Cited by 262Race, History, and American SocietyMusic History and CultureTheater, Performance, and Music History

Disturbing the Peace: Black Culture and the Police Power after Slavery

Wagner, Bryan·2009·Harvard University Press eBooks

Abstract

W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary—Wagner gives a new account of black culture by reading these myths in the context of the black vernacular tradition’s ongoing engagement with the law.

Integrity signals

Registry

Crossref · 10.4159/9780674054769

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  • Studies of police power have been especially important for historians who have shown that policing was vital to the twin processes of enslavement and settler colonial elimination.

    “Studies of police power (Neocleous 2000;Dubber 2005;Wagner 2009;Singh 2014;Correia and Wall 2021) have been especially important for historians who have shown that policing was vital to the twin processes of enslavement and settler colonial elimination.”

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Authors
Wagner, B.
Corresponding author
Wagner, Bryan
Venue
Harvard University Press eBooks
Published
2009-01-01
OpenAlex
W4245360035
Cited by
262
References
0
Citations by year
2026: 8 · 2025: 23 · 2024: 19 · 2023: 3 · 2022: 59 · 2021: 26 · 2020: 11 · 2019: 30 · 2018: 61 · 2017: 8 · 2016: 4 · 2015: 1 · 2014: 1 · 2013: 5
FWCI
1.20
Type
book
Language
en
Open access
closed
Locations
Harvard University Press eBooks (publishedVersion)
Topics
  • Social Sciences › Sociology and Political Science › Race, History, and American Society
  • Social Sciences › Arts and Humanities › Music › Music History and Culture
  • Social Sciences › Arts and Humanities › Music › Theater, Performance, and Music History
Keywords
blues, African American culture, law and culture, W. C. Handy, John Lomax, phonograph records, penitentiary, Congo Square, legal history, African American music

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