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The Transparency of Evil: Essays on Extreme Phenomena

Baudrillard, Jean, Benedict, James·1994·The Journal of Aesthetics and Art Criticism

Abstract

In this, his most important collection of essays since Le systeme des objets, Jean Baudrillard contemplates Western culture after the orgy -- the orgy, that is, of the revolutions of the 1960s. The sexual revolution has led, he argues, not to sexual liberation but to a reign of transvestism, to a confusion of the categories of man and woman -- to the androgenous and Frankenstein appeal of a Michael Jackson. The revolution in art has led to a transaesthetic realm of indifference. The cybernetic revolution has blurred the distinction between man and machine, while the political revolution has led to a 'transpolitics' that merely simulates old political forms. Such are the points of Baudrillard's compass as he steers his way through the mental landscape of this febrile fin de siecle.

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Metadata

Authors
Baudrillard, J., & Benedict, J.
Venue
The Journal of Aesthetics and Art Criticism
Publisher
JSTOR
Published
1994
Volume
52
Issue
4
Pages
487
ISSN
0021-8529 (ISSN-L)
OpenAlex
W1793159117
Cited by
554
References
0
FWCI
108.49
Type
journal article
Language
en
Open access
closed

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CoChat. (2026). Citation check: The Transparency of Evil: Essays on Extreme Phenomena. https://app.cochat.ai/papers/10.2307/432045
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Baudrillard, J., & Benedict, J. (1994). The Transparency of Evil: Essays on Extreme Phenomena. The Journal of Aesthetics and Art Criticism. https://doi.org/10.2307/432045

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