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Techno Fashion
Abstract
From digital-display dresses to remote control couture, this book exposes the revolutionary interface between contemporary fashion and technology. As twenty-first century fashion makes a dramatic departure from traditional methods, designers no longer turn to the past for inspiration, but look to the hi-tech future. The result is techno fashion, the new wave of intelligent clothing that fuses fashion with communication technology, electronic textiles, and sophisticated design innovations that express new ideas about appearance, construction and wearability. Born out of the collaboration between fashion designers, researchers and scientists, this new dialogue could be the most significant design innovation in fashions history, or indicate its eventual demise. Either way, techno fashion promises to forever disrupt the historical narrative of fashion evolution. Through interviews with designers ranging from innovators such as Hussein Chalayan and Tristan Webber to mavericks like Alexander McQueen, Bradley Quinn examines the impact of this new direction. The fusion of design and technology introduced by Yohji Yamamoto, Rei Kawakubo and Issey Miyake has created another direction for clothing, creating a new breed of designer-cum-scientist who redefines the way we dress, communicate, and even respond to environmental changes. As technology begins to shape fashion’s future, it redefines the boundaries between clothing, body and machine, forever transforming the ethics and lifestyles…
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In the citing paper
“The Modular Architecture is based on multiple of fours, where groups of four individual units combine to become one single construction (Quinn, 2002, pp. 19-26).”
From Transient Structures. Layers of Social Meaning in Conceptual Clothing (2016) · cites this paper as Quinn, 2002
In the citing paper
“The pieces that constitute her project are designed to provoke awareness of certain issues in society.They are designed in such a way that they work on many different levels”
From Transient Structures. Layers of Social Meaning in Conceptual Clothing (2016) · cites this paper as Quinn, 2002
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Transient Structures. Layers of Social Meaning in Conceptual Clothing
University of Art and Design, C.-N., BROSCATEAN, L., STAN, O., & Zipcode Fashion, C.-N. (2016) · Postmodern Openings · doi:10.18662/po/2016.0701.09 · Cited by 3
Metadata
- Authors
- Quinn, B.
- Corresponding author
- Quinn, Bradley
- Venue
- Bloomsbury Publishing Plc eBooks
- Publisher
- Bloomsbury Publishing (UK)
- Published
- 2002
- OpenAlex
- W4229774268
- Cited by
- 48
- References
- 0
- Citations by year
- 2026: 1 · 2025: 1 · 2024: 2 · 2023: 4 · 2022: 1 · 2021: 1 · 2020: 2 · 2019: 1 · 2018: 2 · 2017: 4 · 2016: 3 · 2015: 1 · 2014: 1 · 2013: 1 · 2012: 1
- FWCI
- 35.09
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Bloomsbury Publishing Plc eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cultural and Historical Studies
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Fashion and Cultural Textiles
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Technology, and Culture
- Keywords
- smart textiles, fashion and technology, wearable devices, fashion design innovation, Hussein Chalayan, Alexander McQueen, Yohji Yamamoto, Rei Kawakubo, Issey Miyake, clothing and the body
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- CoChat. (2026). Citation check: Techno Fashion. https://app.cochat.ai/papers/10.2752/9781847888877
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- Quinn, B. (2002). Techno Fashion. Bloomsbury Publishing Plc eBooks. https://doi.org/10.2752/9781847888877