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Cited by 11Gender, Feminism, and MediaMedia, Gender, and AdvertisingHistorical Gender and Feminism Studies

The DOI matches its Crossref record; 29 of the 30 references it cites were found in a registry or an index.

A Socialist Superwoman for the New Era

Open access
Wang, Yingzi, Mihelj, Sabina·2019·Feminist Media Histories
DOI 10.1525/fmh.2019.5.3.36
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Abstract

This paper examines changing representations of women in Chinese television dramas since the early 1990s and interprets them within a framework of global socialist media cultures, considering both domestic developments and transnational trends. Drawing on the analysis of three selected dramas, it traces the trajectory of televised femininity from exemplary socialist worker-citizens devoted to family and community, to more individualized middle-class urbanites. It is tempting to see this transformation as an outcome of China's integration into the global capitalist economy, the attendant retreat of the party-state from the private realm, and the infusion of Western cultural gender ideals. Yet this interpretation downplays important continuities, and misses intriguing parallels with TV dramas produced in socialist Eastern Europe. The argument pays particular attention to the enduring appeal of the socialist-style superwoman who shoulders the double burden of a professional career and unpaid domestic work while also acting as a discerning citizen-consumer.

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Citations

Cites

Research works printed but not linked: 9

  1. Jintang Pan, “Jingji zhuangui zhong de zhongguo nüxing jiuye yu shehui baozhang” [Chinese women's employment and social security in the economic transition], Guanli shijie [Management world] 7 (2002): 59–68.
  2. Phyllis Andors, The Unfinished Liberation of Chinese Women 1949-1980 (Bloomington: Indiana University Press, 1983)
  3. Kathleen Erwin, “White Women, Male Desires, the Televisual Fantasy of the Transnational Chinese Family,” in Spaces of Their Own: Women's Public Sphere in Transnational China, ed. Mayfair Mei-hui Yang (Minneapolis: University of Minnesota Press, 1999), 232–57.
  4. Guo Zhenzhi, Zhongguo Guangbo Dianshishi [The history of Chinese radio and television] (Shanghai: Fudan University Press, 2005).
  5. The National Radio and Television Administration, formerly known as the State Administration of Radio, Film, and Television (1998–2013), and then reorganized as State Administration of Press, Publication, Radio, Film and Television (2013–2018), is currently the main governing body of the Chinese television sector. It falls under the direct supervision of the State Council and the Chinese Communist Party's Central Propaganda Department.
  6. Helen Fulton, “Film Narrative and Visual Cohesion,” in Narrative and Media, ed. Helen Fulton (Cambridge, UK: Cambridge University Press, 2005), 110.
  7. Shuyu Kong, “Melodrama of Change: Women, Bitter Emotions and the Affective Space in Chinese TV Drama,” Chuanbo yu Shehui Xuekan [Communication and society] 19 (2012): 37.
  8. See Yu-Li Liu and Yi-Hsiang Chen, “Cloning, Adaptation, Import and Originality: Taiwan in the Global Television Format Business,” in Television across Asia: Television Industries, Programme Formats and Globalization, ed. Albert Moran and Michael Keane (London: Routledge Curzon, 2004), 54–73.
  9. For example, Paulina Bren and Mary Neuburger, Communism Unwrapped: Consumption in Cold War Eastern Europe (Oxford: Oxford University Press, 2012).

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Metadata

Authors
Wang, Y., & Mihelj, S.
ORCID
Venue
Feminist Media Histories
Publisher
University of California Press
Published
2019
Volume
5
Issue
3
Pages
36-59
ISSN
2373-7492 (ISSN-L)
DOI
10.1525/fmh.2019.5.3.36
OpenAlex
W2952248003
Cited by
11
References
30
Citations by year
2026: 1 · 2025: 2 · 2024: 3 · 2023: 3 · 2022: 2
FWCI
0.87
Type
journal article
Language
en
Open access
Licence
cc-by-nc-nd
Locations
  • Feminist Media Histories (publishedVersion)
  • Loughborough University Research Repository (Loughborough University) (submittedVersion, cc-by-nc-nd)
  • Loughborough University Institutional Repository (Loughborough University) (submittedVersion, cc-by-nc-nd)
Topics
  • Social Sciences › Gender Studies › Gender, Feminism, and Media
  • Social Sciences › Gender Studies › Media, Gender, and Advertising
  • Social Sciences › Sociology and Political Science › Historical Gender and Feminism Studies
Keywords
Chinese television drama, representation of women, transnational media, gender ideals

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