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An Animate Landscape: Rock Art and the Prehistory of Kilmartin, Argyll, Scotland
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Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“Archaeologists have rarely adopted a visual culture approach to prehistoric art, but some pioneering efforts have yielded important insights (Bradley 2009; Jones et al. 2011; Skeates 2005; Robin 2009; García Sanjuán et al. 2006; Wells 2012; Garrow and Gosden 2012; Helskog and Olsen 1995; Fredell et al. 2010; Fahlander 2012; Cochrane and Jones 2012; Primitiva Bueno Ramírez and Bahn 2015).”
From Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe (2020) · cites this paper as Jones et al. 2011
In the citing paper
“Most relevant for this study, Jones (Jones 2012b, 2012a; Jones et al. 2011) has interpreted British Neolithic rock art and material culture as reflecting an animated world view”
From Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe (2020) · cites this paper as Jones et al. 2011
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Jones, A. M. (2017) · Annual Review of Anthropology · doi:10.1146/annurev-anthro-102116-041354 · Cited by 64
Self-citationPrehistoric Art in Europe: A Deep-Time Social History
Robb, J. (2015) · American Antiquity · doi:10.7183/0002-7316.80.4.635 · Cited by 39
Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe
Robb, J. (2020) · Journal of Archaeological Method and Theory · doi:10.1007/s10816-020-09471-w · Cited by 30
The Prehistory of Britain and Ireland
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925 · Cited by 23
Brady, L. M., & Bradley, J. (2016) · Journal of the Royal Anthropological Institute · doi:10.1111/1467-9655.12495 · Cited by 22
Delannoy, J., David, B., Génuite, K., et al. (2020) · Journal of Archaeological Method and Theory · doi:10.1007/s10816-020-09477-4 · Cited by 20
A Comparative Study of Rock Art in Later Prehistoric Europe
Bradley, R. A. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108885638 · Cited by 18
Animism and the Interpretation of Rock Art
Wallis, R. J. (2013) · Time and Mind · doi:10.2752/175169713x13500468476402 · Cited by 13
Making marks meaningful: new materialism and the microwear assemblage
Tsoraki, C., Barton, H., Crellin, R. J., & Harris, O. J. T. (2020) · World Archaeology · doi:10.1080/00438243.2021.1898462 · Cited by 11
Ontology in Neolithic Britain and Ireland: Beyond Animism
Fowler, C. (2021) · Religions · doi:10.3390/rel12040249 · Cited by 10
Making a Mark: Process, Pattern and Change in the British and Irish Neolithic
Jones, A. M., & Díaz-Guardamino, M. (2021) · Cambridge Archaeological Journal · doi:10.1017/s0959774321000512 · Cited by 8
Self-citationPerformance theory: a growing interest in rock art research
Witelson, D. M. (2022) · Time and Mind · doi:10.1080/1751696x.2023.2185539 · Cited by 7
Revealing the Earliest Animal Engravings in Scotland: The Dunchraigaig Deer, Kilmartin
Valdez-Tullett, J., Barnett, T., Robin, G., & Jeffrey, S. (2022) · Cambridge Archaeological Journal · doi:10.1017/s0959774322000312 · Cited by 6
Díaz-Guardamino, M. (2023) · Complutum · doi:10.5209/cmpl.85238 · Cited by 6
Brophy, K. (2018) · Scottish Archaeological Journal · doi:10.3366/saj.2018.0092 · Cited by 6
Long Distance Connections Within Britain and Ireland: the Evidence of Insular Rock Art
Bradley, R. A. (2023) · Proceedings of the Prehistoric Society · doi:10.1017/ppr.2023.9 · Cited by 6
Skoglund, P., Persson, T., & Rédei, A. C. (2020) · Proceedings of the Prehistoric Society · doi:10.1017/ppr.2020.1 · Cited by 6
Jones, A. M., & Kirkham, G. (2013) · European Journal of Archaeology · doi:10.1179/1461957113y.0000000039 · Cited by 6
Self-citationFound architecture: interpreting a cup-marked outcrop in the southern Highlands of Scotland
Bradley, R. A., & Watson, A. (2019) · Time and Mind · doi:10.1080/1751696x.2019.1573568 · Cited by 5
Self-citationThe Temporality of Stone: Late Prehistoric Sculpture in Iberia
Díaz-Guardamino, M. (2021) · Themes in contemporary archaeology · doi:10.1007/978-3-030-69388-6_9 · Cited by 5
Landscapes of the “Coast of Death”: dolmen topographies of NW Iberia
