The DOI matches its Crossref record.
Introduction: Musical Performance and the Changing City
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“Yet, Holt and Wergin (2013) observe a trend towards larger and more commercial venues in cities, which is catering for a market of headliner artists.”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Holt and Wergin 2013
In the citing paper
“The implication is a separation of DIY and commercial cultural production between neighbourhoods and therefore a weakening of the ecology that constitutes a scene and ultimately a vibrant neighbourhood”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Holt and Wergin 2013
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cited by
Hoeven, A. V. D., & Hitters, E. (2020) · The Future of Live Music · doi:10.5040/9781501355905.0008 · Cited by 8
Metadata
- Venue
- Musical Performance and the Changing City
- Publisher
- Routledge
- Published
- 2013-09-02
- Pages
- 15-38
- Cited by
- 1
- References
- 0
- Language
- en
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Introduction: Musical Performance and the Changing City. https://app.cochat.ai/papers/10.4324/9780203078921-7
- The paper
- Introduction: Musical Performance and the Changing City. (2013). Musical Performance and the Changing City. https://doi.org/10.4324/9780203078921-7
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.