difference in title or year.

Race, Gender, and the Status-Quo: Asian and African American Relations in a Hollywood Film

Spigner, Clarence·1994·Explorations in Ethnic Studies

Abstract

Hollywood films play a significant role in constructing and reinforcing inter-ethnic tensions through negative representations of Asian Americans and African Americans. While white males are most often depicted as smart and romantically desirable, thereby reinforcing an ideology of white male dominance, Asian Americans and Blacks are typically diminished to demeaning and secondary status. Thi[this] article explores these racist steretotypes [stereotypes] in director Michael Cimino's 19985[1985] film Year of the Dragon (as well as a number of other Hollywood films), arguing that such race and gender-specific imagery is functional; for while it promotes race/gender stereotypes, it also serves to rationalize white dominance as necessary to sustain the status-quo.

Overview

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Registry

Crossref · 10.1525/ees.1994.17.1.89

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Metadata

Authors
Spigner, C.
Affiliations
University of Washington (US)
Corresponding author
Spigner, Clarence
Venue
Explorations in Ethnic Studies
Published
1994-01-01
Volume
17
Issue
1
Pages
89-101
ISSN
  • 0730-904X (ISSN-L)
  • 2576-2915
OpenAlex
W2724201579
Cited by
0
References
0
FWCI
0.00
Type
journal article
Language
en
Open access
closed
Locations
  • Ethnic studies review (publishedVersion)
  • VCU Scholars Compass (Virginia Commonwealth University) (submittedVersion)
Topics
  • Social Sciences › Cultural Studies › Cultural Identity and Representation
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
  • Social Sciences › Cultural Studies › Asian American and Pacific Histories
Keywords
Year of the Dragon, Michael Cimino, Asian Americans, African Americans, racial stereotypes, gender stereotypes, Hollywood cinema, white male dominance, interethnic relations, racial representation, status quo

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