The DOI matches its Crossref record.
A Philosophical Enquiry Into the Sublime and Beautiful
Abstract
Edited with an introduction and notes by James T. Boulton. 'One of the greatest essays ever written on art.'– The Guardian Edmund Burke’s A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful is one of the most important works of aesthetics ever published. Whilst many writers have taken up their pen to write of "the beautiful", Burke’s subject here was the quality he uniquely distinguished as "the sublime"—an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it. It was an analysis that would go on to inspire some of the leading thinkers of the age, including Immanuel Kant and Denis Diderot. The Routledge Classics edition presents the authoritative text of the first critical edition of Burke’s essay ever published, including a substantial critical and historical commentary. Edmund Burke (1729–1797). A politician, philosopher and orator, Burke lived during a turbulent time in world history, which saw revolutions in America and France that inspired his most famous work, Reflections on the Revolution in France.
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Citations
Cited by
Sorted by citations
Items 201–256 of 256
Arkitektur som tredje hud: Om rum, kropp och atmosfär
Sigurdson, O. (2022) · Rhetorica Scandinavica · doi:10.52610/mwds1987
Emotional component in the aesthetic experience of the sublime
Grbovic, S. (2022) · Theoria Beograd · doi:10.2298/theo2203111g
Robinson, B. S. (2021) · Oxford University Press eBooks · doi:10.1093/oso/9780198869177.002.0003
The sublimity of darkness and its affective transmission and subduing in picturebooks
Ylönen, S. C., & Mustola, M. (2023) · Children's literature, culture, and cognition · doi:10.1075/clcc.13.02ylo
Nikravesh, N. N. (2023) · Victoriographies · doi:10.3366/vic.2023.0479
“Mock Observations” of Galaxies
Skulberg, E., Sparre, M., & Veel, K. (2023) · BRILL eBooks · doi:10.1163/9789004515413_026
Charles Marville and the politics of the urban sublime
Rexer, R. A. (2023) · Nineteenth Century Contexts · doi:10.1080/08905495.2023.2217816
“These include a primal connection with scenes of nature (hence its resonance for Romantic poets and visual artists), and the importance of obscurity, confusion, darkness, eternity, power, vastness, awe, and infinity in producing sublime effects (Burke 2015, 46–71).”
Background(2023) · The MIT Press eBooks · doi:10.7551/mitpress/13829.003.0012
(2023) · The MIT Press eBooks · doi:10.7551/mitpress/13829.003.0011
The Empty-Sublime: Considering Robert Rauschenberg in a Comparative Context
Huck, C. (2023) · Comparative and Continental Philosophy · doi:10.1080/17570638.2023.2217590
“For instance, Edmund Burke (2015), in A Philosophical Enquiry into the Sublime and Beautiful (1757), lists, amongst various causes of the sublime, “ Astonishment, with some degree of horror ” (II,i); obscurity; “ . . . all that is ‘ dark, uncertain, confused, terrible ’ is sublime to the last degree ” (II.iii); “ vast…”
BackgroundEstética Ambiental, Artes e Espaços Públicos
Wagner, C. (2023) · Art&Sensorium · doi:10.33871/23580437.2023.10.01.188-198
Arkitektur som tredje hud: Om rum, kropp och atmosfär
Sigurdson, O. (2023) · Rhetorica Scandinavica · doi:10.52610/rhs.v26i84.82
Hühn, P. (2005) · Europäische Schneisen · doi:10.15460/hup.135.984
Hispanoamerikanische Lyrik des 20. Jahrhunderts
Meyer-Minnemann, K. (2005) · Europäische Schneisen · doi:10.15460/hup.135.988
Hühn, P. (2005) · Europäische Schneisen · doi:10.15460/hup.135.980
Schramm, T. (2005) · Europäische Schneisen · doi:10.15460/hup.135.976
Hillmann, H., & Hühn, P. (2005) · Europäische Schneisen · doi:10.15460/hup.135.975
Letcher, A. (2023) · Interdisciplinary Science Reviews · doi:10.1080/03080188.2023.2233245
Vom Sprechen und Schweigen in der russischen Lyrik des 20. Jahrhunderts
Gölz, C. (2005) · Europäische Schneisen · doi:10.15460/hup.135.985
Mahmood, K. A. (2023) · Tesis Doctorals en Xarxa (Consorci de Serveis Universitaris de Catalunya) · doi:10.6035/14110.2023.807399 · Cited by 1
Hühn, P. (2005) · Europäische Schneisen · doi:10.15460/hup.135.986
The Social Ontology of Legal Institutions
Carvalho, J. (2023) · Springer eBooks · doi:10.1007/978-3-031-46854-4_4
Carvalho, J. (2023) · Springer eBooks · doi:10.1007/978-3-031-46854-4_6
