The DOI matches its Crossref record.
The Transparency of Evil: Essays on Extreme Phenomena
Abstract
In this, his most important collection of essays since Le systeme des objets, Jean Baudrillard contemplates Western culture after the orgy -- the orgy, that is, of the revolutions of the 1960s. The sexual revolution has led, he argues, not to sexual liberation but to a reign of transvestism, to a confusion of the categories of man and woman -- to the androgenous and Frankenstein appeal of a Michael Jackson. The revolution in art has led to a transaesthetic realm of indifference. The cybernetic revolution has blurred the distinction between man and machine, while the political revolution has led to a 'transpolitics' that merely simulates old political forms. Such are the points of Baudrillard's compass as he steers his way through the mental landscape of this febrile fin de siecle.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cited by
Consuming Sport: Fans, Sport and Culture
Crawford, G. (2004) · International Journal of Sports Marketing and Sponsorship · doi:10.1108/ijsms-06-02-2004-b007 · Cited by 372
Achieving Transparency: The Visible, Invisible and Divisible in Academic Accountability Networks
Neyland, D. (2007) · Organization · doi:10.1177/1350508407078050 · Cited by 122
Communication problems in the intensive care unit
Robillard, A. B. (1994) · Qualitative Sociology · doi:10.1007/bf02393337 · Cited by 53
Mahjong Agonistics and the Political Public in Taiwan: Fate, Mimesis, and the Martial Imaginary
Festa, P. E. (2007) · Anthropological Quarterly · doi:10.1353/anq.2007.0004 · Cited by 48
Metadata
- Authors
- Baudrillard, J., & Benedict, J.
- Venue
- The Journal of Aesthetics and Art Criticism
- Publisher
- JSTOR
- Published
- 1994
- Volume
- 52
- Issue
- 4
- Pages
- 487
- ISSN
- 0021-8529 (ISSN-L)
- OpenAlex
- W1793159117
- Cited by
- 554
- References
- 0
- FWCI
- 108.49
- Type
- journal article
- Language
- en
- Open access
- closed
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: The Transparency of Evil: Essays on Extreme Phenomena. https://app.cochat.ai/papers/10.2307/432045
- The paper
- Baudrillard, J., & Benedict, J. (1994). The Transparency of Evil: Essays on Extreme Phenomena. The Journal of Aesthetics and Art Criticism. https://doi.org/10.2307/432045
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.