Cited by 0American and British Literature AnalysisLiterature and Culture StudiesLinguistics and Discourse Analysis

The DOI matches its Crossref record; 3 of the 3 references it cites were found in a registry or an index; none of the 3 sources its claims cite is checked for support yet.

Dandyism in Oscar Wilde’s The Importance of Being Earnest

Open access
Li Li·2023·Academic Journal of Humanities & Social Sciences

Abstract

In this essay, taking one of Oscar Wilde’s plays “The Importance of Being Earnest” as the research object, the perspective of discourse analysis will be employed. The aim is to discuss and analyze how dandyism is embodied in the characters’ language and actions that engraved in diverse characters in “The Importance of Being Earnest”. Besides, the pragmatic use of elaborate politeness that facilitates to demonstrate and critique Victorian dandyism and social conventions will be presented.

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

This essay reads Oscar Wilde's *The Importance of Being Earnest* through the lens of discourse analysis to show how dandyism is enacted in the characters' language and actions. It argues that Wilde's dandiacal individualists—Jack, Algernon, Cecily, Gwendolen, and Miss Prism—use elaborate politeness and self-centered wit both to display and to critique Victorian social conventions.

Key findings

  • Dandyism in the play is embodied in dialogue and action rather than stated: Jack's double life as country gentleman and town "Ernest," and Algernon's invented invalid "Bunbury," function as deception and escapism that let the characters evade social roles and moral demands.
  • Jack's shifting attitude toward truth—from "the truth isn't quite the soft of thing one tells to a nice, sweet, refined girl" to his lament that "all his life he has been speaking nothing but the truth"—is read as evidence of a self-centered dandy who makes the boundaries of his own personality the boundaries of acceptable social reality.
  • Cecily and Gwendolen display "intense individualism" by fixating on the name "Ernest" before knowing who Ernest is: Cecily becomes engaged to and buys a ring in the name of an absent "Ernest" on the 14th of February, while Gwendolen values "style" over sincerity and believes "there is something in that name that seems to inspire absolute confidence."
  • Miss Prism's preoccupation with a stain on her long-lost handbag at the climactic revelation of Jack's birth, alongside Gwendolen's "this suspense is terrible. I hope it will last," illustrates the dandiacal habit of treating the trivial seriously and the serious trivially.
  • Elaborate politeness is identified as Wilde's key humorous strategy, e.g. Lane's reply "I didn't think it polite to listen, Sir" as a flout of the Gricean maxim of quality, and Lady Bracknell's remark that Lady Harbury "looks quite twenty years younger" after losing her husband, with Algernon adding "I hear her hair has turned quite gold from grief."
  • The paper also claims Wilde treats men and women equally, citing Algernon's rejoinder that if Jack gives up bunburying after marriage, "then she will do."

Methods

  • Design: a qualitative, interpretive close reading of a single literary text, framed explicitly as discourse analysis of characters' language and actions.
  • Data: the play text of *The Importance of Being Earnest* (cited in the Penguin Classics edition, 1986), plus one stage photograph from a filmed live performance at the Vaudeville Theatre, London, 2015.
  • Analysis: textual and pragmatic interpretation of selected dialogues, drawing on cited theoretical sources—Congreve's definition of humor, Walkley on laughter, Grice's maxim of quality, and Ravelo on "elaborate politeness"—to link linguistic interaction to moral and social critique.

Limitations

  • Not stated in the paper: the essay contains no explicit limitations section or discussion of its own constraints.
  • Evident from the text: the analysis rests on a single play and on a small set of hand-picked quotations, with no stated sampling or coding procedure, so the selection of evidence is not shown to be systematic or exhaustive.
  • Evident from the text: the argument relies on the audience's shared cultural knowledge and on secondary sources (Archer, Ganz, Congreve, Walkley, Ravelo, Grice) rather than on any empirical or reception data, so claims about audience laughter and about Wilde's critique of Victorian conventions are interpretive rather than demonstrated.

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.25236/ajhss.2023.060304

Cites

3 of 3 references verified0 citation errors · 0 not checkable

Statistics

Nothing to recompute.

Verification

Claims the paper makes

41 Own interpretation · 4 No basis given · 3 Sources not found · 3 Own result

    • Probably not a substantial claim. 51
    • It may state two separate claims as one. 26
    • The quote only partly states this claim. 5
    51 of 51
    • The paper relies on this without support.

      Victorian upper-class people were required to follow social conventions of politeness in daily social life.

      “they still have to follow Victorian social requirements in daily social life.”
    • The paper relies on this without support.

      High comedy requires intelligence on the part of readers and audience to appreciate humor.

      “Additionally, high comedy requires some intelligence on the part of the readers and the audience to appreciate the humor.”
    • The paper relies on this without support.

      Wilde's intentions and attitudes can be inferred from the play's text.

      “Wilde intended to demonstrate”
    • The paper relies on this without support.

      The audience or readers find the depicted incongruities humorous.

      “which will also elicit a chuckle and deep thought of the audience even in modern times.”
    4 of 4

    Citations

    Cites

    Show all 3 references

    Research works printed but not linked: 2

    1. Beckson, K. Oscar Wilde: The Critical Heritage. London: Routledge & Kegan Paul; 1970.
    2. Ravelo, C. Oscar Wilde's Humorous Manipulation of Discourse with "Elaborate Politeness" in "The Importance of Being Earnest"; 2011. Available from https://www.semanticscholar.org/paper/Oscar- Wilde%27s-Humorous-Manipulation-of-Discourse-in-Ravelo/c94d972d0591aff1aaafdac23d246d45 fa Academic Journal of Humanities & Social Sciences ISSN 2616-5783 Vol.6, Issue 3: 18-22, DOI: 10.25236/AJHSS.2023.060304 Published by Francis Academic Press, UK -22- 6e9334

    Cited by

    Still being checked.

    Metadata

    Authors
    Li, L.
    Affiliations
    Hexi University (CN)
    Corresponding author
    Li Li
    ORCID
    Li Li
    Venue
    Academic Journal of Humanities & Social Sciences
    Published
    2023
    Volume
    6
    Issue
    3
    ISSN
    2616-5783 (ISSN-L)
    OpenAlex
    W4382581815
    Cited by
    0
    References
    3
    FWCI
    0.00
    Type
    journal article
    Language
    en
    Open access
    Locations
    Academic Journal of Humanities & Social Sciences (publishedVersion)
    Topics
    • Social Sciences › Arts and Humanities › Literature and Literary Theory › American and British Literature Analysis
    • Social Sciences › Arts and Humanities › Literature and Literary Theory › Literature and Culture Studies
    • Social Sciences › Linguistics and Language › Linguistics and Discourse Analysis
    Keywords
    dandyism, Oscar Wilde, The Importance of Being Earnest, politeness, social conventions, character language, character actions

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    Li, L. (2023). Dandyism in Oscar Wilde’s The Importance of Being Earnest. Academic Journal of Humanities & Social Sciences. https://doi.org/10.25236/ajhss.2023.060304