Du linéaire au tabulaire
Open accessAbstract
Fresnault-Deruelle Pierre. Du linéaire au tabulaire. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 7-23.
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Comics always invite a reading that is not only linear and sequential because of tabularity and braiding.
“comics always invite a reading that is not just linear and sequential.This is due to their tabularity -the holistic effect provided by page layout (Fresnault-Deruelle, 1976foot_4 )and to what Groensteen calls 'braiding ' (1999, p. 171-186)”
From <i>All click and no play?</i> Game comics, comic games, and user agency (2025) · cites this paper as Fresnault-Deruelle, 1976
On p. 7, Fresnault-Deruelle distinguishes the strip as temporal and linear from the page as spatial and tabular, supporting the point that page layout offers more than sequential reading. But the distinction does not support the claim that comics always invite tabular reading: the paper specifically characterizes strips as linear. The citing sentence attributes braiding to Groensteen, not to this source. (LLM, conf=0.85)
Experimental — accuracy not yet measured
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Cited by
Sorted by citations
<i>All click and no play?</i> Game comics, comic games, and user agency
Busi Rizzi, G. (2025) · New Review of Hypermedia and Multimedia · doi:10.1080/13614568.2024.2407607 · Cited by 4 · see citing works
- Authors
- Fresnault-Deruelle, P.
- Venue
- Communications
- Publisher
- PERSEE Program
- Published
- 1976
- Volume
- 24
- Issue
- 1
- Pages
- 7-23
- ISSN
- 0588-8018 (ISSN-L)
- OpenAlex
- W2093209044
- Cited by
- 94
- References
- 0
- Citations by year
- 2026: 2 · 2025: 4 · 2024: 1 · 2023: 9 · 2022: 5 · 2021: 1 · 2020: 2 · 2019: 4 · 2018: 43 · 2017: 4 · 2016: 3 · 2015: 1 · 2014: 3 · 2013: 4 · 2012: 1
- FWCI
- 53.18
- Type
- journal article
- Language
- fr
- Open access
- green
- www.persee.fr
- Licence
- cc-by-nc-sa
- Locations
- Communications (publishedVersion)
- Persée (submittedVersion, cc-by-nc-sa)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Comics and Graphic Narratives
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
- Keywords
- comics, bande dessinée, linear narrative, narrative structure
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
