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Sound Tracks

Connell, John, Gibson, Chris·2003·Routledge eBooks

Abstract

Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.

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Metadata

Authors
Connell, J., & Gibson, C.
Venue
Routledge eBooks
Publisher
Routledge
Published
2003-09-02
OpenAlex
W4250582912
Cited by
423
References
0
FWCI
115.31
Type
book
Language
en
Open access
closed

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CoChat. (2026). Citation check: Sound Tracks. https://app.cochat.ai/papers/10.4324/9780203448397
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Connell, J., & Gibson, C. (2003). Sound Tracks. Routledge eBooks. https://doi.org/10.4324/9780203448397

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Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.