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The Sanskrit Origins of Recent Style Prosody
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The rules for tonal contrast in new-style poetry were developed and perfected over the fifth and sixth centuries, once the Chinese became aware of the tonal nature of their language through contrast with Sanskrit and Prakrit prosody.
“The rules for tonal contrast in new-style poetry ( 近體詩 ) were developed and perfected over the course of the fifth and sixth centuries, once the Chinese had become aware of the tonal nature of their own language through contrast with the prosody and chanting practices of Sanskrit and Prakrit, where prosody is based on the patterning of long and short vowels. See Mair and Mei 1991.”
From Purpose and Form: On the Translation of Classical Chinese Poetry (2019) · cites this paper as Mair and Mei 1991
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Cited by 101
Metadata
- Authors
- Mair, V. H., & Mei, T.-L.
- Venue
- Harvard Journal of Asiatic Studies
- Publisher
- JSTOR
- Published
- 1991-12
- Volume
- 51
- Issue
- 2
- Pages
- 375
- ISSN
- 0073-0548 (ISSN-L)
- OpenAlex
- W2797715758
- Cited by
- 101
- References
- 0
- Citations by year
- 2025: 3 · 2024: 14 · 2023: 8 · 2022: 4 · 2020: 2 · 2019: 5 · 2018: 36 · 2017: 3 · 2016: 3 · 2015: 5 · 2013: 4 · 2012: 1
- FWCI
- 10.16
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Harvard Journal of Asiatic Studies (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Indian and Buddhist Studies
- Social Sciences › Arts and Humanities › Language and Linguistics › Linguistics and language evolution
- Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
- Keywords
- Sanskrit prosody, poetic meter, Sanskrit poetry, literary influence
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