Cited by 0American and British Literature AnalysisModernist Literature and CriticismTheatre and Performance Studies

The DOI matches its Crossref record; 9 of the 9 references it cites were found in a registry or an index; none of the 58 sources its claims cite is checked for support yet.

Authenticity vs. Inauthenticity in Oscar Wilde’s The Importance of Being Earnest

Open access
Ibrahim, Md. Khalil·2021·International Journal of Language and Literary Studies

Abstract

Unlike other living creatures, human being requires an authentic life to reflect the true self and independence. Due to the limitations and complicacies of life, either personal or from the surroundings, people sometimes play inauthentic roles and express inconsistent statements. Wilde’s play ‘The Importance of Being Earnest’ represents the same situation where two protagonists Jack Worthing and Algernon Moncireff frequently change their valid identity and address for abundant freedom and worldly pleasure. Considering two fundamental existentialistic concerns such as authenticity and inauthenticity along with qualitative and descriptive analysis method, the study evaluates how authentic or inauthentic decisions Algernon and Jack have made to transform their long carried name, definite identity and diversified location. It highlights how Wilde’s major characters are intertwined with complicated relationships affecting self-motivated decision, choice and freedom. Nevertheless, the study takes into account all the self-contradictory commitments of both Algernon and Jack Worthing and their ridiculous attitude towards religious perception. Finally, it inspects the authenticity of the name “Earnest” for what both Cecily Cardew and Gwendolen Fairfax always feel an inexorable urge and fervor.

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

This article reads Oscar Wilde's *The Importance of Being Earnest* (1895) through an existentialist framework, arguing that the name "Earnest" is inauthentic and that the play's title carries no genuine importance. It pairs close reading of the play with existentialist theory on authenticity and inauthenticity drawn from Kierkegaard, Heidegger, Sartre, Nietzsche, and secondary commentators.

Key findings

  • Algernon Moncrieff is read as pursuing an authentic life through self-defined choice and freedom, rejecting Victorian convention (e.g., his piano playing, his refusal to part with "Bunbury," his indifference to "social possibilities"), while Jack Worthing's struggle is for a valid origin and authentic identity, culminating in the handbag revelation.
  • Jack's statements about having a brother are shown to be self-contradictory — he denies having a brother, then declares "I knew I had a brother! I always said I had a brother!" once Lady Bracknell identifies him as Mrs. Moncrieff's son — which the paper uses as evidence of his inauthenticity.
  • Algernon's cucumber-sandwich promise to Lady Bracknell is treated as a demonstrable inauthentic commitment: he eats the sandwiches himself, then claims via Lane that "There were no cucumbers in the market this morning."
  • The paper argues the name "Earnest" is inauthentic: Gwendolen and Cecily demand it ("There is something in that name that inspires absolute confidence"), but the paper concludes their demand was inauthentic and that "Being Earnest" makes no particular sense or importance in the play, since Lady Bracknell's objection to Jack concerned his parentage, not his name.
  • The christening subplot is read as questioning the authenticity of religious values: Lady Bracknell calls baptism "at their age" "grotesque and irreligious," and the paper concludes the baptism process "turned into a commercial form intentionally."

Methods

  • Design: a qualitative, interpretive literary study applying existentialist concepts of "Authenticity" and "Inauthenticity" to a single dramatic text.
  • Data: the play text (cited as Wilde, 2016, Penguin Books) plus a literature review of criticism on the play (Nassaar, Barris, Garland, Lalonde, Shabir) and existentialist sources (Carman, Flynn, Macquarrie, Panza & Gale).
  • Analysis: thematic close reading organized around three issues — searching for authenticity in true self and identity; inauthenticity in commitments and religious perception; and whether the name "Earnest" is authentic or inauthentic.

Limitations

  • Not stated in the paper: the article contains no explicit limitations section.
  • Evident from the text: the study rests on a single play and a selective set of quoted passages, with no stated criteria for selecting evidence; the theoretical framework is assembled from introductory and reference works (e.g., *Existentialism for Dummies*, *Existentialism: A Very Short Introduction*) rather than primary philosophical texts; and the conclusion that the name "Earnest" has no importance is asserted rather than tested against alternative readings, including the counter-reading the paper itself raises (that most incidents of the play focus on that single name).

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.36892/ijlls.v3i2.594

Cites

9 of 9 references verified0 citation errors · 0 not checkable

Statistics

Nothing to recompute.

Verification

Claims the paper makes

58 Sources not found

Show all 2 claims

  • Probably not a substantial claim. 54
  • It may state two separate claims as one. 17
56 of 56
  • The paper relies on this without support.

    Existentialist concepts of authenticity and inauthenticity can be applied to the fictional characters and events of Wilde's play.

    “On the basis of this theoretical framework, this research explores both the concept of authenticity and inauthenticity in Oscar Wilde's play The Importance of Being Earnest.”
  • The paper relies on this without support.

    The characters' statements and actions in the play can be treated as evidence of their authentic or inauthentic selves.

    “In this work, their substantial actions have been studied to figure out both authenticity and inauthenticity side by side.”
2 of 2

Self-check

Percentages, sums and reported differences re-computed from the paper’s own numbers.

Each contradiction between two passages listed here was confirmed by an independent check.

2 of 2

Citations

Cites

Research works printed but not linked: 2

  1. Macquarrie, John. (1973). Existentialism. Penguin Books.
  2. Shabir, Junaid Shah. (2020). Oscar Wilde's 'The Importance of Being Earnest' as a caricature of victorian England. Contemporary Literary Review India, 7(3), 80-90.

Cited by

Still being checked.

Metadata

Authors
Ibrahim, M. K.
Affiliations
Pabna University of Science and Technology (BD)
Corresponding author
Ibrahim, Md. Khalil
Venue
International Journal of Language and Literary Studies
Published
2021-06-29
Volume
3
Issue
2
Pages
254-261
ISSN
  • 2704-5528 (ISSN-L)
  • 2704-7156
OpenAlex
W3176463241
Cited by
0
References
7
FWCI
0.00
Type
journal article
Language
en
Open access
Locations
  • International Journal of Language and Literary Studies (publishedVersion, cc-by)
  • DOAJ (DOAJ: Directory of Open Access Journals) (submittedVersion)
Topics
  • Social Sciences › Arts and Humanities › Literature and Literary Theory › American and British Literature Analysis
  • Social Sciences › Arts and Humanities › Literature and Literary Theory › Modernist Literature and Criticism
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Theatre and Performance Studies
Keywords
The Importance of Being Earnest, Oscar Wilde, authenticity, inauthenticity, existentialism, identity, self-contradiction, freedom, hypocrisy, religious skepticism, name and identity

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