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Cited by 0Cinema History and CriticismNarrative Theory and AnalysisSound Studies and Aurality

The DOI matches its Crossref record; 15 of the 22 references it cites were found in a registry or an index.

SILENCE AND SPEECH IN FILM NARRATIVE STRUCTURE : LAILA PAKALNIŅA ’ S “ THE SHOE ” AND DĀVIS SĪMANIS ’ “ EXILED ”

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Rapa, Sanda, Taperte, Jana·2022·Culture Crossroads
DOI 10.55877/cc.vol18.49
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Abstract

The paper deals with the importance of speech (and absence of speech) for the storytelling strategies in film, which includes verbal and non-verbal interaction between characters, as well as speech in a broader sense as part of cinematic soundscape with particular focus on the relationship between sound and image. For the analysis, Laila Pakalniņa’s “The Shoe” (Kurpe, 1998) and Dāvis Sīmanis’ “Exiled” (Pelnu sanatorija, 2016) where chosen. Although “The Shoe” and “Exiled” differ considerably in terms of visual aesthetics and thematic scope, both films share stylistic features of slow cinema. The significance of silence and speech in shaping film narrative (syntagms) is analyzed using narratology models; the interaction between speech and silence, as well as between sound and image is described using linguistic terms.

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Metadata

Authors
Rapa, S., & Taperte, J.
Affiliations
University of Latvia (LV)
ORCID
Rapa, Sanda
Venue
Culture Crossroads
Publisher
The Latvian Academy of Culture
Published
2022-10-31
Volume
18
Pages
6-19
ISSN
2500-9974 (ISSN-L)
DOI
10.55877/cc.vol18.49
OpenAlex
W4308507713
Cited by
0
References
22
FWCI
0.00
Type
journal article
Language
en
Open access
Licence
Locations
Culture Crossroads (publishedVersion, cc-by-nc)
Topics
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
  • Social Sciences › Arts and Humanities › Literature and Literary Theory › Narrative Theory and Analysis
  • Social Sciences › Cultural Studies › Sound Studies and Aurality
Keywords
silence in film, film narrative structure, slow cinema, sound and image, nonverbal communication, narrative theory, Latvian cinema

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