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Heathens up North:Politics, Polemics and Contemporary Norse Paganism in Norway
Abstract
The variety of religious positions commonly grouped together under the heading “Neo-Paganism” call for no homogenous reading of that phenomenon. As recent research on contemporary forms of paganism has flowered in recent years, emphasis has been given to the nuances and complexities of this kind of new religious currents. For instance it is clear that contemporary pagan currents, such as Wicca, Ásatrú, and Roman paganism, tend to vary significantly between themselves on matters of theology, sociological profile, and political tendencies. While varieties in the social manifestations of given groups can be partly explained by diverging religious/ideological content, it also holds true that ideological formations will be determined in part by the society in which they emerge. This means that a contemporary pagan current such as “Ásatrú” is not necessarily describable as one single tendency on a global scale, but will unavoidably be shaped by local conditions. Thus varieties within currents will tend to follow national and geographical borders, being always locally situated, and adapted to local political, social, and religious conditions. This article discusses the emergence and development of contemporary Norse paganism in Norway in light of the abovementioned framework. Special notice is given to the interplay between public discourses on issues such as paganism, the occult, neo-Nazism, and the relationship between the church and state in Norway, and the self-fashioning of rec…
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“As Amsterdam-based scholar Egil Asprem shows, media representations of Satanism in Norway predate the rise of 'Satanic' Black Metal (Asprem 2008:51-52).”
From Sons of Northern Darkness: Heathen Influences in Black Metal and Neofolk Music1 (2011) · cites this paper as Asprem 2008:51-52
In the citing paper
“In essence, media-created Satanism provided a model for action (see Asprem 2008:53-54), and thus the media effectively created that which it described.”
From Sons of Northern Darkness: Heathen Influences in Black Metal and Neofolk Music1 (2011) · cites this paper as Asprem 2008:53-54
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Cited by
Sorted by citations
Sons of Northern Darkness: Heathen Influences in Black Metal and Neofolk Music1
Granholm, K. (2011) · Numen · doi:10.1163/156852711x577069 · Cited by 61
Metadata
- Authors
- Asprem, E.
- Corresponding author
- Asprem, Egil
- ORCID
- Asprem, Egil
- Venue
- Pomegranate
- Publisher
- Equinox Publishing
- Published
- 2008-10-03
- Volume
- 10
- Issue
- 1
- Pages
- 41-69
- ISSN
- 1528-0268 (ISSN-L)
- 1743-1735
- OpenAlex
- W2099866225
- Cited by
- 32
- References
- 0
- Citations by year
- 2026: 1 · 2025: 11 · 2024: 2 · 2023: 3 · 2022: 3 · 2020: 2 · 2018: 1 · 2017: 1 · 2016: 1 · 2014: 4 · 2013: 2 · 2012: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Pomegranate The International Journal of Pagan Studies (publishedVersion)
- UvA-DARE (University of Amsterdam) (publishedVersion)
- Data Archiving and Networked Services (DANS) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Religious Studies and Spiritual Practices
- Social Sciences › Sociology and Political Science › Religion and Society Interactions
- Social Sciences › Arts and Humanities › History › Viking Age and Medieval Scandinavia
- Keywords
- Asatru, neo-paganism, Wicca, Roman paganism, neo-Nazism, occultism, church-state relations, new religious movements, religious polemics, religious politics
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- CoChat. (2026). Citation check: Heathens up North:Politics, Polemics and Contemporary Norse Paganism in Norway. https://app.cochat.ai/papers/10.1558/pome.v10i1.41
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- Asprem, E. (2008). Heathens up North:Politics, Polemics and Contemporary Norse Paganism in Norway. Pomegranate. https://doi.org/10.1558/pome.v10i1.41