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Technology and Style: Potters and Pottery Among Bafia of Cameroon
Abstract
En analysant la production de la poterie chez les Bafia du Cameroun et en comparant leur chaine operatoire a celles de groupes voisins et distants, l'A. tente de demontrer que les processus technologiques ne sont pas regis par des contraintes environnementales et fonctionnelles et qu'il reste de la place pour l'expression stylistique. Certaines etapes de la chaine operatoire, du fait qu'elles sont peu sensibles aux innovations et dependantes des modalites d'apprentissage, sont des parametres stylistiques utiles aux archeologues
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Most Manyika potters design their earthenware in a similar sequence and similar spherical form, which is common in most parts of Africa.
“Most of the Manyika potters design their earthenware in a similar sequence and similar spherical- form which is common in most parts of Africa”
From Nyanga pottery and the Manyika ethnohistory: towards a decolonised archaeology of the Nyanga agricultural complex (2021) · cites this paper as Gosselain, 1992
This omission of metric attributes is prevalent in African archaeology.
“This omission is prevalent in African archaeology (see Hall, 1983; Gosselain, 1992; Ndoro, 1996; Ogundele, 2006; Pikirayi, 2007; Ashley, 2010; Mtetwa et al., 2013; Nyamushosho, 2017).”
From Nyanga pottery and the Manyika ethnohistory: towards a decolonised archaeology of the Nyanga agricultural complex (2021) · cites this paper as Gosselain, 1992
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Nyamushosho, R. T., Chipangura, N., Pasipanodya, T. B., Bandama, F., Chirikure, S., & Manyanga, M. (2021) · Heliyon · doi:10.1016/j.heliyon.2021.e06609 · Cited by 10
Metadata
- Authors
- Gosselain, O. P.
- Venue
- Man
- Publisher
- JSTOR
- Published
- 1992-09
- Volume
- 27
- Issue
- 3
- Pages
- 559
- ISSN
- 0025-1496
- Cited by
- 165
- References
- 0
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