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Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets
Abstract
In Why Lyrics Last, the internationally acclaimed critic Brian Boyd turns an evolutionary lens on the subject of lyric verse. He finds that lyric making, though it presents no advantages for the species in terms of survival and reproduction, is “universal across cultures because it fits constraints of the human mind.” An evolutionary perspective— especially when coupled with insights from aesthetics and literary history—has much to tell us about both verse and the lyrical impulse. Boyd places the writing of lyrical verse within the human disposition “to play with pattern,” and in an extended example he uncovers the many patterns to be found within Shakespeare’s Sonnets. Shakespeare’s bid for readership is unlike that of any sonneteer before him: he deliberately avoids all narrative, choosing to maximize the openness of the lyric and demonstrating the power that verse can have when liberated of story. In eschewing narrative, Shakespeare plays freely with patterns of other kinds: words, images, sounds, structures; emotions and moods; argument and analogy; and natural rhythms, in daily, seasonal, and life cycles. In the originality of his stratagems, and in their sheer number and variety, both within and between sonnets, Shakespeare outdoes all competitors. A reading of the Sonnets informed by evolution is primed to attend to these complexities and better able to appreciate Shakespeare’s remarkable gambit for immortal fame.
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“Literature, it has often been suggested, combines sensorimotor effects with intellectual patterns in a way that secures cognitive engagement that is greater than would result from either factor alone [105, 113–115].”
From Five studies evaluating the impact on mental health and mood of recalling, reading, and discussing fiction (2022) · cites this paper as [114]
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Carney, J., & Robertson, C. (2022) · PLOS ONE · doi:10.1371/journal.pone.0266323 · Cited by 25
The neuroaesthetics of prose fiction: pitfalls, parameters and prospects
Burke, M. (2015) · Frontiers in Human Neuroscience · doi:10.3389/fnhum.2015.00442 · Cited by 30
What’s in the brain that ink may character ….
Jacobs, A. M., Schuster, S., Xue, S., & Lüdtke, J. (2017) · Scientific Study of Literature · doi:10.1075/ssol.7.1.02jac · Cited by 28
Applied Evolutionary Criticism
Cooke, B., & Machann, C. (2012) · Style · doi:10.5325/style.46.3-4.0277 · Cited by 5
Art and Aesthetic Behaviors as Possible Expressions of our Biologically Evolved Human Nature
Davies, S. (2014) · Philosophy Compass · doi:10.1111/phc3.12135 · Cited by 3
Metadata
- Authors
- Boyd, B.
- Corresponding author
- Boyd, Brian
- Venue
- Harvard University Press eBooks
- Publisher
- Harvard University Press
- Published
- 2012-04-12
- OpenAlex
- W4246281772
- Cited by
- 27
- References
- 0
- Citations by year
- 2025: 4 · 2024: 3 · 2022: 2 · 2021: 3 · 2020: 1 · 2019: 3 · 2017: 3 · 2016: 2 · 2015: 2 · 2014: 3 · 2012: 1
- FWCI
- 5.26
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Harvard University Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Poetry Analysis and Criticism
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Shakespeare, Adaptation, and Literary Criticism
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Renaissance Literature and Culture
- Keywords
- lyric poetry, Shakespeare's sonnets, human cognition, aesthetics, literary history, poetic form, immortality, Brian Boyd
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