The DOI matches its Crossref record.
El monstruo como máquina de guerra
Abstract
Moraña articula, en torno a la figura del monstruo, escondida tras alegorías, metáforas e hipérboles, las múltiples perspectivas de la filosofía, la historia del arte, la crítica cultural y la antropología. Un amplio análisis de los tópicos de la anomalía, la corporalidad, el terror y lo sublime que se adentra en los innumerables significados de lo monstruoso en la cultura occidental.
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Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“At its core, this epistemic colonization depended on assimilating American otherness-its monstrous alterity-and representing it according to archetypal patterns and images (Moraña 2017, 43).”
From I Monster: Embodying Trans and Travesti Resistance in Latin America (2020) · cites this paper as Moraña 2017, 43
In the citing paper
“It is this disruptive potential that leads Mabel Moraña (2017, 211-216) to describe the monster as the quintessential Deleuzian war machine, that is, a nomadic set of corporeal possibilities, affective intensities, and cognitive ruptures.”
From I Monster: Embodying Trans and Travesti Resistance in Latin America (2020) · cites this paper as Moraña 2017
Citations
Cited by
I Monster: Embodying Trans and Travesti Resistance in Latin America
Pierce, J. M. (2020) · Latin American Research Review · doi:10.25222/larr.563 · Cited by 42
“For a succinct description of the circulation of the monster as a topic of colonial writing, see Moraña (2017, 59–81). colonization depended on assimilating American otherness—its monstrous alterity—and representing it according to archetypal patterns and images (Moraña 2017, 43).”
Background
Metadata
- Authors
- Moraña, M.
- Corresponding author
- Moraña, Mabel
- Venue
- Iberoamericana Vervuert eBooks
- Publisher
- Vervuert Verlagsgesellschaft
- Published
- 2017-04-01
- OpenAlex
- W2911523881
- Cited by
- 87
- References
- 0
- Citations by year
- 2026: 8 · 2025: 13 · 2024: 6 · 2023: 8 · 2022: 7 · 2021: 40 · 2020: 4 · 2019: 1
- FWCI
- 2.51
- Type
- book
- Language
- es
- Open access
- closed
- Locations
- Iberoamericana Vervuert eBooks (publishedVersion)
- Topics
- Social Sciences › Cultural Studies › Gothic Literature and Media Analysis
- Social Sciences › Arts and Humanities › General Arts and Humanities › Cultural and Mythological Studies
- Social Sciences › Arts and Humanities › Philosophy › Philosophical and Cultural Analysis
- Keywords
- the monstrous, monsters, war machine, Western culture, sublime, terror, embodiment, abnormality, allegory, metaphor, hyperbole, art history, cultural criticism, anthropology
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
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Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