Higginbottom, G., González-García, A. C., Carrero-Pazos, M., et al. (2022) · STAR Science & Technology of Archaeological Research · doi:10.1080/20548923.2022.2078029 · Cited by 4
The World Ends Here, the World Begins Here: Bronze Age Megalithic Monuments in Western Scotland
Higginbottom, G. (2020) · Journal of World Prehistory · doi:10.1007/s10963-020-09139-z · Cited by 4
A multiscalar methodology for holistic analysis of prehistoric rock carvings in Scotland
Barnett, T., Valdez-Tullett, J., Bjerketvedt, L. M., Alexander-Reid, F., Hoole, M., Jeffrey, S., & Robin, G. (2024) · Heritage Science · doi:10.1186/s40494-024-01183-8 · Cited by 5
Dubois, J. (2021) · Cambridge Archaeological Journal · doi:10.1017/s0959774320000451 · Cited by 2
Sailing to Calanais: Monument Complexes and the Sea in the Neolithic of Western Scotland and Beyond
Bradley, R. A., & Watson, A. (2024) · Proceedings of the Prehistoric Society · doi:10.1017/ppr.2024.10 · Cited by 1
Self-citationThe rock-art of Rombalds Moor, West Yorkshire, and its relationships to natural monuments
Deacon, V. (2020) · Time and Mind · doi:10.1080/1751696x.2020.1718313 · Cited by 1
The Ludovic technique: the painting of the Cochno Stone, West Dunbartonshire
Brophy, K. (2020) · Scottish Archaeological Journal · doi:10.3366/saj.2020.0148 · Cited by 1
Jacobson-Tepfer, E. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108855518 · Cited by 13
Barnett, T., Valdez-Tullett, J., Bjerketvedt, L. M., et al. (2023) · Research Square · doi:10.21203/rs.3.rs-3356104/v1 · Cited by 1
‘The unique result of a unique temperament’ (Oscar Wilde): seeing texture through the making of art
Valdez-Tullett, J., & Chittock, H. (2015) · World Art · doi:10.1080/21500894.2015.1068217
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.006
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.003
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.004
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.002
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.005
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.001
(2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.007
Bradley, R. A. (2019) · Cambridge University Press eBooks · doi:10.1017/9781108419925.008
Legendre, T. (2023) · Journal of Skyscape Archaeology · doi:10.1558/jsa.22418
Higginbottom, G., González-García, A. C., & Criado-Boado, F. (2024) · Research Square · doi:10.21203/rs.3.rs-3924965/v1
Translation and Transformation: The Materiality of Rock Art in a World of Bytes
Robb, J. (2024) · Interdisciplinary Contributions to Archaeology/Interdisciplinary contributions to archaeology · doi:10.1007/978-3-031-54638-9_18
Remembering and forgetting: re-using stones, bones and monuments
Jones, A. M. (2025) · Time and Mind · doi:10.1080/1751696x.2025.2508709
Self-citationDeleuze and the ontology of prehistoric rock art
Govaerts, B. (2024) · Archaeological Dialogues · doi:10.1017/s138020382510007x
Barnett, T., Valdez-Tullett, J., Bjerketvedt, L. M., Alexander-Reid, F., Hoole, M., Jeffrey, S., & Robin, G. (2024) · Figshare · doi:10.6084/m9.figshare.26691943
Barnett, T., Valdez-Tullett, J., Bjerketvedt, L. M., Alexander-Reid, F., Hoole, M., Jeffrey, S., & Robin, G. (2024) · Figshare · doi:10.6084/m9.figshare.26691940
Metadata
- Authors
- Jones, A. M., Freedman, D., O’Connor, B., Lamdin-Whymark, H., Tipping, R., & Watson, A.
- Venue
- Windgather Press eBooks
- Publisher
- Windgather Press
- Published
- 2011-12-15
- OpenAlex
- W4234437987
- Cited by
- 45
- References
- 0
- Citations by year
- 2025: 1 · 2024: 6 · 2023: 4 · 2022: 3 · 2021: 4 · 2020: 9 · 2019: 10 · 2018: 1 · 2017: 2 · 2016: 1 · 2015: 2 · 2013: 2
- FWCI
- 3.50
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Windgather Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Ecocriticism and Environmental Literature
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Artistic and Creative Research
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Poetry Analysis and Criticism
- Keywords
- landscape, animism
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
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