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Stoicism, solidarity and cynicism: examining the role of Second World War posters in framing present-day British identity
Open accessAbstract
The events of the Second World War are frequently recalled in modern British cultural discourse. The reuse and repetition of particular historical artefacts can have a powerful influence on the cultural memory and personal and national identities of people in Britain today, people whose experience is far removed from the realities of the wartime period. This paper focuses on one instance of this phenomenon: the appropriation and reuse of home front propaganda posters created by the British Ministry of Information (MoI) during the Second World War. Some of these posters have been republished in a variety of media over the last seventy years and are recognised today by large numbers of British people. This paper seeks to uncover what role the posters have in defining ideas and identities in the present. Drawing on data from a survey and interviews conducted with members of the public in spring and summer 2017, this paper will assess how particular Second World War images are able to influence present-day identities and historical consciousness. This research contributes to our understanding of how historical artefacts can have unintended long-term impacts on national culture, long after their original purpose and context has faded.
Overview
CoChat Summary
TL;DR
This paper examines how Second World War Ministry of Information propaganda posters are interpreted by present-day British people and how they help frame national, generational, and gender identities. Using surveys and interviews, it finds posters often activate myths of solidarity and stoicism, but also provoke cynicism and identity formation against dominant narratives.
Key findings
- Participants frequently interpreted the posters through myths of the “people’s war,” “Blitz spirit,” and “Dunkirk spirit,” especially solidarity and stoicism. “Dig for Victory” was associated with hard work, and “Make Do and Mend” with rationing and economy, then extended to British resilience, togetherness, and modern sustainability, charity, and vintage fashion.
- “Keep Calm and Carry On” was seen as a direct symbol of Britishness and stoicism; the crown was read as monarchy and empire, and some respondents used “we” and “our” to express pride. Because it was never displayed during the war and lacks 1940s features, it was easily applied to modern contexts such as terrorist attacks.
- Some respondents expressed cynicism or discomfort: Churchill’s myth was described as problematic, “Dig for Victory” patriotism as uncomfortable, and “Keep Calm and Carry On” as irritating or linked to Brexit and Empire nostalgia. Posters also helped articulate generational identity and, for “Women of Britain Come into the Factories,” a reading of women’s liberation.
- The study reports 92 completed surveys from information stands and 209 online, with 16 interviews lasting 45–90 minutes; the survey used five posters, and interviews added five new images.
Methods
- Qualitative design using surveys and semi-structured interviews. Survey participants were shown five posters and asked about recognition, memory, associations, and memorability; interviews covered the same topics in more depth and added five new images.
- Recruitment was face-to-face at information stands in Kew, Ealing, Croydon, Nottingham, and Leeds, and online via Twitter and King’s College London publicity emails. A total of 92 completed surveys were collected from stands and 209 online; 16 interviewees were selected to cover a broad range of ages and birth locations.
- The paper presents qualitative discussion of survey and interview responses; no formal analytic technique is named.
Limitations
- The paper states that both recruitment methods were biased toward people interested in the Second World War, history, or design, because participants had to actively approach the stand or click the link, and the 10-minute survey required concentration; this bias was “to some extent inevitable.”
- The paper states that 16 people were interviewed, a small self-selected group. The text also reports 92 stand surveys plus 209 online surveys, but later says the survey provided 252 eligible volunteers and the Appendix tables total 252, an inconsistency evident in the text.
- Evident from the text: no formal analytic procedure is named, and findings rely on qualitative interpretation of volunteer responses, limiting generalizability.
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Claims the paper makes
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In the paper
“When participants viewed the images and responded to them, they often did so by referencing existing national myths of the Second World War.”
plainstates an association- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
A result the paper reports from its own data — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“The posters enabled respondents to articulate their understanding of what it means to be British, and in many cases this understanding included concepts of hard work, solidarity and stoicism.”
plainstates a cause- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
A result the paper reports from its own data — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“The two themes that appeared most frequently when participants discussed the images are solidarity and stoicism.”
plain- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
A result the paper reports from its own data — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“Participants generalised from their interpretation of the image and their understanding of the experience of the Second World War home front to draw conclusions about British national identity.”
plainstates a cause- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: passes — The paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
A result the paper reports from its own data — it cites no other source for it, so there is none to check. The quote shows it is in the paper.
In the paper
“In many cases, they exhibit an emotional response in doing this, defining themselves as members of the British nation through the use of the pronouns ‘we’ and ‘our’.”
plain- Asserted: passes — The authors put it forward as true.
- Checkable: passes — It can be checked against evidence.
- Load-bearing: unclear — It is unclear whether the paper’s conclusions depend on it.
- Based: passes — The paper gives a reason why it holds.
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In the paper
§ References
“Accepted on 2026-04-11”
§ References
“Published on 2019-04-01”
Rated minor: it would not touch a result — a value no result rests on, a p-value that stays on the same side of the significance level, or a conflict that is clerical, resolved elsewhere in the paper, or outside its own findings.
In the paper
§ Introduction
“In their 2014 book, British Cultural Memory and the Second World War, Lucy Noakes and Juliette Pattinson argue that cultural memory is a product of collaboration between different types of memory.”
§ References
“Noakes, L., Pattinson, J. (Eds.), 2013. British Cultural Memory and the Second World War, 1st edition. ed. Bloomsbury Academic.”
Citations
Cites
The publisher hasn’t deposited this paper’s reference list.
Research works printed but not linked: 6
- Aldgate, A., Richards, J., 2007. Britain Can Take It: The British Cinema in the Second World War, Second Edition. I.B.Tauris.
- Connelly, M., 2004. We can take it!: Britain and the memory of the Second World War. Pearson Longman.
- HC Deb (13 May 1940), vol. 360, col. 1501-2513. Available at: api.parliament.uk/historic-hansard/commons/1940/may/13/his-majestys-government-1 (Accessed: 6 April 2018).
- Mackay, R., 2003. Half the Battle: Civilian Morale in Britain During the Second World War, 1st Edition. ed. Manchester University Press, Manchester; New York.
- Noakes, L., Pattinson, J. (Eds.), 2013. British Cultural Memory and the Second World War, 1st edition. ed. Bloomsbury Academic.
- Smith, D., 2013. The Spade as Mighty as the Sword: The Story of World War Two’s ’Dig for Victory’ Campaign. Aurum Press.
Cited by
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Metadata
- Authors
- Howells, K.
- Affiliations
- King's College London (GB)
- Corresponding author
- Katherine Howells
- ORCID
- Katherine Howells
- Venue
- Essex Student Journal
- Publisher
- University of Essex Library Services
- Published
- 2026
- OpenAlex
- W7171391661
- Cited by
- 0
- References
- 0
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- green
- doi.org
- Licence
- Locations
- University of Essex (cc-by)
- Topics
- Social Sciences › Cultural Studies › Memory, Trauma, and Commemoration
- Social Sciences › Political Science and International Relations › World Wars: History, Literature, and Impact
- Social Sciences › Sociology and Political Science › National Identity and Symbolism
- Keywords
- British Ministry of Information, home front propaganda, cultural memory, national identity, historical consciousness, Britishness, post-war Britain
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- CoChat. (2026). Citation check: Stoicism, solidarity and cynicism: examining the role of Second World War posters in framing present-day British identity. https://app.cochat.ai/papers/10.5526/esj.478
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- Howells, K. (2019). Stoicism, solidarity and cynicism: examining the role of Second World War posters in framing present-day British identity. Essex Student Journal. https://doi.org/10.5526/esj.478
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