The DOI matches its Crossref record; 5 of the 5 references it cites were found in a registry or an index.
Working and Dancing: A Response to Monroe Beardsley's “What Is Going On in a Dance?”
Abstract
Professor Beardsley's paper is distinguished by his customary clarity. Many of the distinctions he draws will undoubtedly be useful not only for dance theoreticians, but for dance critics as well. Nevertheless, the way that these distinctions are placed in the service of a putative characterization of what constitutes a dance “moving” seems to us problematic. This brief note will be devoted to exploring the adequacy of Professor Beardsley's proposal. Beardsley appears to conclude his paper by stating a condition requisite for a motion to be counted as a dance “moving.” He writes, If, in other words, there is more zest, vigor, fluency, expansiveness, or stateliness than appears necessary for its practical purposes, there is an overflow or superfluity of expressiveness to mark it as belonging to its own domain of dance. We interpret Beardsley's basic point here as the claim that a superfluity of expressiveness (above the requirements of practical exigencies) is a defining feature of a dance “moving.” However, in our opinion, this attribute represents neither a necessary nor a sufficient condition of dance.
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Citations
Cites
Terpsichore in Sneakers: Post-Modern Dance
Kohn, B., & Banes, S. (1980) · The Antioch Review · doi:10.2307/4638306 · Cited by 290
Self-citationRainer, Y. (1965) · The Tulane Drama Review · doi:10.2307/1125242 · Cited by 65
Rainer, Y. (1974) · Cited by 16
Glickman, J. (1984) · Dance Research Journal · doi:10.2307/1478258 · Cited by 16
Equipment Dances: Trisha Brown
Sommer, S. R. (1972) · The Drama Review TDR · doi:10.2307/1144780 · Cited by 8
Research works printed but not linked: 5
- 1974, Handbook in Motion
- Crichton, 1977, Jasper Johns, 31
- Banes, Terpsichore in Sneakers, 41
- Fancher, 1981, Philosophical Essays in Dance, 95
- Beardsley, What Is Going On in a Dance?, 31
Cited by
Sorted by citations
Domm, D. P. (2019) · New world choreographies · doi:10.1007/978-3-030-27680-5 · Cited by 68
II. Beardsley, Expression and Dance: A Reply to Gregory Scott
Carroll, N., & Banes, S. (1999) · Dance Research Journal · doi:10.2307/1478329 · Cited by 8
Self-citationIII. Transcending the Beardsleyans: A Reply to Carroll and Banes
Scott, G. (1999) · Dance Research Journal · doi:10.2307/1478307 · Cited by 8
The Martial Arts, Culture, and the Body
Mullis, E. (2016) · Journal of Aesthetic Education · doi:10.5406/jaesteduc.50.4.0114 · Cited by 5
Scrutinizing the Art of Theater
Meskin, A. (2009) · Journal of Aesthetic Education · doi:10.2307/40263752 · Cited by 5
Metadata
- Authors
- Carroll, N., & Banes, S.
- ORCID
- Carroll, Noël
- Venue
- Dance Research Journal
- Publisher
- Cambridge University Press (CUP)
- Published
- 1982
- Volume
- 15
- Issue
- 1
- Pages
- 37-41
- ISSN
- 0149-7677 (ISSN-L)
- 1940-509X
- OpenAlex
- W2330427332
- Semantic Scholar
- 1ae6b705343805bd335a9a3a7d6ec7d992c4192a
- Cited by
- 19
- References
- 5
- Citations by year
- 2026: 2 · 2020: 1 · 2019: 3 · 2017: 1 · 2016: 4 · 2013: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Dance Research Journal (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Arts and Performance Studies
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Diversity and Impact of Dance
- Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
- Keywords
- dance theory, dance criticism, Monroe Beardsley, expressiveness
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