Beelden van Noordzeenatuur : Visies en perspectieven op de natuur van de Nederlandse Noordzee
van der Meulen, L., & Buijs, A. E. (2023) · doi:10.18174/640682
Disjunctivism and the Paradox of Tragedy
Gaskin, R. (2023) · The Philosophical Quarterly · doi:10.1093/pq/pqad123
Within the Space of Drawing: Lines and the Locus of Creation in Architectural Design
Paans, O. (2024) · Journal of Research in Philosophy and History · doi:10.22158/jrph.v7n1p36
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0011
Politics, Friendship, and Fools
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0010
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.00012
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.8
“An Infinite Variety of Fragments”
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0005
Political Liberalism and the Rise of American Romanticism
Reznick, S. M. (2024) · doi:10.1093/9780191996504.001.0001
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0001
Born Free and Everywhere in Chains
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0009
Toleration and The State of Nature
Reznick, S. M. (2024) · doi:10.1093/9780191996504.003.0006
Davidson, M. S. (2019) · doi:10.1093/oso/9780198832812.002.0008
Davidson, M. S. (2019) · doi:10.1093/oso/9780198832812.002.0003
Davidson, M. S. (2019) · doi:10.1093/oso/9780198832812.002.0004
Davidson, M. S. (2019) · doi:10.1093/oso/9780198832812.002.0005
Ungureanu, C. (2024) · Journal of Spanish Cultural Studies · doi:10.1080/14636204.2024.2347666
“Villaronga ’ s fi lm moves away from his earlier neorealism toward an aesthetics that engages, in Géricault ’ s footsteps, with the “ in fi nite ” (Burke [1957] 1998, 101), namely the experience of incommensurable horror and beauty (a theme that will be discussed later in greater detail).”
Background(2020) · Oxford University Press eBooks · doi:10.1093/oso/9780190692322.002.0003
(2020) · Oxford University Press eBooks · doi:10.1093/oso/9780190692322.002.1005
Knowledge and the Aesthetics of Nature
Vice, S. (2024) · The British Journal of Aesthetics · doi:10.1093/aesthj/ayae010
Nissan, E. (2024) · Springer eBooks · doi:10.1007/978-3-031-46069-2_2
(2024) · Advances in media, entertainment and the arts (AMEA) book series · doi:10.4018/978-1-6684-8716-7.ch006
From S.E.K. Mqhayi to Dumile Feni
(2024) · Advances in media, entertainment and the arts (AMEA) book series · doi:10.4018/978-1-6684-8716-7.ch009
(2024) · Advances in media, entertainment and the arts (AMEA) book series · doi:10.4018/978-1-6684-8716-7.ch001
Joshua, E. (2024) · Cambridge University Press eBooks · doi:10.1017/9781009180177.007
Schopenhauer y la cuádruple raíz del principio de la estética
Urdampilleta, Á. C. (2025) · Pensamiento Revista de investigación e información filosófica · doi:10.14422/pen.v80.i311.y2024.009
Play On: Isobel Armstrong's The Radical Aesthetic
Ellmann, M. (2025) · Genre · doi:10.1215/00166928-11684138
Securing the State: Political Legitimacy and the Rhetoric of Negative Aesthetics
Stoneman, E. (2014) · D-Scholarship@Pitt (University of Pittsburgh)
Schultz, F. (2026) · Recherches anglaises et nord-américaines · doi:10.4000/16hyg
American Folktale as the Guardian of the Folk: Black Bartelmy a Local Legend
Joshi, Y. (2023) · Vidhyayana · doi:10.58213/r9g8vr88
Sublime Absence: An Analysis of the California Drought Discourse
Cooledge, M. (2015) · DigitalCommons - CalPoly (California State Polytechnic University)
Metadata
- Authors
- Burke, E.
- Corresponding author
- Burke, Edmund
- ORCID
- Burke, Edmund
- Venue
- Routledge eBooks
- Publisher
- Routledge
- Published
- 2009-06-02
- OpenAlex
- W1670290730
- Cited by
- 256
- References
- 0
- Citations by year
- 2026: 1 · 2025: 3 · 2024: 24 · 2023: 25 · 2022: 7 · 2021: 21 · 2020: 29 · 2019: 65 · 2018: 11 · 2017: 8 · 2016: 5 · 2015: 7 · 2014: 7 · 2013: 9 · 2012: 4
- FWCI
- 10.19
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Routledge eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Aesthetics, and Perception
- Social Sciences › Arts and Humanities › Philosophy › Philosophy and Historical Thought
- Keywords
- Edmund Burke, sublime, beauty, aesthetics, philosophy of art, Immanuel Kant, Denis Diderot, eighteenth-century aesthetics
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review